Charles Kane In 'Citizen Kane'
381 Words2 Pages
"I know too many people, I guess we're both lonely." This quote by Charles Kane, in the movie Citizen Kane, sums up what I believe is his entire character. He is a very lonely man, portrayed as someone who is always grasping at love. He doesn't know what it means to be loved as he was given away as a child to a very wealthy man and was raised up in a rich household. As an adult he tries to buy affection from everyone but he is never truly satisfied. This uneasiness around the main character of the film makes it very hard to watch. I felt restless, and as if there was always something missing as I watched. I believe that that was done on purpose, but for that reason I dislike the film.
Charles Kane was played by Orson Welles.
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I believe that basing the film on his life brought both advantages and disadvantages. To start off, I think the advantages of this was that Charles Foster Kane was such a recognizable character and people would be familiar with who William Randolph Hearst. That when people watched this film, the audience will go out after watching it and talk about it more, getting lots of press. But also, the disadvantage was that Hearst did not want this film to get views, so he banned/prohibited the film to be advertized and mentioned in any way. From the film not getting publicity, this led to people thinking that the film was a bad move, which probably made the views drop down.
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The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.
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Citizen Kane starts off with two silent clips. The first clip tells us who the movie was directed by, followed by the title of the picture. After these two clips take place, the mood starts to set. Cue the dark, gloomy and mysterious tone from the music that is played when the black and white images of the surroundings and many areas of Kane’s castle appear. All images are shady; there is almost no light.
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Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.
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I believe what Orson Welles is trying to portray through the movie Citizen Kane is the difficulty that goes into describing a person’s life after they have passed on. The reporter Thompson investigates Kane’s story and witnesses it unfold as it is told by those closest to him. Although this makes you wonder how different it would have been if Kane got to tell his own story rather than rely on the reminiscences of his colleagues because not a single one of these people knew or could figure out what drove Charles Foster Kane. The only person who could have fully understood Kane was Thatcher, but his concerns focused more on making money rather than the loneliness of a child. With each perspective we get on Kane’s life as well as the lack of his own point of view, it forces us to question what truly mattered in Kane’s life.
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Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
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