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Psychographic on dark knight
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According to Gould, the 1960s television show Batman was an unexpected cultural revolution because for children watching television in the 60s, the Batman TV series was a joyfully relaxing exercise for them. Also, this became a comedy classic and it was a cultural phenomenon in the 1960s. The Batman TV series was famous because this series has humor and a colorful cast of villains. As well, Batman have some aspect of popular culture, that he represents the reflection of society making him a superhero. In addition, Batman in the society wants to do justice on a bad attitude committed.
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
Batman Nightwalker, by Marie Lu, follows the story of a young Bruce Wayne as he transitions from a troubled teen to a hero determined to rid Gotham City of its villains. The hero archetype is evident throughout the novel, as Bruce undergoes a transformation that embodies the coming of age theme. This essay will explore how the hero archetype is portrayed in Batman Nightwalker and how it represents the coming of age theme. The hero archetype is often characterized by an individual who faces adversity and emerges triumphant, embodying noble qualities such as bravery, selflessness, and courage.
This paper describes three particular scenes throughout The Dark Knight and elaborates on those scenes in terms of three specific psychological principles. The psychological principles discussed in this paper is Kohlberg 's theory of postconventional morality, the social trap theory, and antisocial personality disorder. One scene that illustrates Kohlberg 's postconventional morality is Batman 's rather rough interrogation of the Joker. In this scene, Batman is interrogating the Joker in order to receive directions regarding where Harvey Dent and Rachel were (they were strapped up to chairs surrounded by bombs in different locations).
and she died at the end of the movie. Jim Gordan, the commissioner, worked together with Harvey Dent and Batman in controlling the crime cases that happens in the city until The Joker shows up. Alfred is the guardian of Bruce Wayne (Batman) after his parents died. Lucius Fox is one of the employees in Wayne Enterprises who is supporting Batman by providing Batman the equipment. 2.
Gifted with incredible endurance and super strength, the ability of flight, and an impeccable moral compass, Superman is the quintessential superhero that Americans of all ages have admired and looked up to since his conception in 1938. In Brad Bird’s 1999 feature animation The Iron Giant, the fifty-foot metal protagonist is no exception. Hiding out in a barn, he peers at an issue of the Superman comic book like an amused child with his eyes wide and mouth agape. His closest human companion, nine-year old Hogarth, sits before the giant and explains to him, “Sure, he’s famous now, but he started off just like you! Crash landed on Earth…he only uses his powers for good, never for evil.”
However, the most intriguing topic concerning Batman’s mental stability was the evaluation of Batman’s love life. Batman has fallen in love but he lives a life of mystery and interacts with a false identity. To keep Gotham citizens unaware that Batman is Bruce Wayne, Bruce wears a bat-suit which is a dark outfit that includes a night bat-like mask while fighting crime. To further conceal his identity from the world, Bruce gave his real name an alter-ego that has the personality of a wealthy playboy while he acts out his true identity as Batman. Thus, Batman is unable to maintain a romantic relationship with anyone due to intimacy and his alter-ego, regardless if Batman wants a love life or not.
Batman also wears black because so no can see him plus he wants to dress like bat. Superman different from Batman because Superman can shoot lasers from his eyes and breaths out ice. Superman also wears blue and red and fights in Metropolis city.
It takes great courage for this to happen. Batman and Superman both want to be able to defeat evil for a greater purpose. Superhero comics also contain super villains. These villains try to come and take over the world. Some come to kill and destroy anything or anyone
Assignment Submitted By Yours Name here Submitted To Yours Instructor Name here To Meet the Needs of the Course Oct., 2015.
The film that will be analysed is ‘The Dark Knight’ which is a drama/ crime film directed by Christopher Nolan, which was released on the 16th of July 2008. The director is trying to convey good vs evil through Lighting, sound, props, costumes, setting, camera angles and camera shots. The main characters in ‘The Dark Knight’ are Batman/ Bruce Wayne (Christen Bale), Harvey Dent/ Two-face (Aaron Eckhart), Joker (Heath Ledger), Rachel Dawes (Maggie Gyllenhaal) and Commissioner Gordon (Gary Oldman). The scenes which will be investigated are Wayne’s party, the SWAT car chase and Jokers interrogation.
“I believe whatever doesn’t kill you simply makes you stranger” (The Dark Knight, 2008), this is the stand out sentence that the main antagonist, The Joker (Heath Ledger) speaks in the opening scene of the movie. Not only does this line set up the suspense for the rest of the movie but it also sets up the suspense for the opening scene of the movie. ‘The Dark Knight’ is a film directed by Christopher Nolan that builds suspense and intrigue throughout the movie, the director uses mise-en-scene, mise-en-shot and editing to put a seed of meaning for the viewer to draw from. This essay will analyse the opening scene of ‘The Dark Knight” mainly focusing on mise-en-scene, mise-en-shot and editing, where meaning can be taken away from the movie. This can definitely be seen in the opening scene of the movie, it has all the components to make it the perfect scene and the viewer will be able
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
“As a man, I 'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol ... as a symbol I can be incorruptible, I can be everlasting” (Batman Begins). Batman is one of the most popular superheroes of all time. Although he has no superpowers, his willpower and intelligence combined with his physical prowess, and ingenuity make him an incredibly dangerous opponent. In his secret identity he puts on the mask of Bruce Wayne, billionaire, playboy. In Christopher Nolan’s trilogy, Batman combats crime and faces several villains and their plots to wreak havoc and cause chaos.