How Does Williams Use Light To Characterize Blanche Dubois
Keep the Darkness Inside In the short story “The Scarlet Ibis”, the author James Hurst suggests to never let darkness take over, through the use of indirect characterization. William Armstrong, or Doodle, is born crippled and he can't do things that normal people could do. His older brother is ashamed of that, and sets out to teach Doodle how to walk. It takes a lot of hard work and effort.
One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth.
Specifically, we see Blanche Dubois lose touch with reality as she avoids the light and attempts to manipulate the other characters. Blanche is fearful of the light because of her traumatic past that she has faced. Her fear of being revealed in the light shows her true nature, manipulative, delusional and malevolent. Tennessee Williams uses the motif of light and dark to explore and delve into the characters of Blanche Dubois, Stanley Kowalski, and Mitchell. The two opposing forces in a streetcar named desire are Light and Darkness.
There are several ways you could say Tennessee William uses the motifs of light and shadow throughout the play “A Streetcar Named Desire”. One of the most obvious is how both are used to convey the difference between reality and the fantasy world some characters seem trapped in. Reality is represented by light, under it nothing can be hidden. Whereas staying in the shadows allow one to hide parts of themselves they wish to keep secret and create a false sense of reality, a fantasy of who they want to be. Williams also uses light to develop the character of Blanche, who struggles with her past and aging body.
It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.
Another very common theme represented throughout both texts, is the constant allusion to light. Within “A Streetcar Named Desire”, the use of light reveals Blanche’s role and appearance as a character. One of Blanche’s biggest flaws is that she prefers to be only seen in the dark. She does not like to reveal herself in the light as she is afraid of people seeing that she is in fact aging.
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
Blanche flees a failed company and a failed marriage in attempt to find refuge in her sister’s home. Through her whirlwind of emotions, the reader can see Blanche desires youth and beauty above all else, or so the readers think. In reality, she uses darkness to hide the true story of her past. In A Streetcar Named Desire by Tennessee Williams, Williams uses the motif of light to reveal Blanche’s habit of living in a fantasy world until the light illuminates her reality. Blanche uses darkness to block her past from onlookers as to shape her image.
Although the protagonists of “Fahrenheit 451” and “A Streetcar Named Desire” live in two drastically different societies, both are not satisfied with their current way of living and desire a change and improvement in their life. In “A Streetcar Named Desire”, the title of the play itself signifies Blanche’s desire to escape from the reality of her life, as she is haunted by her past and is currently living a life of insecurity, due to the loss of Belle Reve. Ironically, the streetcar named Desire did not bring her to what she truly wanted, an end of all her problems, and she in fact lost her sanity. The reason for Blanche’s tragic ending is due to the avoidance of her problems, shown metaphorically in the form of a flimsy paper lantern on top of a lamp.
Overall, A Streetcar Named Desire is showing the downfalls of not expressing sexuality while doing the rare thing of showcasing sexuality in the context of a society that dismissed and condemned it. Tennessee Williams was a gay man who knew the frustration of living in a time period that demanded his sexuality be repressed. Through the play, he communicates how high a price individuals had to pay for expressing their desires. In Blanche’s case, her expression of sexuality led to her being committed to a mental institute, and in Allen Grey’s case death. Despite this Williams also imparts to his audience the negative impacts of disguising one 's sexuality behind the guise of what is considered normal and proper.
In her short story “Marigolds”, Eugenia Collier, tells the story of a young woman named Lizabeth growing up in rural Maryland during the Depression. Lizabeth is on the verge of becoming an adult, but one moment suddenly makes her feel more woman than child and has an impact on the rest of her life. Through her use of diction, point of view, and symbolism, Eugenia Collier develops the theme that people can create beauty in their lives even in the poorest of situations. Through her use of the stylistic device diction, Eugenia Collier is able to describe to the reader the beauty of the marigolds compared to the drab and dusty town the story is set in.
Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.
Blanche is an old southern Belle who expects the man to be a gentleman and in her level of class, scene 10 “A cultivated woman, a woman of intelligence and breeding, can enrich a man’s life” (Williams, 1947) this is how Blanche intertwines the past and present as past women were only there to be seen, look after the house and provide children and present Blanche could be seen to be past her prime. Blanche is representing the past as she is still dress in grand dress white moth Ironically Blanche appears in the first scene dressed in white, “the symbol of
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
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