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Canopic Ears In Ancient Egyptian Art

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Canopic jars are Egyptian faience jars meant to preserve the organs of mummies for their afterlife in ancient Egypt. Ancient Egyptians knew that the process of decay could be slowed if all body parts and organs were separated and prepared in embalming materials individually. Much of what is known about ancient Egyptian art is based on their funerary art: tomb wall painting and decorations, statutes (get the actual name from notes), sarcophagi and furniture are prime examples. However, canopic jars are still crucial pieces of the Egyptian funerary rituals. These particular canopic jars were made during the New Kingdom Dynasty 19-20 aka around 1295-1070BCE. Their exact artist is unknown. As stated above canopic jars are used to house the organs
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First, they wrap the body in cloths this is called mummification. The cloths used in mummification belonged to the deceased and were their Shentis. A Shenti is a piece of clothing that covered the person from the sun and protects the body. They cherished these and were needed for the afterlife. Second, they would make a stone Sarcophagus much like a coffin.

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This particular vessel type known as an amphora. An Amphora is “an Ancient Greek two-handled jar used for general storage purposes, usually to hold wine or oil” (106 Kleiner). It is swollen vessel with a rather large mouth for easy pouring. This particular amphora was used to store wine. Moreover, the amphora was “created in Athens, Greece” (Getty Museum) during the Archaic period (600-480 BCE).

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They found this when identifying the two types of seals: flat or cylinder seals representing a story or moment in one's life to display their honor, as the seal could be linked to their family's name. "When elite individuals died, their families frequently buried them with their seals to carry into the afterlife. " This gave archaeologists a look into how they could identify whether or not these funerary temples were of people from high class or high authority as, depending on what or how the seal was made, it provided the context of whose tomb it was. They then took after the temple-like structures within Egyptian funerary temples, especially when looking at the Deir el-Bahri in Egypt. This temple was found by archaeologists that then came to be known to be for the female pharaoh Hatshepsut and made in her honor.

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An example of this can include as to how the pots that were manufactured at the most beautiful and efficient level of longevity and design were created for those that had occupations within the government, or the Pharaoh himself. The underprivileged used pottery to create a large range of toys and items for entertainment. Regarding that the impecunious were incapable of purchasing items for elaborate burials, the art and use of pottery was frequently utilised as a substitute for burial coffins. Overall, the existence of pottery itself has vastly affected the culture and practises of the Ancient Egyptians. It revolutionised and allowed the Egyptians to develop even more solid and stronger skills within the creative arts and technology itself.

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Ear reconstruction for microtia is an intriguing surgery in terms of clinical skill and dexterity for plastic and reconstructive surgeons. Apart from proper ratios and detailed carving of cartilage framework, the overlying skin is utmost important for the final outcome of reconstruction. A good outcome needs adherence of the skin flap and cartilaginous framework, for which purpose suction drains are used during the surgery. By creating a negative pressure, suction drains promote adherence of skin flap and cartilage framework and removes the seroma and hematoma. Usually surgeons put two drains through the infra auricular skin one behind and other beneath the cartilaginous framework.

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