Beethoven The Retransition In The Recapitulation

In the summer and fall of eighteen zero two, Ludwig Beethoven worked on this magnificent symphony. On the fifth day of April in eighteen zero three, this beautiful symphony was performed for the first time at Vienna’s Theatre an der Wien at an all-Beethoven concert. On the twenty second day of April in eighteen forty-three, the fantastic symphony had it’s first American performance at the New York Philharmonic. Two of many instruments are used for this wonderful symphony: flutes, trumpets, oboes, horns, clarinets, and bassoons. The duration of this delightful symphony is no more than thirty-four minutes long. For Beethoven, the unparalleled fertility period began in eighteen zero two. The talented composer once quoted that energy had no limits when it came to work and life. Around this time, there were several things Beethoven knew about: 1) the despair of Heiligenstadt that speaks in it’s will, and 2) the state of

Many similarities occur between the Exposition and Recapitulation. However, depending on the musical piece, these two topics also have differences. In Beethoven’s Symphony No. 2 (in D Major, Opus 36/I), the first theme group in the Exposition lasts from measures thirty-three to fifty-seven, whereas the first theme group in the Recapitulation lasts from measures two hundred and sixteen to two hundred and twenty-eight. In the Exposition, the transition begins in measure fifty-eight, continuing to measure seventy-two. In the Recapitulation, the transition lasts from measures two hundred and twenty-nine to two hundred and forty-four. When it comes down to the subordinate theme, the Exposition’s second theme group lasts from measures seventy-two to one hundred and twelve. On the other hand, the second theme group in the Recapitulation lasts from measures two hundred and forty-five to three hundred and