Imagine being fourteen years old and living in a small town in Georgia, packing up as much as you can, or what could fit under your clothes and into a bag, and moving to the Congo of Africa. That’s exactly what the Price family did under their father’s will. Throughout Barbara Kingsolver 's Poisonwood Bible, Leah price experiences the Congo to its’ full potential. Both her psychological and moral traits were formed by cultural, physical, and geographical surroundings. The congolese people influence her decisions and thoughts throughout the book.
The title, The Poisonwood Bible, is an excellent title for the plot of this book. “Tata Jesus is bangala” (331), which has two different meaning because bangala means precious and also the poisonwood tree. Reverend Price says this phrase at the end of every sermon, but he mispronounces the word bangala so that it means poisonwood tree. So the locals think he is saying “Jesus is the poisonwood tree” instead of “Jesus is precious.” This makes the title very important because it makes the Congolese not want to know God because they think He is poisonwood.
The Poisonwood Bible by Barbara Kingsolver has five different narrators: Orleanna, Leah, Rachel, Adah, and Ruth. The only Price family member that did not get a voice in the novel was Nathan Price. Kingsolver may not have let him have a voice because she wanted to let the readers interpret their own reasons as to why Nathan acts how he does and risk his and his family’s lives. Another reason could perhaps be that he is stubborn and refuses to listen to anyone else. She may have chosen not to include Nathan’s point of view in case it would take from meaning she was trying to portray with the women.
Mackenzie Musser Miss Given English 11 Honors February 5, 2018 Response #3 Through The Poisonwood Bible, storytelling is presented in many different ways. In each chapter we were exposed to a different type of story from the next. Together they all make sense, but each and every single one of them are different in their own ways. The Poisonwood Bible really emphasizes the importance of storytelling, what is the purpose of memories if we aren’t going to share them?
A Poisonwood Bible When describing Patrice Lumumba, Barbara Kingsolver uses complementary wording that makes the reader like him, or at least respect him. The Belgian doctor puts a cast on Ruth May’s arm on page 149 and calls Lumumba “the new soul of Africa”, which introduces Lumumba to the reader as a positive idea. When Leah sees Lumumba on pages 221-222, he’s described as “a thin, distinguished man” and that “when he stood to speak, everyone’s mouth shut... Even the birds seemed taken aback”. This portrayal makes him appear smart and scholarly and the reader is partial to him.
In the novel, The Poisonwood Bible, by Barbara Kingsolver, a missionary family travel to the African Congo during the 1960’s, in hopes of bringing enlightenment to the Congolese in terms of religion. The father, Nathan, believes wholeheartedly in his commitment, and this is ultimately his downfall when he fails to realize the damage that he is placing upon his family and onto the people living in Kilanga, and refuses to change the way he sees things. However, his wife, Orleanna, and her daughters, Rachel, Leah, Adah, and Ruth May, take the Congo in, and make the necessary changes in their lives, and they do this in order to survive with their new darkness that they are living in. Curiosity and acceptance help the ones with curious minds,
Hugo Ramos Miss Given World English Honors February 5 2018 English Response Ultimately The Poisonwood Bible is postulating that every story possesses various viewpoints, which are all vital to understanding the entire story. Each individual perspective is cluttered with contrasting beliefs, emotions, and opinions creating distinct attitudes for those telling the story.
Meals in literature often represent something bigger, bringing communities together in a form of communion. However, this is not the case; in The Poisonwood Bible by Barbara Kingsolver, the meals are ironic they help to show discord and strife among the characters of the book. She uses meals to foreshadow future events, reveal the flaws of the characters, and as the book progresses, allows for the reader to see character development. In novel, Kingsolver twists the normal connotation of a meal and makes it ironic in order to demonstrate the discord and strife that is commonplace throughout the book that shows the lack of community between the Prices and those they interact with for most of the book.
Women have come a long way to fight for their representation. Before females were allowed to vote or work they were viewed as homemakers; they were their husbands’chattels. They were considered vulnerable and incapable of intelligence. Should women have to depend on the man of the family to represent their needs? Children of patriarchal societies should have the ability to learn even in college, whether they are male or female.
Together, Tyler and the storyteller frame a battling club, which, similar to the care groups, permits the storyteller to truly live, all the more free from a general public of consumerism. The common, crude sentiments of hostility and torment give him a feeling of reality. The first run through Tyler connects with the storyteller in a battle, the storyteller thinks the possibility of hitting Tyler is totally ridiculous. Society has ingrained this thought in him that savagery isn 't right. Then again, this savagery and torment permits the storyteller to discharge animosity in a characteristic and natural way.
Through the voices of five female narrators with contrasting perspectives, Barbara Kingsolver analyzes the extent to which imperialism affects the lives of indigenous populations and the lives of the imperialists. Each perspective places blame for the events of the novel on a different entity and each narrator feels a different degree of guilt for those events. The Poisonwood Bible’s secondary themes include the extent to which an environment affects the way that children grow up. This secondary theme creates the connection between familial dynamics and international relationships. While the novel paints a picture of imperialism by recounting the brief independence of the Congo, the relationship of the Price family and their interactions with Africa are more representative of the effects of imperialism on different types of people.
Exile can be a very horrifying yet intriguing experience for any person, but for a person to have to go through this trauma at such an important and developmental time in their life is unbelievable. A Palestinian American literary theorist and cultural critic named Edward Said claims that exile can not only become “a potent, even enriching” experience, but also an “unhealable rift” in their life. Although these statements contradict each other, they are both accurate and go hand in hand together to equal something special in this novel. One character in The Poisonwood Bible that is put through this exile, transforms, and becomes like a new person due to the adaptations they endure in their life is Leah Price.
The narrator gets to portray their reasons as a narrative instead of their thoughts, this including everyone in the story besides the
Vanderhaeghe’s writing often specifies the importance of going against society’s standards. Through his story, he shows the comparison between a round, dynamic character, to a flat, self-indulged woman. His writing proves that those who suffer undergo change in a way only they can understand. Vanderhaeghe was a writer that felt strongly towards speaking out for those who could not. Many of his stories represented a fight for emotional survival that were not always won.
In the Poisonwood Bible, Kingsolver uses nature as a central theme of the novel. Barbara Kingsolver explains it perfectly right in the beginning of the novel “The Forest eats itself and lives forever” (Kingsolver 5). This quote is telling you how it is, that the forest has no mercy and just keeps on going forever. Barbra uses many symbols to show the theme of nature. Like the cause of Ruth May’s death, The Green Mamba.
