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The Character Of Stanley Kowalski In Tennessee Williams 'A Streetcar Named Desire'

800 Words4 Pages

Kowalski in the 21th century

The Golden Globe awarded ‘Big Little Lies’ certainly strucks its audience with a déja vu-like sensation as one encounters the lethal hunk Perry. Released in the year of #metoo, it addresses issues like domestic abuse, echoing the recent boost in western feminist sentiment. In the midst of all this excitement of female empowerment, it is important to salute those who made this progress possible in the first place. For one, Tennessee Williams’ portrait of the brutish Stanley Kowalski in the iconic play ‘A Streetcar Named Desire’ exposed the explicitly reality for many households, causing a lot of controversy at the time of its release. The resemblance between Stanley and Perry is striking with regards to the behavioural pattern and this post sets out to identify why that is. …show more content…

Stanley and Stella’s power dynamic is not particularly surprising given the time period they exist in and its overwhelming patriarchy. Stella is disconnected from any form of support system and develops a form of Stockholm syndrome since she is out of touch with the reality in which domestic violence is intolerable. Stella is overly sympathetic and justifies Stanley’s violent behaviour towards her, similarly to Celeste. Celeste giving up on her high profile career to become a housewife merely because of her Perry’s insecurities is a clear example of how she is deliberately isolated from the outside world for the purpose of Perry securing his dominance. One of the contrasting factors between the two women is predominantly the time and context, however, the same logic applies. They are held down and when they defy their respective husbands, breaking away from their submission, there is a disturbance in the relationship’s hostile

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Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.

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Insecurity In A Streetcar Named Desire

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The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.

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A Streetcar Named Desire Marriage Analysis

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Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.

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A Streetcar Named Desire: Similarities Between Stanley And Blanche

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One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth.

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Death In A Streetcar Named Desire

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Desire can be defined as a strong feeling of wanting or wishing for something. The something could be an object, idea, or an event. In A Streetcar Named Desire, Blanche Dubois believes that the opposite of death is desire. Logically speaking, the real opposite of death is life; so why does Blanche believe that it’s desire? Possibly because she relates desire to life it’s self.

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Stella Kowalski's Sexuality In A Streetcar Named Desire

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Stanley’s sexuality affects Stella and Blanche heavily throughout the play. Blanche’s own sexuality and that of her late husband’s also contributes significantly to her life. The interactions between the main characters amplify the statement that sexuality is a primitive, powerful force, capable of creating or destroying life. The relationship between Stanley and Stella Kowalski is an example of the power of sexuality’s ability to create life.

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The Destruction of the Belle Reve Tennessee William’s A Streetcar Named Desire is a wonderfully tragic story of the delusional Blanche DuBois, whose lies are unfolded and destroyed by the misogynist Stanley Kowalski. Throughout the play, Blanche frequently lies about her past, who she is, and what she’s done. Each lie she tells slowly unravels the next until she is caught, drowning in her own pathetic lies, forced to surrender to the malicious consequences dealt by Stanley. Similar to James Gatz, Blanche is obsessed with covering up her past actions, and creating a thin cloak of lies; however, James’ past is merely one of social degradation, Blanche carries the weight of her own horrible decisions.

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Animals In Streetcar Named Desire

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In other words, Stella is very aware that her sexual relationship with Stanley can help her sort out any problems between them. Also, shortly before Stanley rapes Blanche, Williams says in the stage directions that there were “inhuman voices like cries in the jungle” (399; sc. 10). Blanche, which means white wood, is out of her element in this jungle of Stanley’s and it is she, who once called Stanley “bestial” (322; sc. 4) and “sub-human” (323; sc. 4), who has now found herself being stalked and charged like prey being hunted by an animal. With his sister-in-law present, Stanley has been unable to fulfill his sexual desires and so he releases them out on Blanche.

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Foreshadowing In A Streetcar Named Desire

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A Street Car Named Desire is a play written by Tennessee Williams, which slowly uncovers Blanche’s prior life. Her troubled past causes her a lot of trouble when she tries to start over. She used to work as a teacher in Mississippi, however, she was forced to leave after she was caught having an affair with one of the students. This was typical behavior for Blanche since she had previously taken many lovers. Since she had such a hard time in Mississippi, she decides to move to New Orleans to live with her sister, Stella, and her husband, Stanley, in hopes of escaping her past.

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Stereotypes In A Streetcar Named Desire

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Quote and Explain, In contrast, Stella has both a husband and a child, she has something to work for, leading her to be accepted into society. Although Stella exemplifies these common traits, she falls under the same category as her sister, Blanche. While being depicted as less in comparison to the opposite sex. The intense description of the stage directions in scene three, depicts Stella as the prey and Stanley as the predator as he vigorously abused

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Violence And Power In A Streetcar Named Desire

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It also highlights Stella’s submissive nature, and how she conforms to the sexist societal expectations of a helpless and fragile woman. Although the surrounding male characters disregard Stanley’s abuse, the audience is repulsed by it and identifies it as morally wrong. This shows how Williams is criticising the acceptance of this abusive behaviour in society, using Stella’s dilemma as a victim to plea for a change. Stanley is even abusive when displaying his

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Theme Of Dominance In A Streetcar Named Desire

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This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate

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Relationships In A Streetcar Named Desire

1371 Words | 6 Pages

Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.

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A Streetcar Named Desire Past And Present Analysis

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Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.

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Society In A Streetcar Named Desire

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During this time men brought in the money for the household, while the mother’s would stay at home and watch over the children of the family. With this came a sense of pride and authority for the men. Throughout the film Stanley continually abuses Blanche and even goes to the extreme of raping her. He depicts an animal-like man with no awareness of morals. When he gets angry he has no control of his reactions and results to physical violence.

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