ipl-logo

Black Figure Vs Ancient Greek Art

508 Words3 Pages

1. Compare and contrast the black-figure style of vase painting with that of the red-figure style in both technique and illusionism in painting. You must use the provided examples in your textbook to support your essay.

During the time of ancient Greek art there were two styles of vase painting, one being black-figure and the other red-figure. Black figure vase painting is when the composition is in black silhouettes on a red clay vessel. Black being such a heavy color, artist used white and purple to highlight certain areas with more depth and sometimes using a needle for additional details. A good example of a black-figure painting is figure 5.25 Achilles and Ajax Playing Dice where both men are with war items such as the spears that is …show more content…

Discuss the development of the human figure in Greek art from the Archaic through the Hellenistic periods. Please support your written statements with the provided examples.

In Greek art human figures was such a staple in their culture, and of course over time techniques change. During the Archaic period their human figures were commonly in an upright position and proportional in body measurements. They were normally known as kore (maiden) and kuros (youth), two examples in the book would be figure 5.13 called Kore and figure 5.14 New York Kouros. The human figure at this time tended to be box like figures with a stiff feel to it. The facial features were large eyes and bold arched eye brows, and besides those features it wasn’t very detailed. A neat way to date a human figure in the Archaic times is that the lips are drawn up on both sides which came to be known as the Archaic smile. During the Hellenistic period the human figures got more detailed and softer in appearance. The bold arched eyebrows turned into more realistic eyebrows like figure 5.70 titled Portrait Head. In this period the sculptures were high relief and popped out more. The two styles well known in this period were the baroque style which dealt with emotions and gestures while Rococo style was more majestic by making mythical creatures like figure 5.75 titled Aphrodite, Pan and Eros with the half human half goat. Although with Rococo style being more creative the Hellenistic period focused on

Show More
Related

Augustus In Greek Art

719 Words | 3 Pages

The Kelsey Museum Augustus, First Emperor of Rome, is similar and different to many Roman art pieces. The first very obvious style that can be seen is the Augustan period approach, the Augustus of Primaporta statue from Italy, marble copy, from early first century is a great example of this approach. They both have the same exact straight hair strand placement, face shape, and youthful idealized face. Augustus uses the same style throughout all his statues and reliefs, where his forehead is very wide and longer than his chin area. Unlike the prior Republican period style, the Augustan period rejects the veristic style, which is the very extreme expression of oldness.

Read More

Akhenaten Bodies: A Case Study

53 Words | 1 Pages

• breasts are shown in profile (cf. Hapi) or infrontal view [1]. The lower body is again represented in profile and often shown striding. • Limbs, hands and feet had until the Amarna Period the same handedness or perhaps rather no handedness at all. But even under Akhenaten limbs were often represented traditionally

Read More

Kouros Analysis

419 Words | 2 Pages

Through the transition of the Archaic period the figures begin to look less stiff and formal. The frontal pose of the Kouros reveal the rigid stance of articulated feet with one leg moved forward. There is also a sense of symmetry throughout the entire anatomy of the artwork using simple geometric forms. Unlike in Egyptian art nudity does not indicate lower status, but an aesthetic concept of an idealized form. Greek’s militaristic society is a reason the figures are nude.

Read More

Similarities Between Farnese Hercules And Discobolus

576 Words | 3 Pages

The Classical statues are simpler and more precise in portraying the subject, while the Hellenistic Statues are more detailed and express greater emotions. Glykon uses the Hellenistic Style to allow the viewer to see a more unrealistic sculpture depicting emotion and passion. Classical Style was a way of realistically expressing the artist’s perspective on what he thought something should look like. The sculpture, Farnese Hercules, expresses the tired and weariness of Hercules’ face. His downcast eyes and expression in his face has earned this sculpture another name, Weary Hercules.

Read More

Amphora Vase In Greek Art

1642 Words | 7 Pages

Under Attic dominance, vase painting began to develop features popular to the late Archaic, early Classical stylistic period. For example, the human figure became more naturalistic than rigid. These features are found in the Archaic Attic vase, Amphora. Additionally, during this period, individual artist began to distinguish themselves by signing their work. (3)

Read More

How Did That Differ From Previous Era's Within Art?

933 Words | 4 Pages

2. Write down 2 paintings or works for the following artist. Describe their style. How was this different or similar to their contemporaries within the period?

Read More

How Did Roman Influence Greek Art

836 Words | 4 Pages

Guided Art Tour: Greek Influence on Roman Art Kritios Boy, Early Classical Period, c. 485-480 B.C.E, Parian Marble, 1.17 m, Athens, Greece. Expressing the beauty of the human body by means of sculpture had been an important concept for the ancient Greek culture; in which later would be of great importance to the ancient Romans, especially under the rule of Emperor Augustus. An example of a Greek sculpture that expresses much beauty and sophistication would be the Kritios boy, which exhibits the transition between the archaic period of Greek art to the realistic period of Greek art. It is believed that the defeat of the Persians after the battle of Marathon provided the confidence for the Greeks to pursue a realistic approach towards sculpture,

Read More

Art Of The Western World: The Classical Ideal

552 Words | 3 Pages

Creating an amazingly life-like appearance to its sculptures, not only demonstrated, in my mind, a higher intelligence, but is defiantly a tribute to their focus on superior strength and fitness. Although the realistic style was soon changed to create an even more ideal human figure, the understanding of the human body and how to recreate it through art was only the beginning of Greece’s contribution to the “classical ideal.” After their rise to power, gained by their triumph over Persia, the Greeks again changed the way we see art. This time they turned to their knowledge of geometry, focusing on the creation of grand architecture as their medium.

Read More

Comparing The Archaic, Classical And Hellenistic Period

142 Words | 1 Pages

This period shows a very large shift from the stiff Archaic to a more realistic and sometimes idealistic portrayal of the human figure. The Hellenistic period 323-31/30 BCE. It is more difficult to see the distinctions between the classical and the Hellenistic period. Bothe periods did the majority of their sculpture as nudes. The Greeks portrayed a young, vigorous and athletic person in

Read More

Individua The Kritios Boy Analysis

1008 Words | 5 Pages

Although, like the Venus of Willendorf, he is the pinnacle of man and perfection, he differs from the Venus in that he is a particular person, has facial features, and is not exaggerated in certain areas. He has a more lifelike appearance; he could be someone’s son, brother, or friend, or someone seen in passing at the Athenian market. He functions as the Ideal, and something to be strived towards, as many pieces from this period were, which is indicative of the culture

Read More

Greek Art Analysis Essay

806 Words | 4 Pages

A putting modification seems in Greek art of the seventh century B.C., the start of the Archaic amount. The abstract geometric patterning that was dominant between regarding 1050 and 700 B.C. is supplanted within the seventh century by an additional realistic vogue reflective important influence from the Middle East and Egypt. The commerce stations within the Levant and therefore the Nile Delta, continued Greek formation within the east and west, still as contact with japanese craftsmen, notably on island and Cyprus, impressed Greek artists to figure in techniques as numerous as gem cutting, ivory carving, jewellery creating, and metalwork. They introduced palmette and lotus compositions, animal hunts, and such composite beasts as griffins, sphinxes, and sirens. Greek artists quickly assimilated foreign designs and motifs into new portrayals of their own myths and customs, thereby shaping the foundations of Archaic and Ancient Greek art.

Read More

How Did Culture Influence Ancient Greek Art

1023 Words | 5 Pages

The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.

Read More

Commodus Bust Analysis

1550 Words | 7 Pages

In both sculptures the hair is deeply carved and is a vivid feature of the busts. The detail of realism in David’s left hand we can see his veins on his hands when he is holding the slingshot and his ribs near the chest. In the bust of Commodus we can see the similar detail of his hands especially the joints above the knuckle area and how realistic it looks when he’s holding the apples and Hercules club on his. In both busts chest, arms and face are sooth. In both busts these sculptures have the portrait of emperor Commodus and the small town hero David as musculant where as in real life they weren’t this is done because Romans believed that the god made us humans and by showing David and Commodus as being musculant hey are portraying them as gods and God were portrayed to be musculant and strong.

Read More

Venus De Milo Analysis

746 Words | 3 Pages

Uncontrolled emotionalism and shameful truth were now common characteristics to most of them. Still throughout the hellenistic, many sculptures were distinguished by their calmness, grace, and compassion for human suffering. The Ancient Greek sculptures were commonly made from stone or wood and very few of them are still existing to this day. Many were made to reflect the image of a freestanding human form even when the statue was of a god, and for this reason many of the sculptures were naked, the Greeks saw nudity as something beautiful. Other of the sculptures showed athletic figures, to essentially portray what the Greeks perceived as an ideal human and what it should look

Read More

How Did Greece Express Humanistic Values?

643 Words | 3 Pages

Sculpture specifically focused on both human potential and achievements, plus the human experience. Firstly, the Greeks often sculpted humans instead of animals or monsters, which is human-centered enough. When they did sculpt gods or goddesses, these deities were anthropomorphic, having human characteristics. Classical sculpture used nudity to depict the ideal human form; subjects were often young male athletes or soldiers, epitomizing human potential and achievement. Hellenistic sculpture was more realistic and emotional, where the subjects were everyday people; this style focused on the struggles included in the human experience.

Read More

More about Black Figure Vs Ancient Greek Art

Related Topics

Open Document