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Carmen Miranda Research Papers

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Carmen Miranda was a Portugeses-Brazilian beauty who rose to fame in the 1930s and 1950s as a South American cultural icon. Her distinctive fruit headpiece and flamboyant costumes captivated audiences, and her life had both accomplishments and disappointments, making her a diverse and distinctive character in entertainment history. My intent with this essay is to prove that Carmen Miranda had a major impact on Latin America, introducing the world to samba and other Latin American rhythms. She also challenged preconceptions about Latina women on cinema by playing strong and independent characters. She was also a forerunner in the entertainment world for women, being one of Hollywood's highest-paid actors in the 1940s and campaigning for improved treatment and opportunities for women in the business. Her distinctive style and flare continue to have an impact on fashion and popular culture today, from music videos to funfair costumes to Brazilian wax. Carmen Miranda was born in Portugal in 1909 and moved to Brazil when she was 10 months old. Her first role was as an exotic Latina stereotype and her performances were based on misconceptions and exaggerated representations of South American culture. Her return to Brazil in 1940 was received with hostility and she did not return until 1955. Her success in the United …show more content…

Carmen Miranda rose to fame in the 1930s and 1940s as a talented Brazilian singer, dancer, and actress. She was criticized for promoting negative stereotypes of Latin American culture, notably in her representation of the "Brazilian Bombshell" figure. Her popularity declined by the end of World War II, but her legacy as a Brazilian and humanitarian lives on. She was known for her energetic personality, flamboyant costumes, and seductive moves, and popularized a new type of sex appeal. Her wardrobe was distinctive and eye-catching, and her style and personality not only affected fashion but also sex

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509 Words | 3 Pages

Early life Selena was born Selena Quintanilla was born on April 16, 1971 in Lake Jackson Texas. She was in a vocal group when she was 9, started by her father, Abraham Quintanilla. Abraham took Selena out of school when she was in the eighth grade because of how her singing and career was going , at 17 she earned a high school diploma by American school program. Selena and her Band (every band member in the group was a family

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288 Words | 2 Pages

Alina Diaz-Hernandez passed peacefully at home on Thursday, November 4, 2103 in Providence, R.I. at the age of 100. Alina is survived by her spouse, Francisca J. Hernandez Ruiz, her best friend, Elhaisha Tatis, her brother, Elias Diaz, her children and grandchildren, Rosalinda Bella Hernandez Rodriguez, Mariela Angelee Hernandez Mendez, and Jose Antonio Hernandez Mendez. She is preceded in death by her mom ,Leonor Anginette Contreras Guillen, her father, Elvis Diaz, her step father, Jeury Tavares , and her brother Derek Diaz and step brother Deury Tavares. Everyone above was/is a resident of Providence, R.I.

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174 Words | 1 Pages

Ernesto Miranda, was an immigrant that lived in Phoenix, Arizona. He was accused of kidnap and rape by a woman and arrested in 1963. While the police questioned him, they did not inform him of the Fifth Amendment (protection of self-incrimination) and the Sixth Amendment (right to an attorney). This case involved Mr. Chief Justice Warren, Mr. Justice Clark, Mr. Justice Harlan (accompanied by Mr. Justice Stewart), and Mr. Justice White. The court argued upon this case on February 28-March 1, 1966.

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1149 Words | 5 Pages

In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.

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169 Words | 1 Pages

There are variety of Latin artists. For example, Enrique Iglesias, Shakira, Selena, Daddy Yankee, J Balvin, and Pitbull. Selena was one special Latina singer. Selena had many hits like “Ven Conmigo,” “Amor Prohibido,” and “Entre a Mi Mundo” (“Selena”). Selena was a beloved Latin artist and very well known, especially in Texas(“Selena”).

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999 Words | 4 Pages

The Bronze Screen introduced both positive and negative portrayals of Latinas and Latinos in film. While there are plenty of positive Latino roles in films, Latinos and Latinas should be included in more positive roles because the negative roles Latinos have in films cause negative stereotypes. Positive and negative representations of Latinos in films has always fluctuated throughout history, however the more negative ones seem to always overpower the good ones. The film, “The Bronze Screen”, gave many examples of the negative roles Latinos played in films throughout film history. Early films included Latino actors, however they did not always have a lead role or even a positive one.

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102 Words | 1 Pages

Gloria Anzaldúa, in the essay “How to Tame a Wild Tongue” (1987), claims her experiences as a Chicano taught her that her culture was not looked at highly in comparison to the English language. Anzaldúa argues her view about her Chicano language by giving examples of both cultures Chicano Mexican and American cultures. Anzaldúa’s purpose is to inform her audience on how it is to grow up in a Chicano speaking family. Anzaldúa writes in a frustrating tone throughout the story of her life experiences. Thesis: Anzaldúa use of her personal experiences, and Music, Film and Literature are relevant sufficient and

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1811 Words | 8 Pages

The exotification of Dolores del Rio is evident in an article published by a Photoplay issue in 1934, as she is described as possessing “golden skin, smooth as mellowed ivory and her dark, flashing eyes bespoke the lue of those maidenly ‘senoritas’ who peep at life from behind cloistered shutters… When the young man comes to call on a senorita in Mexico… he brings his guitar” (38). Through the exotification of Dolores del Rio, Hollywood found great success in the United States and in Latin America, one of the most profitable film markets in the cinematic industry. As a white-passing Latinx woman, del Rio was “more easily able to move in and out of ethnic roles” (33). Because Dolores del Rio was a Latinx woman that held “upper-class roles” and a Eurocentric standard of beauty while nonetheless, identifying with her Mexican heritage, she not only appealed to the white American public, but to Latin American audiences as well (Hershfield

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492 Words | 2 Pages

The women's reactions, although were affected “positive” from their upbringing were still formed within the confines of society. The chapters show the different ways which Latinas interact and the perception of sex. Often the voice of Latinas is lost and losing this voice means losing a part of history. It is important to record the way which Latinas are socialized about sex since it is reflected in the nature of their

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1044 Words | 5 Pages

Warfare was the most predominant threat that faced the Plains Indians which occured from the expanding American economy and the scarcity of horses. Knowing they would die, some Indians released their horses in the winter season and would collect survivors in the spring. The Crees and Assiniboines saw their horse population diminishing so they started to rely on the raids of neighboring villages to provide them with horses. Warfare also led to the overall decline of bison. Because bison were scarce, formerly allied tribes fought for resources.

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1256 Words | 6 Pages

Therefore, she was extremely privileged amongst her own Latinx community, who often did not hold as many advantages as she did. Although she was forced to assimilate to the social and cultural norms of the 1920s and 1930s, del Rio never fully embodied whiteness or upheld its notions. Despite the Americanization of Dolores del Rio in the movie industry, she continued to be exotified in her character roles and as a Latinx woman in

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1821 Words | 8 Pages

The very act of cross-dressing itself was subversive, especially in Spain where costume was hugely important, not just on stage but in real life. Literary critic William Egginton notes in An Epistemology of the Stage, that when it came to costume the "Spanish public was extremely sensitive to such signifiers of class and could not, for example, tolerate or comprehend a scene in which the signs of social status presented by costume and speech would conflict". (402) With the audience so sensitive to costume details, what must they have thought about Rosaura 's male attire? Women dressing as men was a common device used by playwrights in the Golden Age (mujer vestida de hombre ) and one wonders was it merely because it was practical?

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1021 Words | 5 Pages

The Myth of The Latin Woman Analysis Latin American women face challenges every single day and moment of their lives. They are strongly discriminated against in all sectors of employment, in public places, and even while just walking down the street. In her essay, "The Myth of the Latin Woman," Judith Ortiz Cofer describes her own experiences using illuminating vignettes, negative connotation, and cultural allusion to exemplify how she used the struggles in her day to day life as a Latin woman to make herself stronger. Cofer uses illuminating vignettes to illustrate the different situations she encountered as a Latina while growing up and living in America.

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489 Words | 2 Pages

The scene is ancient Athens, and your running through the woods with someone you truly love. Your running to escape from the life that your father wants you to live, and the person he wants you to be with follows you hastfully into the woods. Who knows what the night has in store for you or how you will come out of it. This may seem like a fantasy story, but it is in the all too relatable story of “A Midsummer Night's Dream” by William Shakespeare. Shakespeare can be fondly remembered by many as an expert on romantic stories, and quite often he also is remember for his symbolism in his stories.

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