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Chapter 4 Of Dracula By Bram Stoker

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. Dracula may have even wanted to create a new vampire monarchy. London would be a great basing for such an endeavor so that’s is the answer to that mystery. What the Count is was answered early on but at first without prior knowledge that Dracula is a vampire he doesn’t seem like anything you’d probably heard of before. Stoker makes a point to not give it away at a glance but at the end of chapter 4 we know what he is. And now the evil versus honor; this is a little less of a mystery and a little more of an analogy. Dracula is portrayed throughout the novel as a terrifying creature of unrealistic power. For this reason he has the evil spotlight practically blinding his way 24/7. later on we learn that his motive for gaining power is to refurbish
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Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.

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In dracula things don't get interesting until the end of Chapter 2. the chapter starts to show a dark and unpleasant horrible feeling that Stoker makes in the novel. Harker’s journal shows you how things change when hes at draculas castle. harker starts to feel like he isn't the house guest he thought he was and feels like he can never leave. stoker didn't make the story of dracula but he made the novel as if he did showing that he could make a gothic story and widening his range of writing.

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His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,

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In the Poem, “The Juggler” the speaker develops a very exciting tone which eventually evolves into a very solemn and serious poem through the uses of very strong diction and sophisticated use of personification that helps develop a shift in the tone. Throughout the beginning of the poem, the speaker personifies the balls and uses positive diction which creates a very light hearted and joyful atmosphere to start off the poem. For example, phrases such as “our hearts from brilliance” and “Whee, in the air” helps develop a positive attitude towards juggling for a group of people. The speaker enjoys making “brilliance” with his skillful abilities and just wouldn’t sacrifice that for anything.

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Dracula traps Jonathan Harker in his castle, but he finally escapes without the Count killing him. Dracula then sucks Lucys blood and turns her into a vampire. At this point everyone is against the bloodsucker. Since Lucy died, well turned into a vampire. Lucys friends have to stab her in the heart and cut off her head.

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In the novel Dracula by Bram Stoker, there are several different characters who demonstrate heroism by acting selflessly. Gender roles play a significant part in developing the alliance of people whose goal is to defeat Dracula. All of the heroes recognized by the audience are masculine, but not all of the heroes are considered protagonists by the audience. Because several different characters act selflessly throughout the novel, it clear that a group of men form as “the embodying archetype of the hero,” (“Archetype of the Hero”).

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This can even allow the reader to possibly ‘fill in the blanks’ about the unknown character with her own fears, adding to the horror of the novel. Count Dracula’s first appearance takes place in his castle in the Carpathian Mountains of Transylvania when Jonathan Harker arrives to discuss a real estate transaction. When Harker arrives at the castle, he first hears Dracula approaching in an ominous manner before he actually sees the Count. “I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light,” Stoker writes, “then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back”.

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In the novel Dracula, author Bram Stoker creates a peculiar situation that pushes the main characters to decipher the supernatural from reality. Originally thought of as a myth, Dracula quickly becomes something more than the supernatural. By slowly building the conflict of Dracula himself, Stoker depicts all stages of the change from believing that Dracula is a fictitious character to being face to face with Dracula himself. As he terrorizes the lives of the characters in the novel, they soon come to the realization that Dracula is more than what they formerly believed, and in actuality he is their harsh reality.

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Lucy writes in her journal,”he is brute, no he is more than brute”(Stoker 255). Dracula being called a villain and monster for centuries would start to change him into one of these foul beasts. Dracula is one of the most powerful creatures in the book. So when he gets made fun of by a lesser person, he attacks. Sherri Gordon, an author of multiple books and former editor of Columbus Parent magazine says.

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Dracula is about vampires in general, the myth, the mystery and the horror. Even though Dracula wasn’t the first vampire story, it was the first really popular one. Throughout the novel, the author, Bram Stoker, portrays many different aspects of women's roles in the 19th century. With the use of imagery and symbolism, the theme of sexuality and gender roles has an enormous presence in the novel. Social gender roles of women and men during the Victorian Era were very strict and looked upon differently than any other time period.

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A good answer is given by Carol A. Senf in his book The Vampire in the 19th Century English Literature where he notes that such beliefs go far beyond the place itself, and that “the vampire was simply one more example of a mysterious subject that appealed” (1988: 21) by virtue of its Orientalism. As he explains it Dracula symbolized an idea of the sensational that attracted the reader, and not the essence of Transylvania or its historical richness. Nevertheless, fundamental in Dracula are the constant journeys that the characters undertake: across Europe, in between cities, across provinces or from America. All these journeys have a fundamental aspect in common: they all start from or finish in the capital city of the largest empire of the world in the nineteenth century: London. This city represents one of the key locations that the author uses for the development of the plot because of the importance it had at that moment.

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The count’s story is a parallel of actual immigration occurring at the time the story was written. Dracula was from Eastern Europe specifically Transylvania, which is a historical region in modern day Romania. The people of Transylvania did not like Dracula, many of them feared him. People did not take the massive amounts of Jewish people coming into their country very

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The ending of the play closes many loose ends and shows the sorrowful ending that is seen in all of Shakespeare’s tragedies. The death of just about every character in the play all came as the result of one person’s actions, Hamlet. Due to Hamlet’s delay in his revenge on Claudius and his actual slaying of Polonius, he is the most to blame for the way the tragedy ended. While Claudius’ murder of his brother set actions into motion, the ending of the actual play was brought about by the events in which Hamlet was involved leading up to it. In Act iii, scene iv Hamlet, “stabs his sword through the arras and kills Polonius” which leads to Ophelia’s later death due to her overwhelming sadness.

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When you think of Dracula, you remember the fairy tale you were told as a child about vampires, but in reality how much of the story was a myth? The name Dracula reminds children and adults alike of the vampire they have so often heard of in movies and books. However, his story was quite different from what they may have heard. This story blurs the line between fiction and fact, when Bram Stoker gains inspiration from actual events and creates a legendary character Dracula is a vampire, hundreds of years old, with supernatural powers and weaknesses. He 's extremely physically strong and can shapeshift into several different forms.

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