Although, President Reagan doctrine transpired in Nigeria to supporting anti-Communists rebels, removing communist troops and overthrowing the communist government of Nigeria. Therefore, President Authorized the CIA to train the rebels on warfare tactics and funding anti-Communist insurgents in the fight against the Soviet Union. In 1982, Boland amendment restricted the CIA, Department of Defense operations in Nigeria and the cut off all funding to the freedom fighters. The Boland amendment did not restrain the president from supporting Contra rebels. Reagan told national security adviser Robert McFarlane.
Who is a hero? A hero takes many forms, such as an allegorical hero, a tragic hero, or an epic hero. In the age of postmodernism, there are instances where a person can be both a hero and a villain. Odysseus is difficult to identify as a hero because of his many vices.
An epic hero is a brave and noble character in an epic poem, admired for great achievements or affected by grand events. Edward Bloom is a fantastic example of this in Big Fish, a Daniel Wallace novel. The book begins where Edward is dying. Through larger than life stories about his heroic journeys, he teaches his son about life.
An anti-hero is a main character that does not possess the traditional heroic qualities and is instead admired for what is generally considered a weakness by society. They can also be someone who fights for the side of good but has a tragic flaw, or uses questionable means. On the back cover of Rule of the Bone by Russell Banks, there is a quote describing Chappie as a “young modern anti-hero”. The question that this arises is whether or not he should be considered an anti-hero. While Chappie is a character that can be admired despite his shortcomings, he doesn't fight for or sacrifice himself for any sort of ideal or side.
If you were to think about a man with great abilities like being strong, courageous and intelligent, you could think of people you personally or like me, you could think of someone such as Odysseus. Odysseus fits the definition of an epic hero because he is quick thinking, strong and courageous. Odysseus is one quick thinking individual. He has gotten him and his crew out some some sticky situations with his clever plans. One of these plans were how to get away from Polyphemus, a cyclops who was the son of Poseidon.
In Sophocles’s play Antigone, the throne of the city of Thebes has fallen into the hands of Creon, Antigone’s uncle, after the sudden and tragic death of Eteocles and Polynices. Under his rule, a new law forbidding anyone from burying Polyneices causes Antigone to decide between staying loyal to her country or to her family. In the play Antigone, the most real tragic hero that prevails is Creon because he embodies all the characteristics that a tragic hero must have while Antigone lacks some important characteristics. To begin, Creon conveys goodness because he chooses to punish Antigone for her crimes to keep Thebes as safe and orderly as possible.
“Not so self-centered that you never listen to other people” (Hugh Hefner). In the story of Antigone, Creon shows the characteristics of a tragic hero, as he is the king he shows his self-confident and he does not recognize his flaws until the end of the story. All of this leads into his downfall in the tragedy and causes him to realized what he had done. Creon is a tragic hero because of his self-righteousness, his excessive pride, and he does not listen to the opinion of others.
The definition of a true hero is very subjective as people have their own opinions on what makes someone a hero. Some people might consider someone who does the right thing a hero, for some it may be people who fight for their country. The characteristics of a hero might vary, but in the epic “Beowulf,” Beowulf is sought out to be the hero because of three main traits; his noble cause, code of honor, and his strength and courage. Each of these traits makes up the hero he is portrayed to be. One of the first qualities described in the epic is the act of a noble cause.
In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.
Who starts out at the top, but ends up at the bottom? Who has everything, but ends up with nothing? Who suffers a fate worse that death? That’s right, the tragic hero. Antigone, a play written by Sophoclese has a classically flawed tragic hero.
He lacks a large amount of skills that would consider him to fall under the category as an anti-hero.
A hero does not fight for fame and glory but for the greater good. A hero is someone who goes through adversity to help others in desperate times. A hero fights evil, and defends people. Beowulf should be considered a hero because he is a strong, brave warrior who defended his people and slayed evil monsters. Beowulf proves himself to be a strong, brave warrior by killing Grendel the monster.
He goes from being a loyal soldier to a cruel tyrant killing all of his enemies. In the beginning of the play he is presented as a loyal soldier to King Duncan and he is widely respected and admired by people. It can seem questionable as to why Macbeth is an antagonist when he has the trope of a hero. Despite that image, his inner thoughts begin to reveal themselves, showing another side to Macbeth that people don’t know about. Macbeth soon admits to his dark lust for power and status beyond his capability.
Heroic figures have long been the root of inspiration and fascination for humankind. A myriad of hero myths share themes and patterns that have recurred throughout time in countless narratives. In J. K. Rowling’s books about the young wizard Harry Potter, we find the same themes, motifs and structures that these hero myths are composed of. To analyse the mythical structure in Harry Potter, two influential concepts about the construction of typical hero myths will be discussed in this chapter: psychoanalyst Otto Rank’s theory of the archetypical hero’s life and mythologist Joseph Campbell’s theory of the “monomyth”: • The archetypical hero:
An Aristotelian tragic hero is a character born of noble birth and, by destiny, has a tragic flaw that inevitably leads to his or her downfall and redeems his or herself by the end of the tragedy. For one to consider a play a tragedy, the character of the play must be noble, and the play typically starts off with happiness and wealth. The play ends with sadness and the hero has a tragic flaw that causes their downfall. In The Tragedy of Macbeth by William Shakespeare, Macbeth fits the definition of an Aristotelian tragic hero. Macbeth is a tragic hero because he starts by being loyal and trustworthy, develops a tragic flaw that leads to his downfall, and he redeems a small measure of himself before he dies.
