Although the author set himself the task of using the natural materials of this case to write a nonfiction novel, it is clear that the audience is given information about the murders, and murderers however, the author’s emotions are also present. Capote's tone in the novel strives to be objective, but he cannot help but let his compassion towards the criminals and the Clutter family emerge. His compassion shifts the novel in a way to pull on the heartstrings of the audience and to allow for a deeper understanding of his purpose. Many of the tones included in the book brings out the importance of the American Dream and life being a gift. The quote, “Then, touching the brim of his cap, he headed for home and the day’s work, unaware that it would be his last,” is an example of the author’s serious tone to support his purpose of how the gift of life can be taken so unexpectedly.
Response to Elemeno Pea The University of Tennessee at Chattanooga’s production of Molly Smith Metzler’s Elemeno Pea was a comedic yet thoughtful portal into modern class structures, personal values, and interpersonal relationships. The program promised that the play, a recent rewrite of the original version, would challenge audiences “to question what we might be missing through our quick judgements of each other,” and the show delivered; with the playwright’s portrayals of complex characters, situations, and issues, the audience was allowed and encouraged to examine and reexamine their first impressions before the show ended and left viewers with their final thoughts on the events that had transpired within the Martha’s Vineyard estate. It
Miss Emily comes from an old wealthy line of family in the deep south. Faulkner story is highly symbolic, enhancing miss Emily’s values and character. “Miss Emily is described as a fallen monument to the chivalric American South”(Allmon). Faulkner uses the setting of the story to show the emotional state of Emily. The female-male relationship between Emily and her father is strict, oppressive, and controlling; Their relationship has a major impact on Emily’s character Throughout the short story.
In the world of theatre, a place which tends to be reserved for liberal expression and socially progressive content, Bekah Brunstetter’s The Cake appears to be somewhat of an anomaly. This is not to say that the play condemns or lacks representation of the social matters which are so commonly highlighted in contemporary theatre. In fact, The Cake very thoroughly explores the unceasing debate surrounding the topic of marriage equality. However, Brunstetter’s thoughtful characterization forces audiences to consider a perspective that is rarely supported, or even acknowledged, on the stage.
Both Emily and Robert are prematurely judged by the narrators in both stories, and the assumptions are so far fetched from the reality. Miss. Emily is perceived to be a lonely old woman, whom nobody ever spoke with. Since they never talk with her or learn anything about what is going on in her life, the townspeople begin to gossip to make up for this. They knew her father had driven away any man from becoming close to her, and they just thought to themselves, “ poor Emily” (32).
“Every successful individual knows that his or her achievement depends on a community of persons working together.” This quote, while neither in the play nor memoir, depicts how both the society and the individual must work together to complete a task. Without this harmony between the two, events
In the short stories “A Rose for Emily” and “The Story of an Hour,” the authors use literary devices to create vibrant female characters. These literary devices include diction, imagery, language, and sentence structure. “The Story of an Hour,” written by Kate Chopin, opens with a woman, Louise Mallard, who has a heart disease, and her friends must gently break the news to her that her husband has passed away in a railroad accident. She mourns briefly, but then realizes that she can now live for herself, instead of just as someone’s wife. Shockingly, she walks downstairs after fleeing from her friends’ horrible news, and her husband walks in the door.
Also this moment is crucial in the story because it alters people’s decisions and changes the whole aspect of the novel where simply the protagonists fall in love and get married after a whole act misconception and misjudgment. This is considered an illuminating incident because of its various impacts. This scene does not only change Elizabeth’s mind but also the readers. It’s an apex in the novel, where everything hits the reader and turns the tables.
As the story goes on, Faulkner describes Emily’s death: “When Miss Emily Grierson died the whole town went to her funeral: the men out of respectful affection for a fallen monument and the women mostly out of curiosity” (Faulkner). Faulkner emphasizes that while men are caring and respectful women act only based on curiosity. Indeed, the role of women in the southern society is less significant than the role of
Sometimes the things we do for others don’t always go as planned. That was the case for the innocent wife in “Birthday Party” by Katharine Brush, as what was thought to be a nice gesture by the wife, was viewed as a crime by her husband. This small event can be an indicator of a crumbling relationship, and through literary devices such as diction and shifts to portray this deeper meaning. The harsh adjectives used throughout this piece paint a story much darker than simple botched celebration.
In history, there have been an innumerable amount of plays written, but none so flawlessly encapsulate the realities of achieving the American dream than Death of a Salesman and A Raisin in the Sun by Arthur Miller and Lorraine Hansberry respectively. Although the two plays are very different, the characters and the issues they face, at its core, parallel each other because they both deal with the failure of dreams. Both set in the 1940s, Death of a Salesman deals with a white family’s unrealized dreams while in Brooklyn, New York, whereas A Raisin in the Sun concerns the turmoil of an African American family living in the southside of Chicago about agreeing on the same dream. As Terrence Smith and Mike Miller wrote, “The purpose of drama is not to define thought but to provoke it,” essentially stating that drama is not merely meant to entertain and instruct the viewer what to think, but to pose as a form of expression to inspire people to reevaluate rigid opinions and make society examine itself in a mirror.
The play Death of a Salesman by Arthur Miller is known by many Americans as an epitaph for the American dream. It is about the life of Willy Loman, an aging and failing salesman, chasing after his ambitions to become the most popular and successful individual in his field of work. Surprisingly, the story set behind the curtains also mirrors the lives of many modern Americans today. The play, performed in the 1940s, dealt with how people’s expectations for perfection were insubstantial and impractical, and how these expectations bred dissatisfaction and doubt. Unfortunately, this mentality still persists in the current American society.
Today, most people would assume that the reaction to a loved one’s death would be immediate grief; however, that would not be the case in the late 1800s. In Kate Chopin’s “The Story of An Hour” women were expected to grieve differently than men. The story conveys the main character Mrs. Mallard’s distress and joy after she discovered the supposed death of her husband. The story does not demonstrate Mrs. Mallard following the stages of grief that would be expected when grieving over her husband. In spite of the fact that Mrs. Mallard was grieving she was likewise encountering joy and satisfaction since she then realizes that she is currently free.
Emily is judged for loving a man who is less fortunate than her . In the following line the townspeople’s reactions to their relationship is obvious, “’Poor Emily’, the whispering began. ‘Do you suppose it’s really so?’ they said to one another” (102). The townspeople did not to much care for the relationship between the two because of the barriers set up by social class saying poor date the poor and rich date the rich.
This shows a balance between gender roles, as well as the embracing progressive changes within culture and society. In the story “The Story of an Hour,” by Kate Chopin, a third-person omniscient narrator, relates how Mrs. Louise Mallard, the protagonist, experiences the euphoria of freedom rather than the grief of loneliness after hearing about her husband’s death. Later, when Mrs. Mallard discovers that her husband, Mr. Brently Mallard, still lives, she realizes that all her aspiration for freedom has gone. The shock and disappointment kills Mrs. Mallard.
