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Black Cultural Geographies

229 Words1 Pages
I will serve as the principal investigator conducting independent research on black cultural geographies of Chicago. As a self-design major in black cultural studies with a minor in geography, I examine the intersection between geography, black culture and music as an emerging geomusicologist. I am interested in the ways that space helps to form the cultural identities of black Chicagoans, the spatial diffusion of black culture across multiples scales and how placed based ideologies and black geographies are constructed, creating a new form of cultural capital. I use ethnomusicological and geographic methods to identify black geographies and how geography happens to black people and the ways in which they articulate their spatial narratives
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311 Words | 2 Pages

The original minstrel performances were used as an outlet for “working class white youth” to express “their own sense of marginalization through identification with African-American culture forms” (Starr & Waterman, 46). Even when Thomas Dartmouth Rice’s song Jim Crow became popular in 1829, it was still being used as a way to make fun of the upper classes. It wasn’t until entrepreneurs and promoters got ahold of it in the 1840s that it became the hateful show we know it as today. Over the next several years, the show became more ridged in its format and the characters of several black stereotypes emerged to fulfill the yearning of whites to find racial differences in order to retain slavery. Even within minstrelsy itself the darker skinned

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420 Words | 2 Pages

The overall argument of Robert O. Self’s Introduction, in the book “American Babylon,” are the different aspects of postwar Oakland and the East Bay, socially, economically, and politically. There are three key claims Self makes in the Introduction. First, Self claims there were two controversial political ideologies in postwar Oakland, one being black power, including politics of deference and empowerment, and second a neo-populist, conservative homeowner politics of white residents. Another claim Self makes is the idea that the postwar black struggle and politics of suburban building shaped the political culture in Oakland and the East Bay. The third key claim Self makes is the modernization of space; space as property, as a social imagination, and as a political scale.

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635 Words | 3 Pages

In Staging Race: Black Performers in Turn of the Century America, author Karen Sotiropoulos sets out to describe black artists and their art as “ constitutive of and emblematic of their own generation” (1). Centered in the years post-Civil War and during the dawn of the Jim Crow laws in the late 19th century, Staging Race focuses on the advancement of African American artists in the flourishing cities in America. Artists held the stage in America’s growing entertainment and commercial sector. However, author Sotiropoulos is meticulously in reminding readers that although there were possibilities for advancements, there were still prevalent struggles among artists. Facing racial violence, segregation, disenfranchisement, and social Darwinism,

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402 Words | 2 Pages

In Living for the City, Donna Murch argues that the Black Panther Party started with a study group in Oakland, California. She explains how a small city with a recent history of African American settlement produced such compelling and influential forms of Black Power politics. During the time of historical and political struggle in California 's system of public college, black southern traveling workers formed the BPP. In “Jim Crow’s Counterculture”, Lawson argues that the Great Migration and World War II changed the blues music from the thinking and behavior of younger people who want to be different from the rest of society to one that celebrated the work attitude and the war effort as ways to claim “American citizenship”.

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1423 Words | 6 Pages

Mike Mosko Urban Anthropology Field Study: Sidney’s Saloon Neighborhoods are changing -- fast -- often moving at a rate to quick to keep pace with. Everyday we walk down streets we’ve traversed thousands of times -- or will-- and everyday they get a little bit different, a collection of faces passing us by, old and new. I am one of those new faces, a recent New Orleans transplant. While I can 't speak to the impact of changes this city and its residents have gone through, being from heavily gentrified Oakland, CA, I can certainly relate to the twisted mess of pride, politics, and pain that comes with the feeling of being a newcomer in your own city.

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213 Words | 1 Pages

In this particular article, Ivan Fernandez discusses the unique connection between hip-hop and indigenous people. In the past few years, many more indigenous music artists have begun to voice out their stories of oppression and their traditions that have been suppressed for such a long time through hip-hop. This is because hip-hop is utilized as a medium for indigenous artists to take back their culture and tradition. This is connected to the historical material that we have studied because it pertains to the history and background of hip hop. Hip-hop and its culture originated in the rough neighborhoods in South Bronx.

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162 Words | 1 Pages

Social location is a self-identify term, which refers to an individual’s status in the society. People are socially constructed into a number of relationships within our family, school, church, and working place. Social location includes race, class, gender, sexuality, religion, age, education, and political stance. I found that Black Life Matters relates to my social location. Even though I 'm a young Asian guy, my political stance is the same as those black people that is being a minority in this white-norm society.

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536 Words | 3 Pages

However, I am also interested in analyzing the role this played in terms of sociocultural factors that have created the black Southside Chicago mindset in connection to space and the ownership of it. How has the significance of the black belt contributed to what black Chicagoans internalize and understand as their designated space? How do they understand their access to other parts of the city? Do they believe that the black belt is their only safe space in Chicago in a contemporary setting given the remaining large number of blacks on the Southside today? How has the designation of the black belt as the “black metropolis and Bronzeville become a marker of black pride and cultural and historical heritage limited socioeconomic mobility of the residents on an internal level removed from Chicago’s systemic

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321 Words | 2 Pages

Boston’s economic and social opportunities and the presence of an established black community attracted many blacks who were migrating to Massachusetts. Many of the blacks born in the city were familiar with the migrant experience. Respectively, many members of the black community developed an empathy for the problems of newcomers. The diverse origins of these migrants contribute to the character of the antebellum black community. In 1850, 16 percent of these migrants had been born outside the borders of the United States.

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80 Words | 1 Pages

The African-American and Latino cultures have always had an unspoken alliance because of the previously white dominated society. Their communities have shared common struggles and problems, but hidden underneath all of that are steaming tensions. These conflicts are brought upon by economics, culture and race have caused quite a few incidents of violence. One of the most controversial of these was the shooting and death of a black teenager Trayvon Martin by a white latino, George Zimmerman in central

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653 Words | 3 Pages

In this new integrated society, colorism has the greatest impact on the African American culture and community. People of color are discriminating against each other due to the fact of their skin complexion. Colorism is a major problem in society and the black community. This vicious system privileges light skinned people of color over dark skinned people in such areas as beauty standards in mass media, self-esteem in social media and education. Passed through generation after generation, it has been taught that light skinned has been the right skin since the 1600’s pre-slavery.

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651 Words | 3 Pages

I am an African American female whom is a descendent from the African Slave and a native American refugee. My culture runs deep in my veins and I am a product of the strength of my mother and father. While growing up I understood we were on the poverty line. My family lived in a small home with 3 bedrooms and occupied 7 people. I grew up in a small southeast Georgian town named Statesboro.

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847 Words | 4 Pages

The historical lineage between the African and Asian diasporas present a reciprocal relationship of influence and experience. Throughout the passage of time, these bodies of people have been both opposing forces and allies; in response to the racial tensions surrounding their respective groups, in their corresponding environments. Interactions between Africans and Asians created a dynamic that whites often felt threatened by but also used to wield power and institute dissension among the groups. By utilizing facets of colorblindness, multiculturalism, primordialism, polyculturalism, and Afro-orientalism, racial formation will examined as it exists within the Afro-Asian dynamic. American meritocracy presents a front that states that individuals may succeed and attain power on a basis of exclusively ability and talent, regardless of other factors such as race and

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1218 Words | 5 Pages

The people from Africa were generally part of early American history; however, Africans had experience slavery under better conditions compared to the conditions imposed by other civilized society. From the Egyptian Empire to the Empire of Songhai, slavery was practice for the betterment of their society, however, foreigners invaded these regions and took their slave, their ports and impose these people to a life of servitude in the Caribbean islands and in the English’s colonies. Furthermore, the African American slaves were an active agent of society in the earliest period of American history; they have brought new religious practices to their community; for instance, they constructed networks of communities; they had fought in war alongside

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2019 Words | 9 Pages

Toni Morrison’s novel Jazz, is an experimental postmodern novel that is essentially about the Great Migration and the African-American migrant experience. The novel powerfully captures a vision of an urban setting, specifically Harlem, where the main characters are all migrants from the South, whose stories are shared by shifting narrators. Indeed, the narrator switches so often that by the end of the novel, the book itself narrates as a “mega-voice.” This “voice” can be easily compared to jazz music, because of the improvisational style of the book. The New York City itself plays a very important role in the book.

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