Becoming A Monster: A Fictional Narrative
Elijah Carpenter Juhas 3 Hour 2/10/23 The boy that became a monster You know what I wonder? I wonder what goes through people's minds when they are not just a human anymore, they are real life monsters.
In the world, minorities are often stereotyped and profiled unfairly. The novel “Monster” by Walter Dean Myers, portrays this by showing how quick people are to judge a young black male. In the book, Steve Harmon, a black sixteen-year-old, is on trial for supposedly participating in the robbery that resulted in the murder of store owner, Mr Nesbitt. Steve is arrested and detained in absolute isolation while having to undergo everyone’s, including his parents’ harsh critiques. Despite being found not guilty, Steve continued to be profiled as a monster and will never be treated as a teenager anymore.
My first impression when I was reading the book is that the environment in which one lives in can influence our decisions. The book describes Steve in general as a good guy from a harsh environment that has molded him poorly. Steve is a 16-year-old from the ghetto, and as one from the ghetto, he believes that surviving on the streets requires working on the side of the gang, not against it. Therefore, as a result, he has lived his young life doing jobs for the gang that has gotten him involved in small crimes, drug usage, and other poor choices. However, Myers' story shows it is clear Steve has made bad choices as a product of his environment and one can argue if Steve is "evil" because he has done these crimes as a result of his environment
Perceptions from others can be cruel. Criminals are often thought of negatively by themselves and are also disrespected by others in society. The novel Monster presents the impressions people have about Steve Harmon, an accused criminal on trial for robbery and murder. Furthermore, the text explains Steve’s views of himself during and after time in prison from first person point-of-view. The novel Monster by Walter Dean Myers highlights the various perceptions that exist about an accused criminal.
Monster Culture Jeffrey Jerome Cohen is the writer of “Monster Culture: Seven Theses.” He went to the University of Rochester and acquired a PhD in English and has been teaching at George Washington University since 1994. The intended audience of this essay is anybody interested in the monster culture. This essay came from Monster Theory: Reading Culture.
Gabriella Nixon Mrs.Juhas 3rd hour 2-10-23 Title George R. R. Martin once wrote, “There are no heroes...in life, the monsters win. ”Steven Harmon is a 16 year old male who is seen as a hero to some but a monster to others. Steve Harmon is on trial for robbery and murder, He lives in Harlem New York with his family and friends. In the novel, Monster, by Walter Dean Myers, Steve Harmon was a monster because he knew about the robbery and he was friends with bad people, lied about things and didn’t think about his actions.
Your Eloquence Engine Trial ends on 29 March 2018 - Subscribe to GradeProof Pro Monster Conflict Essay: Innocence vs. Guilt The definition of a “monster” is a threatening force. In Walter Dean Myers’ Monster, Steve Harmon the defendant in the trial is being charged for felony murder. The monster in him is the struggle between his innocence and guilt.
Rhetorical Analysis of “Monsters and the Moral Imagination” Many people believe monsters are imaginary creatures that are seen in movies or even for others, it could be a serial killer that was heard about on the news. Stephen T. Asma wrote “Monsters and the Moral Imagination” which “first appeared in the Chronicle of Higher Education in October 2009” (Hoffman 61). Asma, who is a professor of philosophy, examines how different individual’s perceptions of a monster can be different depending on the era or even events happening around them. In “Monsters and the Moral Imagination,” Stephen T. Asma wrote a nonfiction, persuasive article for an educated and possibly specialized audience to examine how the idea of monsters have changed over time, what could be the motivation to create them, or even how life experiences could change an individual’s perceptions.
Monsters will NEVER ever die: all cultures around the world have them and have had them since people first thought of them. Distinguished Professor of Philosophy at Columbia College Chicago, Stephen T. Asma, in his essay, Monsters and the Moral Imagination, describes how we look at and are drawn to monsters. But not just monsters, murderers and psychopaths also. Monsters never age, ranging from the first civilization to now. In Asma's essay he asks, "Why do monsters exist?
When people hear the word “monster”, most people imagine a massive, horrid, and grotesque figure that haunts people. While pondering what a monster is, mankind thinks of the outward appearance. Seldom do people think of man’s internal qualities as being barbaric or gruesome. Authors allow readers to create their own images of these terrifying beings. Frankenstein is a thought-provoking novel that empowers readers to have their own opinions about who the actual monster is and what it looks like.
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
Breathing deeply, I retched at the sickening smell of rotten flesh and pus. Looking around, I caught a brief glimpse of the creature that was stalking me. Noticing my stare upon it, the creature melted into the shadows as if it was never there. This wretched labyrinth was starting to get to me.
Frankenstein vs. “The Post-Modern Prometheus” In the realm of literature, Mary Shelley’s novel Frankenstein stands out as a timeless classic known for its exploration of themes that remain relevant in modern times. Correspondingly, the TV show The X-Files has enchanted audiences with its paranormal investigations and journeys into the unknown for decades. In the episode “The Post-Modern Prometheus,” The X-Files’ director, Chris Carter, delivers a tribute to Frankenstein and its themes of the pursuit of knowledge’s consequences, fate versus free will, and the results of isolation and alienation. These three central themes are coequally developed, providing an opportunity to examine their standing in both the novel and the episode.
“Oh my god” Mr.White whispered. “Oh. My. God!” This seriously couldn’t be happening. In the heat of the moment, anyone could’ve made the same mistake he had.
The monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.
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