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Beauty In Basil Hallward's The Picture Of Dorian Gray

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Thousands upon thousands of definitions exist for the concept of beauty. Beauty is the materialization of the good in life that we react to with love and compassion; beauty is the idea of certain objective features of the world that generates an elated sentiment. There is no one definition of beauty. Beauty can be both happy and sad, and it can also be ugly – it all depends on who’s judging. The subject matter does not determine anything. It is the percipient that determines all. In the case of the female aesthetic beauty, because beauty is a subjective matter defined by the eyes of the beholders, it does not contain a finite definition. Everyone possesses the means to develop his/her own opinion on a matter based on their individual tastes, and these tastes are constantly influenced by third party sources. Beauty is subjective, therefore there cannot be a single …show more content…

These preferences are developed in a person through the experiences that one has had. In The Picture of Dorian Gray, Basil Hallward, an artist, paints a portrait of Dorian Gray, portraying his perception of Dorian. Basil, however wishes for this picture to be admired in private because he is "afraid that [he has] shown in it the secret of [his] own soul" (Wilde 7). He later reveals to the object of his painting: "Dorian, from the moment I met you, your personality had the most extraordinary influence over me… When you were away… you were still present in my art…” (Wilde 117). Basil admits that he idolised Dorian obsessively due to his desperation in this unrequited love. This love for Dorian was represented in his art as youthful beauty; yet this is only seen by Basil, as it is solely him such a position. Based on their tastes affected by their experiences, each subject individual possesses the ability to develop their own

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In the book “Two or Three Things I Know for Sure” by Dorothy Allison the theme of beauty is brought to light in a way that is intersectional and develops the story to new heights. Beauty is discussed throughout the book and is one of the main themes. Allison talks about beauty when referencing her family and herself, and the idea of what it means to be beautiful in her mind based on how she grew up and where she came from. Normatively, beauty is associated with outward appearance and one’s identity, however beauty should be recognized as intersectional and include everyone, based not only on their outwards appearance but based on the beauty of their personality and thoughts because every human is beautiful in their own way. Dorothy Alison transforms

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The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.

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His views, opinions and influences captivated by Dorian Gray which continuously encourages Dorian Gray into bad things. The third main character is Basil Hallward who was an artist that paints a picture of Dorian Gray and thus, becomes obsessed with him as Dorian Gray’s beauty was Basil’s art object. Basil feelings towards Dorian were left unclear, likely because in that time, those who involved in homosexual are going to be punish be society. ‘The Picture Of Dorian Gray’ book, Oscar Wilde emphasized some relationships which were Basil Hallward and Lord Henry were friends of Dorian Gray, but, as I reach to the middle pages, Basil had feelings for Dorian Gray as he even confessed to Dorian in Dorian’s

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Thus, beauty, a concept that is assumed to be subjective, now morphs into something objective. Valenti notes that in popular culture, for instance, the most desirable woman is depicted as one

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His idolization of Dorian causes him to let Dorian dominate him. Small as it is, it shows Dorian for the first time what his beauty can do to people. The fact that people are willing to believe and do anything for him because of his beauty. This realization causes a lot of problems later on in the storyline. Lord Henry Wotton is another influencer on Dorian Gray.

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The genre of the novel is a terror, drama, psychology, humanitarianisms, romance and paranormal components. The Picture of Dorian Gray begins on a beautiful season day in Victorian-era England where Lord Henry Wotton, a determined man, is observing the sensitive artist Basil Hallward painting the painting of Dorian Gray, a handsome young man who is Basil 's ultimate inspiration. Though sitting for the painting, Dorian listens to Lord Henry adopting his hedonistic worldview and begins to think that beauty is the only aspect of life worth trying. This encourages Dorian to wish that the painted image of himself would age in his stead.

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As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.

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Influence in The Picture of Dorian Gray And The Book of Job The Picture of Dorian gray is a book written by Oscar Wilde and it was published in 1880. The book was later revised by addition of more chapters and reprinted in April 1891. Dorian Gray is the main character in this book that is described as a beautiful and unspoiled male who changes his life completely by sinning and pleasure after meeting Lord Henry. Basil Hallward who is a painter develops obsession for Dorian because of his beauty whereas Lord Henry Wotton Basil’s friend influences Dorian with his theories about life, pleasure and women even though he had no intention of changing Dorian’s personality. Lord Henry’s influence in Dorian leads to his downfall.

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Another theme illustrated through Wilde’s use of motifs and symbols is the theme of superficiality. The theme of superficiality can be understood as a sense of the superficial view of outer beauty that is shown in the work. It relates to the concept of remaining young, which is an important factor of what is shown in the novel. This is an important part of the novel because outer beauty plays a bigger role for Dorian, than inner beauty does. In the beginning of the novel, Lord Henry and Dorian have a conversation that focuses on the topic of youth and Dorian 's outer beauty – Lord Henry mentions the fact that Dorian has a beautiful face, and later during this conversation, Lord Henry states that: “youth is the only thing worth having…”

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The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.

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Basil has come to ask Dorian about all the horrible rumors surrounding him, and hopes they turn out false. Basil also asks about the portrait and why Dorian hides it, so Dorian decides to show him his “to see your soul. But only God can do that—you shall see it yourself to-night!”. Dorian then takes Basil to see his picture, which at first cannot be recognized by Basil, but soon he realizes the true horror of the situation, “an exclamation of horror broke out from the painter’s lips as he saw in the dim light the hideous face on the canvas grinning at him” (Wilde 113). Dorians soul has become rotten to the core with selfishness and pleasure, mainly because of Lord Henry’s poisonous words.

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In the early 18th century a new genre of fiction prose, named "Gothic Novel" was introduced. The term ”Gothic” used to refer to the German tribe of the Goths. The Gothic novel spread over the 19th century and had the popular theme of haunted places such as castles, crypts, gloomy monasteries; supernatural elements having the role to intensify the atmosphere. The characteristic motifs of the gothic genre were the strange places, the supernatural, magic objects, monsters, demons, science used for bad purposes. And many of them appear also in "The Picture of Dorian Gray".

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However, an individual’s cultural standards have an influence on their perceptions of beauty. For example, an

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The theme of appearance extends further in Dorian’s life. Dorian’s outer beauty allows him to get away with almost anything, due to the fact that people equals his outer beauty to him being a good person. In reality, Wilde makes it very clear that Dorian Gray is not a good person. The theme of appearance is illustrated through underlying criticism within Wilde’s use of motifs and symbols. A main motif used by Wilde is the painting done by Basil Hallward.

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