ipl-logo

French New Wave Film Analysis: Breathless

981 Words4 Pages

7.0 ANALYSIS OF TWO FRENCH NEW WAVE FILMS
7.1 A BOUT DE SOUFFLÉ - 1960
This classic film was directed by famous French New Wave filmmaker, Jean-Luc Godard in 1960, this is one of the film which most impudent debuts in film record. The storyline is regarding a young criminal Michel who steals a car in Marseille and murdered a policeman rashly. He has been wanted by the authorities, but he mats a hip American journalist student in the capital. The girl agrees to help to hide him after he tried to persuade her to leave with him to Italy, but the girl betrays him when the police about to caught him.
7.2 REVIEW
Based on the research, Breathless has not only won the best director prize at Berlin International Film Festival, but also was won the best …show more content…

This was an unprecedented practice in cinema, according to Neupert (Ghosh 2013). Thus, it’s obvious that French New Wave cinema has completely original artistic system. Moreover, Godard has completely breaks the traditional stories and translated his writing into pictures and it’s totally different with Hollywood’s standard, according to Basye (2011).
To conclude, Godard is a French director who notably wrote the shooting script in every morning, he has not only turned the Breathless to be the key films of the New Wave which refused the traditional French cinema and embraced more experimental unique style, it’s also obvious that Godard done the film in a remarkable way as he applied jump cuts and combine the scenes together to creates the thing he wants to explain. He has successfully produced a film in a special way to showing the audience something that can’t be written in literal form, but he made it to be shown in the

Show More
Related

Bernie Tiede Film Analysis

744 Words | 3 Pages

The story of Bernhardt “Bernie” Tiede is well known for its realistic and entertaining motion picture. This adaptation depicts the impression of a warm, caring man who the community wouldn’t believe partook in the murder of an elderly woman. It is not the question if Bernie committed the act, rather than “did he plan it?” I believe this crime was not premeditated, but was done in the “heat of the moment”.

Read More

Wendy Haslem's Essay 'Neon Gothic: Lost In Translation'

458 Words | 2 Pages

Throughout the essay, many references and comparisons are made to other films. Also incorporated in the essay is the use of advance terminology; Giving indication that the author is very knowledge about film. Haslem mentions in her essay “Neon Gothic: Lost in Translation”, “In many ways Coppola’s film exhibits marks of classic European art cinema. Specifically, in her interest in stillness rather than action, Coppola recreates a similar impressionistic resonance that was initially established by filmmakers like Carl Dreyer in The Passion of Joan of Arc (1928) and elaborated by Michelangelo Antonioni in films like L’Eclisse (1962) and L’Avventura (1960)”

Read More

Spike Lee's Auteur Theory

416 Words | 2 Pages

Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.

Read More

Archetypes In The Movie Hugo Cabret

954 Words | 4 Pages

For this week’s assignment, we were assigned to watch Hugo, which to me was very enjoyable. The film tells viewers about the life of an orphaned young boy named Hugo Cabret. In the movie, Hugo is on a quest for survival. Through this he learns valuable life lessons. Volger’s archetypes, the historical aspects of the narratives in the film, and actor portrayls all serve as a reflection of Hugo’s heroism.

Read More

Sunset Boulevard Film Analysis

1617 Words | 7 Pages

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

Read More

Casablanca Cinematography Analysis

697 Words | 3 Pages

Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.

Read More

Film Analysis: The Merchants Of Cool

561 Words | 3 Pages

The documentary, Merchants of cool, describes an evolving relationship between the vast teenage population and corporate America. The film provides an in-depth look at the marketing strategies and communication between these groups. Adolescents are shown as learners and adapters of the fast-paced world; they’re constantly exposed to fashions and trends. These young adults have a lot of disposable income and are willing to spend it, in order to gain social popularity. In other words, they are chasing ‘cool’.

Read More

Casablanca Film Noir Analysis

1687 Words | 7 Pages

Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.

Read More

Aesthetic Of Astonishment Analysis

1441 Words | 6 Pages

S. Porter in 1920, and serves as a perfect illustration for Gunning’s examples on Aesthetic of astonishment. This movie retells what happened during that period of time, when movie is first introduced. The naive reactions of early audience are shown here when people were shown clips of movies with no narrative-- purely “cinema of attraction” where the film main function is to attract audience as an attraction without narrative. Uncle Josh is a representative of how the audience should not have reacted; his reactions to the clips are exaggerated, but clearly demonstrate how early cinema audiences reacted to films when they first watched them. The beginning of the film is showing uncle Josh watching Parisian Dance, a dancing

Read More

La La Land Film Analysis

767 Words | 4 Pages

Damien Chazelle’s American musical film, La La Land (2016), with Director of Photography Linus Sandgren, won about six awards at the Oscars. One of the awards they received is in the Cinematography category. I personally agree with this voting because this beautifully-made film shows, not tells, the story. In the beginning of the film, the viewers see the story from Mia’s point of view, but the story later goes back and switches to Sebastian’s point of view.

Read More

Breathless Movie Analysis

1529 Words | 7 Pages

Breathless is reflexive in the way that it copies and uses elements of various genres (especially American gangster pictures. Movies had always done this, but filmmakers had usually tried to hide it, to pretend that each film was created in a vacuum, independent of what came before it. However, the New Wavers, and especially Godard, put their influences out in the open. The film begins with the interesting exposition of Michel’s character, but is a serious of display throughout, slowly developing in a complex of role exchanges. Patricia Franchini is depicted as a naïve twenty-year-old woman who depends on her parents for money, and Michel is the gangster who steals and murders.

Read More

A Man With A Movie Camera Analysis

2638 Words | 11 Pages

This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday

Read More

Analysis Of Baz Luhrmann's Contribution To The Art Of Film

836 Words | 4 Pages

Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.

Read More

Baz Luhrmann's Red Curtain Trilogy Film Analysis

976 Words | 4 Pages

Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.

Read More

Importance Of Auteur Theory

2424 Words | 10 Pages

Throughout the years, the auteur theory slowly ensconced itself as an essential key to film analysis, providing a specific guideline to evaluate a director’s film. One of the most

Read More

More about French New Wave Film Analysis: Breathless

Related Topics

Open Document