To emphasise the difference in atmosphere from the entire Delta Company in battle, warm orange spotlights were used during the monologues to centre the audience’s attention on the actors, whilst an emotive musical arrangement played to provoke an emotive response from the audience and creating an audible separation from the frenzy of the battle scenes. It was through the collaboration of these elements that Doug’s monologue truly provoked Drummond’s audience to feel both sympathy and despair, as the heart-warming story of his love, communicated from his honest and hopeful smile, became a doleful tragedy, as he broke the fourth wall and spoke directly to the audience of the woman he would never see again – the dialogue compiled from interviews with his girlfriend and thus capturing the miserable truth of The Battle of Long Tan and the families whose lives were indeed torn
In both Speak and the poem If, the theme is shown through the use of hyperboles. Melinda is in a complicated, heated situation as explained when she states, “He hit me. I scream, scream. Why aren’t the walls falling? I’m screaming loud enough to make the whole school crumble” (Anderson 194).
Jeanette Walls’ memoir, The Glass Castle, recounts Jeanette’s unusual childhood. Through her recollection, there are numerous examples of experiences she endures to progress through Erikson’s eight stages of Psychosocial development. With each chapter, the reader is able to trace her development from one stage to the next through stories of her childhood and adolescence. Each anecdote highlights the struggles of her early developmental stages which she inevitably overcomes to have a positive, successful adulthood. While recollecting her memories, she is able to come to terms with her dysfunctional past which is proof that she has successfully maneuvered through Erickson’s stages of development.
How a character presents themselves and the manner in which they speak can play a monumental role in how the audience perceives and characterizes that person, which is why Walls and King both pay special attention to creating
The Glass Castle Jeannette Walls New York Abstract Jeannette Walls was a daughter of a father that was an alcoholic, and parents that did not want to work for what they had. They were always jumping around from home to home, and the siblings were tired of it. At a young age, Jeannette had to learn ow to fend for herself by making food, washing her clothes, etc. It was hard for Jeannette growing up, but as soon as Jeannette and Lori get a chance to move they take it. Jeannette then moves to New York City with Lori where she acquires a reporting job.
This is shown when the characters in this novel speak out against a concept they know nothing about. Therefore, the literary terms an author uses can make an immense impact to the connections the reader makes to a novel, and help to shape a theme that is found throughout
Dialogue blows up the lonliness of the narrator and George, while symbolism displays how it let it comes to the “blow up”point. Steinbeck and Gilman explore the theme of isolation, in both texts, by using the literary technique of setting. The setting is associated with the room in The Yellow Wallpaper and the bunkhouse in Of Mice and Men. The narrator in The Yellow Wallpaper is isolated from a healthy outcome of postpartum syndrome due to the ineffective rest cure conducted in the room, whereas Lennie, in Of Mice and Men, is isolated from fulfilling his dream of
At this point in the story, the reader begins to sense the theme of inaccurate perception and false accusation, for the
Passage Analysis #1 Charlotte Perkins Gilman, “The Yellow Wallpaper” Gilman, in this particular passage of “The Yellow Wallpaper,” explores the theme of female oppression through imagery and symbolism of the wall-paper. These elements of literature make the wall-paper come to life for both the narrator and the audience. “The front pattern does move”(55) personifies the wall-paper to be so animate and physically restraining that the woman behind it must shake it to attempt to escape. The italicization of “does” serves to further affirm that the wallpaper exhibits restrictive human-like behaviors - particularly those of dominant men in society. The narrator states that there are “a great many woman behind”(55), extending the metaphor to all Victorian women in the United States and others around the world who are oppressed.
“The faint figure behind seemed to shake the pattern, just as if she wanted to get out” (Gilman 652). The narrator can see a person, the person can be representing herself. She feels trapped and may be losing her mind. She can see woman trapped behind the wall and not be able to escape from it. The narrator describes it in detail that it seems like she is talking about herself going through all this emotionally and physically.
Secondly, throughout the story, the narrator describes seeing an evolving woman trapped inside of the wall. Although readers can assume that this woman is merely a product of the narrator’s mind, the woman can also be seen as a symbol of the narrator and her feelings of being trapped. Eventually, the woman in the wall aids the narrator in her escape. In conclusion, many elements of the narrator’s increasing madness throughout The Yellow Wallpaper contributed to her freedom from the confines of the room, the confines of society, and the confines of her
The Insanity of “The Black Cat” Edgar Allan Poe left the ending of most of his stories enigmatic and therefore, open to controversial interpretations. Many debate whether the endings are the result of insanity or of haunting. It is evident that “The Black Cat” ending is caused by insanity, based on multiple re-occurrences that happen to the narrator. Many situations from the story support this claim.
This very moment is crucial in the story. This shows a shared connection between the two characters, a type of connection that the narrator has never felt with anyone before, one that he is not used to. This also shows a paradox because of the fact that he must close his eyes to be able to
How she describes her surroundings and her interactions with her family evolves as her condition worsens. By the end, the reader can truly see just how far gone the narrator has gone. The narrator’s fixation on the yellow wallpaper had gone from a slight obsession to full mental breakdown. As it is with most good stories, the presence of strong symbolism and detailed settings is a very important aspect of the story that helps to draw the reader into the story.
Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.
