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The Monster from Mary Shelley’s Frankenstein and Charlie from Flowers for Algernon have many similarities. “People don't talk to me much anymore or kid around the way they used to. It makes the job kind of lonely”. In the sentence, Charlie explains how, as he grew smarter, everyone became afraid of him and avoided him, making him feel lonely. “You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being.
The creature went on to terrorize Victor’s family and life by killing William and blaming Justine. “Remember that I am thy creature; I ought to be they Adam, but I am rather the fallen angel. Whom thou drive from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded…” (87) The monster compares himself to devil.
Frankenstein Lit Analysis Rough Draft Since the beginning of time, Man has always pursued knowledge, but this pursuit is always kept within certain boundaries, especially while searching for the truths behind the creation and origin of life. As this quest for knowledge continues, men can become consumed with the perilous thoughts and ponderings required to attain this wisdom. In her novel, Frankenstein, Mary Shelley explains how the pursuit of forbidden knowledge can become dangerous through symbolism, allusion, and foreshadowing proving each effectively to the reader. Employing symbolism as her first technique, Shelley uses this in the way many other enlightenment authors do. The strongest use of symbolism is prevalent while Victor is contemplating
Character Development: Characters go through changes throughout the storyline to build on personality (not changing personality, but, for example, using what is established as their personality to deal with challenging situations, giving the characters experience. Character Motivation: The motives (reasons) behind a character's actions, thoughts, feelings. Mood: The feeling a work wishes to rouse in an audience. Plot Development: How a story progresses, usually in this order: Exposition, rising action, climax, falling action/resolution.
“I shuddered to think that future ages might curse me as their pest, whose selfishness had not hesitated to buy its own peace at the price, perhaps, of the existence of the whole human race” (186). Victor sacrificed the peace he wanted for himself and accepted the lifelong torment of the creature, a consequence of his broken promise. Victor did this for the greater good of humanity, recognizing the power of his choice to create or not to create, as well as the power of the creature. Victor had to discover the hard way, how powerful the creature became when reading letters like this one from his father, “About five in the morning, I discovered my lovely boy, whom the night before I had seen blooming and in active health, stretched on the grass livid and motionless; the print of the murder’s finger was on his neck” (72). What Victor thought he was doing to save his family and friends, ended up being the thing that killed them.
The creature wants to take revenge on Victor for abandoning him and causes Victor grief by killing the people he cares about. When the creature kills, Victor feels responsible and guilty of the murders. He continually breaks down with each death by “his” hands, which makes him go mad. The task of creating a monster turned Victor into a monster
The most important beginning to the murders of Victor’s loved ones was his younger brother William. A family friend by the name of Justine was set up by the monster to make it look like she had killed the young boy instead of being the monster who killed William. As said in the novel, “The figure passed me quickly, and I lost it in the gloom. Nothing in human shape could have destroyed that fair child. He was the murderer!”
In Mary Shelley’s Frankenstein, Justine is used as a foil for Victor to highlight his flaw of selfishness, and how their relationship foreshadows the devastating deaths of Victors loved ones
Even the most privileged and wealthy can not escape from tragic reality. This is exactly what Edgar Allan Poe shows in his short story “Masque of the Red Death”. The story takes place during a massive plague that the Prince Prospero and his Courtiers are deeply afraid of. In response to their fear they decide that the best way to get rid of the plague is to ignore it and pretend it is not there. It does not work out.
It wasn’t until early in the morning that Victor’s father found William dead on the grass. “About five in the morning I discovered my lovely boy, who, the night before I had seen blooming and active in health, stretched on the grass livid and motionless: the print of the murderer’s finger was on his neck.” Pg. 47 Ch. 7.
Nathaniel Brown English IV Squance 15 October 2014 Existential Romance “Man is nothing else but that which he makes of himself” - Jean-Paul Sartre You don’t have to read the novel Frankenstein by Mary Shelley to know it the gist of it. Victor Frankenstein creates a monster he regrets deeply and in his efforts to abort his creation he is twisted into a true monster himself. Without reading it though you may be missing out on a few keys parts of the story, most importantly our conduit through which we are actually witnessing this story is a man by the name of Robert Walton.
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Pleased with his accomplishment, Victor states, “No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success….. ”(50). Not knowing what was to come, Victor had no thought of how the Monster was going to be like in his actions, Victor didn’t know the Monster would end up killing William and frame Justine for it. During the tragic event such as the killing of William the Monster executes this task by stating, “Urged
In 1818 Mary Shelley wrote Frankenstein, a novel that follows Victor Frankenstein, an ambitious man on his journey to defy the natural sciences. In Volume I of the novel, Victor discusses his childhood, mentioning how wonderful and amazing it was because of how his family sheltered him from the bad in the world. “The innocent and helpless creature bestowed on them by heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me” (35). When Victor brings up his childhood, he suggests that parents play a strong in how their kids turn out, either "to happiness or misery" (35). In particular the main character was sheltered as a child to achieve this “happiness” leading to Victor never developing a coping mechanism to the evil in the world.
Mary Shelley’s Frankenstein Critical Analysis About the author Naomi Hetherington is a member of the University of Sheffield, the department of lifelong learning. She is an early researcher in sexuality, religious culture, the 19th-century literature, and gender. She holds a BA in Theology and religious studies, an MA and a Ph.D. in Victorian Literature. She currently teaches four-year pathway literature degree at Sheffield University for students who have already attained foundation degrees. Among the books, she has written the critique of Frankenstein.
