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Black Tv Show Research Paper

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4 Most Popular Black TV Sitcoms Watching TV shows is a favorite pastime of Americans. Crashing on your couch with a bowl of popcorn while watching your favorite program is one of the best ways to release stress. Most viewers just can’t seem to get enough of African-American comedy shows. These sitcoms often hit the mark when it comes to portraying the everyday life of black people. With an interesting plot, hilarious script, and a talented cast, black sitcoms are definitely entertaining to watch. Here’s a list of the most popular black TV programs to lift up your mood. 1. The Cosby Show – This American TV sitcom stars Bill Cosby. The storyline revolves around the life of an upper middle-class African-American family residing in Brooklyn, New York. This sitcom is one of the highest rating shows in the 80’s. It brought …show more content…

The Fresh Prince of Bel-Air – This show stars Will Smith as technically an alternate version of himself. His character portrays a typical street-smart boy from West Philadelphia and was shipped to live with his rich relatives in Bel-Air after getting into trouble. He often clashes with his aunt and uncle due to the difference in their lifestyles. The show’s theme song was performed by Smith under his stage name, “The Fresh Prince” and was composed by music legend, Quincy Jones. 3. In Living Color – This 90’s sketch comedy show was created and written by brothers Keenen and Damon Wayans. They also starred in the sitcom along with other black actors. The cast members are a majority of African-American descent with recurring roles from the rest of the Wayans family including Shawn, Marlon, Kim and Dwayne. The humor depicts the lifestyle of black people form the ghetto which caused a controversy, especially during the time when the air-time was dominated by upscale shows such as “The Cosby Show.” 4. Black-ish – This sitcom stars Anthony Anderson and Tracee Ellis Ross. The story focuses on an upper middle-class African-American

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John Howard Griffin: Black Like Me Black Like Me, by John Howard Griffin, states the chilling truth of being a black man in the late 1950’s to the early 1960’s. John Howard Griffin is a white journalist who wants to know the real experience of being treated as a black person. Griffin transitions from a white man to a black man by darkening the pigment of his skin through medication. He walked, hitchhiked, and rode buses through Georgia, Louisiana, Alabama, and Mississippi. As Griffin makes his way through the South, he experiences things that no human ever should.

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Black-ish, by Kenya Barris, is an highly rated American sitcom starring Dre Johnson and his families as they experience everyday life while still expressing their cultural identity. In Season 2, Episode 1, “THE Word”, Jack Johnson gets expelled by the school boarded for using the word “N@#$%^” during his performance of “Gold Digger” by Kanye West. Kenya Barris created this season premiere in order to cultivate a conversation about this controversial word through the use of censoring and monoiloquy. The creators used the art of censorship to restrict the typical impact of the word, while delivering the word in a more comedic fashion.

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In the sixties, segregation and racism dominated in most social settings. In the seventies, most minorities were trying to deter from old beliefs of prejudicial ideas. In modern times, minorities have equal rights and respect to their white counterparts. Four sitcoms, Amos ’n’ Andy, Julia, Sanford and Son, and The Cosby Show depict how the role of minorities changed throughout different time periods. First of all, in the 1950’s, African Americans had few roles in television sitcoms, but when they were offered parts, it consisted of stereotypical portrayals of characters being lazy, simple, or holding domestic servant roles.

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The portrayal of African American characters and/or representations of black life in television have transformed, and continue to transform, throughout the decades. Beginning with simply inserting blackness and black themes from visions of white producers to introducing black perspectives from an array of contemporary representations, race and ethnicity are a paramount focus that continues to be shaped in the television world. In Watching Race: Television and the Struggle for Blackness, Herman Gray argues that The Cosby Show “reconfigured the aesthetic and industrial spaces within which modern television representations of blacks are constructed. Indeed, under Bill Cosby’s careful guidance the show quite intentionally presented itself as a

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More recently, there have been a vast number of movies and TV dramas depicting African-American history. These have been under great scrutiny by blacks themselves because injustices are

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The show “Everybody Hates Chris” shows many black stereotypes in poor urban streets and schools. Chris had to deal with kids staring at him in school because he was the only black student. White students that attended the school were scared of him and he faced racial discrimination because of the

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This is not to say it is a morally upright practice, or even morally-laden at all, but it is entirely feasible. Context versus content is a key consideration in examining any media artifact. The use of blackface versus the consumption of blackface performances demonstrates two different ideas—especially when African-American performers and even black sympathizers engage in the production practice. The use itself became such a standard mode of presentation that, for the sake of commercial effectiveness, was adopted. The consumption, then, is something

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Fox’s hit show Empire was created to target the African American community because people of colour barely have a presence in Hollywood and the show runners wanted to change that. The majority of the people in the show are African Americans and the diversity grabs a lot of attention. The characters in the show face realistic problems that African Americans face in today’s society like police brutality. The show also targets people from the LGBTQ+ community as well as other minorities like people with mental illnesses. The show is diverse in both race and sexuality.

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There are numerous stereotypes within television shows; portraying black women as happy, overweight, and always in the kitchen, or as rude, loud, “gold diggers” (Adams-Bass, Bentley-Edwards, & Stevenson, 2014, n.p.). It is believed that if stereotypical images in media are replaced with realistic images, it could benefit African Americans. For example, showing them in managerial positions or positions of authority could support getting them to those positions (Stevenson & Swayne, 1999, n.p.). In a study done on African American portrayal in business-to-business direct mail, they found that the percent of ads showing African Americans were almost equal to the percent of African Americans working in the business world (Stevenson &

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Challenging Stereotypes: How “Modern” Is Modern Family? The show won the Emmy Award for Outstanding Comedy Series in each of its first five years and the Emmy Award for Outstanding Supporting Actor in a Comedy Series four times. If you have never heard about “Modern Family," you have never seen comedy. Modern Family is an American television show that portrays the ‘Modernism’ in families nowadays in America.

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Throughout history, African Americans have been wrongfully convicted of crimes. The Jim Crow era made it extremely hard for African Americans to live a peaceful life. Today, if African Americans are wrongly convicted about a crime or an issue, they do not make it to trial. Their trial beings when they are assaulted by law enforcement, the new lynch mob, Police corruption and brutality has been an ongoing problem within the United States frequently. Though African American youth have been targeted by the police, these events are happening all too often.

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2 Broke Girls has been criticized for racist jokes aimed at African Americans, Aboriginals, Hispanics, and Russians, but Asians bear the brunt of a majority of the show’s lame race jokes. There are instances

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Why so? Well little do we know, opposition to pro-minority policies is an important dimension of modern, symbolic racism (Ramasubramanian, 2010). This is evident so we need more shows like that of The Cosby Show, showing blacks in a positive middle class manner. Mixing races would be key to showing that all nationalities can co-exist in a good way. Television should go out the norm in not making a character prone to one race.

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The people from Africa were generally part of early American history; however, Africans had experience slavery under better conditions compared to the conditions imposed by other civilized society. From the Egyptian Empire to the Empire of Songhai, slavery was practice for the betterment of their society, however, foreigners invaded these regions and took their slave, their ports and impose these people to a life of servitude in the Caribbean islands and in the English’s colonies. Furthermore, the African American slaves were an active agent of society in the earliest period of American history; they have brought new religious practices to their community; for instance, they constructed networks of communities; they had fought in war alongside

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