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Characterization And Symbolism In Raymond Carver's Cathedral

1033 Words5 Pages

In Raymond Carvers, short story titled “Cathedral” is about a story of a man (narrator) journey of enlightenment to gain true sight. Through, the creative use of characterization and symbolism Carver is able to bring forth issues regarding materialism. Examples of characterization include, Robert (blind-man) who has the ability to see beyond his physical blindness as well as the narrator who isn’t physically blind but lacks true sight and his wife who has obtained true sight. In the begging of the story, Carver provides exposition on Robert and the wife’s connection which renders a moment of crisis for the narrator, her husband. At first the character of the narrator seems static and flat, but as his journey of enlightenment develops he is …show more content…

In Carver’s story, the narrator embodies that representation of society and his journey to illumination. However, as a society we resist change, much like the narrator who represents his early discontent with Robert who is an embodiment of everything he isn’t. As expressed in his quote “And his being blind bothered me… A blind man in my house was not something I looked forward to” (Carver 265). Furthermore, Carver reflects on the false sources of knowledge and our feeble senses that we rely on to establish judgment. That idea of falsification is seen in the quote “My idea of blindness came from the movies. In the movie, the blind, moved slowly and never laughed sometimes they were led by seeing-eye dogs” (Carver 265). Illustrating, societies high regard for the physical ability of seeing in his remark “seeing-eye dogs.” Furthermore, Carver suggests that our reliance on our physical senses, limit us our connection with others as seen in the narrator's relationship with his wife. Additionally, the representation of the eyes as a reflection of one’s soul, mind and heart suggests that be only seeing the physical depiction we create a smoking mirror that doesn’t reflect the truth but the physical view. In Carver’s essay “Cathedral”, the illustration of true sight as something that anyone can reach even without physical sight, exemplifies Carvers questions regarding the value of materialistic value of things including humans rather than the intrinsic

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Every so often a man experiences drastic changes in his body while being with his wife; his temperature rises, adrenaline increases, and his eyes dilate at the shock of what is happening. Indeed, this phenomena may mean several things some more pleasurable than others, but on occasion it is the actual state of anger and jealousy. In “Cathedral”, by Raymond Carver, the narrator is envious of the blind man, and is at the clemency of his emotions. However, as time passes the husband gradually overcomes his restless rage that blinds him, and becomes aware of the truth. This gradual transformation may be understood through the language and actions of the husband.

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In both short stories, “Cathedral” written by Raymond Carver and “A Good Man is Hard to Find” written by Flannery O’Connor, we encounter characters that have a limited perspective on life. We find that the unnamed narrator in “Cathedral” has a bias mindset towards the blind man, Robert before he even meets and gets to know him. While in “A Good Man is Hard to Find,” the grandmother is ignorant of her surroundings while being oblivious to her own flaws. Both stories demonstrate the overcoming of blindness through prejudice and vanity to end up seeing something greater than themselves through the use of characterization, symbolism, and epiphanies. In “Cathedral,” the narrator’s wife invites her blind friend, Robert, to stay in their home

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Raymond Carver’s “Cathedral” is a short story that unfolds through the perspective of Bub. The story begins with the depiction of Bub’s narrow-mindedness and as the story progresses, it becomes clear that his perspective shifts after an encounter with his wife’s blind friend Robert. It’s through his encounter that he has an epiphany. His jealousy towards Robert and intoxication that debunk his preconceived notations and highlight the connection between him and Robert. Only, after his epiphany that he’s drawn out of his obliviousness and he gains insight.

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We all know that satirical stories are written to attract readers; we, as readers, somehow relate to them as we compare and contrast them to our own lives, looking unto both sympathetic and unsympathetic characters, and questioning which are we most like. Raymond Carver, who is noted for his “minimalistic type of prose,” proves what we know of the typical satire. In his short story, “Cathedral,” we realize the difference between looking and seeing. The sympathetic character of the story is Robert, a blind man who sees the world not with sight but with insight. He meets a man whose vision is intact but fails to see the world at its best.

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Within modern day society, there are many people who have eyesight cannot “see.” This sad truth is reflected within the husband who cannot connect with his wife because he displays a lack of insight. As the protagonist of the short story Cathedral, the husband had to undergo a certain change within the story in order to connect with his wife, who actually tends to be the antagonist. Through the usage of the husband’s language, behavior, and interaction with other characters–the author, Raymond Carver proves that it is possible to “see” once one accepts change.

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The narrator turns the television on, and there is a documentary about a cathedral. The narrator explains what it looks like to Robert and Robert persuades the narrator to draw a cathedral together. Carver presents a lot of stereotypes about people with disabilities that I will briefly discuss. The narrator believes that blind people walk slowly.

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Readers can appreciate the subtly placed examples of dramatic and situational irony throughout the works of Carver. Cathedral by Raymond Carver is the story about a blind man, Robert, who visits a husband and wife in their home. One would expect the husband

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In Raymond Carver’s “Cathedral,” written in 1983, the author points out that empathy and perspective are the only way to truly experience profound emotion. The narrator is struggling is sucked into his own comfort zone, he drowns his dissatisfaction on life, marriage, and job in alcohol. A man of limited awareness breaks through his limitations by socializing with a blind man. Despite Roberts physical limitations, he is the one who saved narrator from himself and helped him to find the ones vies of the world.

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“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.

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After a small introduction when the two characters first meet, the narrator recognizes that he “didn’t know what else to say” (Carver, 4), signifying his inability in connecting with Robert. A reason behind the trouble in connecting is discussed in “Literary Analysis of Cathedral” by Niwar A. Obaid, where he writes “The narrator’s apparently judgmental and doubtful tone… [set] a difficult attitude once the blind man and the narrator actually meet”. Obaid lists the narrator’s tone as one of the primary reasons why the narrator is reluctant to get to know Robert better. Since the narrator’s tone is caused by his prejudices, as previously shown, one can infer from Obaid’s writing that the real reason behind the narrator’s reluctance to form a relationship is his prejudice against the blind. Later in the story, Carver juxtaposes Robert’s readiness to learn more about the narrator to the narrator’s initial refusal to develop a relationship to Robert.

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In “Cathedral” by Raymond Carver, the narrator struggles with an internal conflict that involves him never being able to be in a vulnerable or sensitive state, especially when he is with his wife. The narrator creates suspense by having the reader wait until the end to realize what the blind man was referring to when he states, “From all you’ve said about him, I can only conclude—” (Carver 35). The reader can observe that the blind man was explaining that the husband was missing out on all aspects of life and the little things the world has to offer. The husband was so closed-minded, that he was missing out on having a deeper connection with his wife.

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“Cathedral” is a short and warm story written by Raymond Carver. The author portrays the story in the first person narrative. Carver presents the interaction between an unnamed couple and a blind man by the name of Robert, who is visiting them. The story is told by the husband, the narrator, who is a prejudiced, jealous, and insecure man with very limited awareness of blindness. This theme is exposed through Carver’s description of the actions of the narrator whose lack of knowledge by stereotyping a blind man.

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In Raymond Carver’s “Cathedral” he writes a story about a husband's journey to his epiphany. Robert, a blind man, teaches the husband how to see without his eyes. Often a person with the ability to see takes this for granted, leaving them only to see what is on the outside rather than seeing people, and things for what they really are. In this short story, Carver conveys the narrators epiphany through the symbol of the cathedral. Carver develops a story with symbolism throughout his story, beginning with the first line, “This blind man, an old friend of my wife’s

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In the world of literature, stories are often released for the purpose of social commentary or even to reflect on the authors past in a that its similar to an autobiography. Raymond Carver is a unique author often creating short stories that are of his own personal life through fictional characters that embody the turmoil he has gone through and social commentary on social issues. This is seen especially in his 1981 short story, Cathedral with a revised version being released in 1983, but we are gonna focus on the 1981 original. Cathedral’s plot centers around a blind man named Robert who after his wife dies, he lives with his departed wife’s friend who soon alongside her husband, helps teach Robert to learn a new way of seeing. The plot of the story while simple, is very complex under the surface, being a plot that is about three people who is dependent on each other and the connection that develops.

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In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience

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