Change In Fashion Between 1650 And 1670

To be more detailed, between the time of 1650 and 1670 a man would first dress himself according to the etiquette that was taught in the culture (Kassing 95). Men wore coats similar to that of “lo Bolero,” with coats shrunk to the elbows and wide tails. Pants were high waist with baggy breaches that were full and embellished with lace frills, almost skirt like, and held right beneath the knees. It was not peculiar that men were to wear skirts, either. Costumes were decorated with an overload of ribbons, about 500-600. There was also an importance to change costumes during the times of war, as stated before, the attire was very culture based and soldier coat fashion was a noticeable aspect to be recognized. There was another large garment change

The popular padded sleeves turned into simple tubular sleeves. Once belts were also embedded into popular attire, it also became common to insert one’s sword between the body and the attire. The petticoat no longer matched the new coat and became more fitted to the body. The overcoat was neglected and was then used only for travelling (Kassing 118). Although all these details are materialistic, it was important to note these changes in history because the baroque era had such a powerful influence in art, in fashion, in movement that still allows relevance in today’s modern world. Look at traditional ballet costumes, they are still very much influenced by the earlier years of the era. Traditionally, there are flares, frills and bows with ruffled skirts. They stand out like tables tops and usually the costumes with most embellishments and designs are for leading roles, or royalty you could say, in the ballets. Likewise, the not so classical ballet costumes, although similar to the classical, are also simpler; just the how the course of time simplified the fashion, the costume attire in ballet is according to the type of ballet being

Fortunately, even the royalty came to the conclusion of participating in the dancing. There were simpler dances for the sake of the public, much like line dances in today’s modern time, so that all invited quests may join in. As stated, many of those who were invited were popular people in the society and participating in the dances were critical for political and social reputation (Sparti). The court dances were very common, even in the practice of etiquette, learning simple dance phrases were a requirement for proper behavior. Though the court dancing was first used as entertainment, it become social, there was a need for the human to want to move and so it became common in the culture. The birth of the baroque era was the perfect time for people to venture into social dancing. Men and women created relationships for political and social purposes through these events, it was crucial to attend especially if there were any opportunities to be in the presence of royalty. Theatrical dancing was a on a different spectrum, however. It was more so a development of a new style of dancing. As by definition, it was more theatrical. Sometimes this type of dancing was put to an opera stage where instead of participation it was pure entertainment. Some of the performances that were put to the stage then are being reworked for