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Blue Piano In A Streetcar Named Desire

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In A Streetcar Named Desire, music is used as a mood setter of the scene and as a source of characterization of the characters. Tennessee Williams plays Blue Piano in moments that evokes passion, enthusiasm and passion. Blue Piano was played in the opening scene where the character Stanley and Stella was introduced. It was used to introduce the type of setting A
Streetcar Named Desire was set in and it overall set the mood of the play. The presentation of
Blue Piano played a vital role in the audiences first impression of the play, with its happy, and spiritful tune. It successfully catches the audience attention for the opening scene.The music was presented in the scenes of Stella's romantic reunion with Stanley after he physically abused
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The play A Streetcar Named Desire is one of the most notable plays of the late 1940s to early 1950s and is still prevalent in the theater community today. It originally opened on Broadway in a 1947 at the Ethel Barrymore Theatre, today more commonly known as the Barrymore Theatre, preforming for a little over a thousand patrons. The original Stanley was played by Marlon Brando, who would reprise this role in the movie adaptation. At the Barrymore Theatre, the set was quite complex with a full stairway and banister, a pallor with a 4-chair dinning set and all the dressings of a then modern, but lower-class apartment.

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Summary of the Opening Scene   A Streetcar Named Desire by Tennessee Williams is in New Orleans just after the second world war and focuses on three central characters: Blanche Dubois, her sister Stella & Stanley Kowalski. These three characters are very different. Stella is Blanche’s sister & Stanley’s wife & so she serves to link them.   TW creates a very distinctive  setting for the play in the opening scene. He is mainly focused in the relationship between Stellas sister, Blanche and the environment of the raffish charm city, New Orleans.

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he plot is framed by Blanche’s arrival in the first scene and her departure in the eleventh scene. The play has only one plot with no sub-plot. A Streetcar Named Desire presents us with two stories: the growing conflict between Stanley and Blanche, and the gradual crumbling of Blanche’s sanity. The play is presented chronologically, from Blanche’s arrival at Elysian Fields in May to her departure for the mental asylum in September. Blanche is the only character who appears in every scene and this enable the audience to witness all her actions and emotions, and become privy to her secrets.

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Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.

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From beginning to end, I am captivated by the music. Each element brings a unique character to the overall piece. The music takes the listener on a suspenseful journey. The arrangement of the song gives me a visual of someone stumbling upon a dark forest and begins to hear the fast-approaching movement of something behind them. The pairing of several melodic phrases throughout the composition adds to the sense of chaos and turbulence.

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