Botticelli And Titian Art Analysis

Venus has been a popular figure in art for hundreds of years. As a symbol of beauty and sexuality, her potential and versatility are important features, able to symbolize different themes and morals, and to illustrate classical traditions. Botticelli and Titian both incorporate Venus into their paintings, but, in doing so, describe different stories and evoke distinct emotions in their respective pieces. The contrasting use of Venus in their artwork emphasizes the fluidity of sexuality in a topic, through the deployment of nudity to express love, fertility, and elegance. Venus is the main focus in both works of art, but, having been painted a century apart from one another, each maintains a different point of view and style, changing the essence

Before reaching across Europe in the 1600s, there was a shift from Medieval Italy towards the Renaissance period. Although religion remained fundamental to society, the Renaissance period refers to a ‘rebirth’, meaning an awakening of art and culture. Along with reviving classical culture, a humanist perspective became more popular, focusing more on the natural world and individualism via civil and educational critique. The Italian Renaissance is a progression of thought, influence, and techniques, creating a series of styles within the period. Existing in separate regions, Sandro Botticelli and Titian’s paintings reveal the development of the Renaissance through subject and

More classically influenced than the High Renaissance, the Early Renaissance focused on idealism and religion, incorporating mythology in a realistic way. Commissioned by the powerful and wealthy Medici family, Botticelli based his painting on the poem of Angelo Poliziano, telling the birth of Venus on Cyprus. Standing on a cockle shell, the winds wisp her towards an island as another woman awaits to robe her. Botticelli designed the painting to make each character posses weight and volume, but appear to be floating. The painting holds movement within it as waves and winds flow across the canvas, and flowers float between Venus and the convoluted Zephyrus. Influenced by classical sculpture referred as modest women, Botticelli’s painting was radical for his use of the naked female figure as a base outside a religious context. Venus stands contrapposto in the center of the painting, giving a flexible yet relaxed stance. Linear to the figures beside her, Venus’ body is lean and graceful. Know as a God of sex and desire, Venus’ long legs and flowing, thick hair --plaited with small streaks of gold-- make her more captivating. Yet she has a sense of innocence as she gently covers herself, and from the soft beauty in her face. Tempera base on canvas, Botticelli uses warm and saturated colors. The different tones of blue and green create a sense of peacefulness, with the bright