Bhagavad Gita Summary

In any given text, when a narrator appears, their role omnisciently dispenses the intuition and insight each character possesses within the narrative, while discussing plot and conflict. Moreover, a common narration style tends to be intrusive, where the narrator themselves interject the narrative to provide their explanation regarding a specific character or a universal topic meant for the readers to digest. Sanskrit text Bhagavad Gita, witnesses the morally triggering dialogue between Arjuna and Krishna through the poetic perspective of visionary prophet, Sanjaya. Conversely, the anthologic narratives in Arabian Nights communicated with suspense and conventional plot structure to a king ruined by his covetousness all thanks to a young woman

As readers, we tend to rely on narration for not only information, but influences of emotion. It’s through the narrator’s diction, syntax, and structure, the audience can interpret the excerpted quotes as modes of emotion and inspiration for further insight. In specificity, Bhagavad Gita’s narrator, Sanjaya synthetically intends to instruct dharmic and yogic values through Hindu principles, hoping to instill selfless action and mental liberation against internal apprehension to his audiences, Dhritarashtra and the reading community. Accordingly, the ending lines in Bhagavad Gita reads, as communicated by the narrator, “Where Krishna is lord of discipline, and Arjuna is the archer, there do fortune, victory, abundance, and morality exist, so I do think” (Haddaway, 146). Through this inquiry, one can conclude the meditation to the mental conflict between family and responsibility, life and death, and the consequences and actions one must take to fulfill their dharmic order. Sanjaya outlays the roles designated for the human individual and the God incarnate, where one must act in selflessness in order to fulfill their dharmic resolution. With in mind his intent to deliver discipline and understanding of unjustly acts under divine sanctioning, Krishna organizes his vernacular to persuade readers the unconditional surrendering to god incarnates and passivity towards developing adoration towards concrete relationships or items, thus magnifying the message of discipline and morale. Similarly, Shahrazad communicate universal morals able to be digested by both her king and the general audience, specifically the detection of deception and protective cautions against these iniquities. One example in the series is seen through Shahrazad 's narration of “The Fisherman and the