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Jazz African american culture
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More handpicked essays just for you.
Jazz African american culture
African american impact on jazz
Jazz impact on African Americans
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Jazz African american culture
Bessie Smith was a jazz and blues vocalist, deep and powerful voice who her innumerable fans and earned her the title "Empress of the Blues." She was conceived in Chattanooga, Tennessee on April 15, 1894, and unfortunately passed on September 26, 1937, in a car accident. Bessie had numerous achievements as a dynamic blues artist through 1912-1937. Through battles and diligent work, Bessie was remaining in Philadelphia and she caught the eyes of 'Columbia Records', who found Bessie's stunning ability in singing. At that point In her first album, she sang a track known as 'Downhearted Blues' which right away ended up renowned and sold a surmised of 800,000 copies.
B.B King Riley B. King was born on September 16, 1945 on a plantation in Itta Benna, Mississippi. More well known as B.B King, he was an American blues singer, electric guitarist, songwriter, and record producer. As a child, he was raised by his grandmother when his mother left him for another man. His music career began during his childhood when he would sing in his church choir. When B.B was 12 years old he bought his first guitar.
Life is presented with a turning point, or life changing experiences, whether it is good or bad. Some people who had a life changing experiences had changed their lives, and also their countries’ lives. Three people that had a turning point in their lives are, Melba Pattillo Beals from memoir Warriors don’t ryWarriors Don’t Cry, Jackie Robinson from autobiography I Never Had It Made, and “The Father of Chinese Aviation” by Rebecca Maksel, which highlights Feng Ru. Melba Pattillo Beals, Jackie Robinson, and Feng Ru had affected their country, and their lives.
The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of her era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage
Bessie Smith was the first female African-American blues singer. Nicknamed The Empress of the Blues, Smith was the most popular female blues singer of the 1920s and 1930s. She is known as one of the greatest singers of her era and, along with Louis Armstrong, a major influence on other jazz vocalists. According to the 1900 census, Bessie Smith was born in Chattanooga, Tennessee, in July 1892.
Motown was a transformative sound that arrived just at the height of the civil rights movement. Such success coming from a black business and black artists forced the rest of America to reexamine their racial prejudices that they still clung to. It seemed that it’s founder, Berry Gordy, knew from the start that Motown was something special when he hung a sign that read “Hitsville USA” above the recording studio’s headquarters. The success was almost instant for most Motown artists with song after song becoming number one hits on major music charts. However, the success was not easy, as it took strenuous amounts of work to mold the artist’s looks and sounds into something that would popularize them among the white population.
Women’s Blues music in the 1920s and early 1930s served as liberation for the sexual and cultural politics of female sexuality in black women’s dissertation. Hazel V. Carby explores the ideology of the white feminist theory in her deposition, "It Jus Be 's Dat Way Sometime: The Sexual Politics of Women 's Blues", and critiques its views by focusing on the representation of feminism, sexuality, and power in black women’s blues music. She analyzes the sexual and cultural politics of black women who constructed themselves as sexual subjects through songs in blues music and explains how the representation of black female sexuality in black women’s fiction and in women’s blues differ from one another. Carby claims that these black women
In 1943, a sheltered, young, white, middle-class girl was born in a heavily segregated state down South with a population which supported guns and the death penalty, namely Texas. The environment in Janis Joplins’ homestate at the time of her childhood years was very hostile and unethical by today’s standards, although at the time, it was simply a norm protected by law. Racial tensions fueled by extreme Christian teachings, all tied together with a bow on top – rigid gender roles. This was the place Janis called home for several years before she left to go to California with the hopes of becoming a Blues recording artist. Little did she know, the impact she would have on the entertainment industry as a whole would be studied and written about
First, the early years and middle years of Bessie Coleman. “Born on January 26, 1892, in Atlanta, Texas Bessie Coleman live the life of a true adventurer.” (“Fly, Bessie, Fly Author’s Note”). When Bessie was 9 she was in Waxahachie, Texas and Bessie was singing and pretending to be a bird flying in the cotton fields.
The genre of blues exploded into the blues craze during the 1920’s. During this time, white record producers saw the untapped goldmine that was blues music performed by people of color. Ma Rainey was one of them, and to some, one of the first, giving her the title, ‘The Mother of Blues’. The 1920’s was not only an era of continuing homophobia from the past (although that would change, briefly, into a mild form of acceptance until the more conservative 1930’s), but also of harsh racism. And yet, one singer, Ma Rainey’s, broke these restrictions.
Sonny's Blues was written in 1957, 37 years after the roaring twenties had come to an end. Long after the great Migration, where millions of blacks moved to northern cities to escape Jim Crow, and embrace the new found possibilities offered. During this period African-Americans in New York, collectively gathered in Harlem mainly, it was usually alluded to as the black capital. There blacks shared culturally and also, influenced music greatly. This is also where the "new negro" persona was crafted, blacks were no longer going to be referred to as someone's mammies or boy.
One very brave woman who fought for Women and racial rights! Born in Swartekill, Ulster County, New York, around 1797. Sojourner Truth was what she named herself, from 1843 onward, of Isabella Baumfree. She is an African-American abolitionist and women's rights activists. Sojourner was born into slavery in Swartekill, New York.
Post-slavery one theme was predominant in the changing period that followed, the freedom Black people gained. The blues especially was a vehicle to explore black artists' thoughts and feelings, as an avenue of freedom. As blues singers, women played into the expectations of being more in tune with their emotions and being able to provide the emotional release that black audiences sought, and creating a rapport knowing that women do and can provide catharsis. Women acted as messengers and preachers to the spiritual release provided by the expressive nature of the blues. In her first chapter of Blues Legacies and Black Feminism, Angela Davis points out that the blues was the predominant post-slavery Black musical form replacing the religious
Whitney Elizabeth Houston, born on 9th August 1963, in Newark, New jersey. The daughter of gospel star Cissy Houston, and the goddaughter of soul legend diva Aretha Franklin. She started her first singing experience in the choir at her church, The New Hope Baptist Church in Newark. After graduating, she continued to model and sing, backing up Lou Rawls and Chaka Khan. When she was 19, Whitney Houston was discovered in a nightclub by the renowned Clive Davis of Arista Records, who signed her immediately and took the helm of her career as she navigated from gospel to pop stardom. Her debut album “Whitney Houston” became the biggest-selling album by a debut artist.
Whitney Houston Whitney Houston, an African American legend, born on August 9,1963, was destined for her singing career. Her mother (Cissy Houston), cousin (Dionne Warwick), and godmother (Aretha Franklin) were all well known singers. Singing was in her blood. By the time she was 15, she had started trying to find a record deal by singing with her mother. She was then sought after by a photographer who was stunned by her natural beauty.