Charlotte Perkins Gilman's Symbolism In 'The Yellow Wallpaper'

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Living through a brief, unsuccessful marriage, postpartum depression, and relinquishment of her young child, Charlotte Perkins Gilman uses her experiences to create a revealing portrait of women’s societal constraints in her famous short story “The Yellow Wallpaper.” Published in 1892, “The Yellow Wallpaper” brilliantly represents the plight of women during the Victorian era. The story tells of a woman’s dual confinement, both in a rest home, specifically, and in the society as a whole, more generally. The apparent symbolism categorizes the story as a significant and progressive feminist text. Through exploration of Charlotte Perkins Gilman’s biographical influence and the symbolism throughout the short story, readers will be able to see how …show more content…

Gilman uses the narrator’s mental demise to show the two sides of one woman, the side that conforms and the rebellious side. The narrator’s name is not revealed throughout the story. This suggests that the narrator was too unimportant to even have a name, that she was just another woman suffering from the degrading limitations of her society. It also makes the narrator universal and able to represent any woman facing similar circumstances. The narrator describes many different symbols of confinement throughout the short story. The barred windows in the room the narrator stays in represent the sexist restrictions of her society. The narrator …show more content…

However, it was not immediately seen as this. This is because people of the nineteenth century did not have access to texts that would have made the “female meaning” clear. (Haney-Peritz 122) Gilman wrote “The Yellow Wallpaper” cryptically compared to other literature at the time. There are different ideas on why it is viewed as a feminist text. Haney-Peritz suggests that in writing “The Yellow Wallpaper”, Gilman learned “a woman could only imagine that she had found herself, for until the material conditions of social life were changed, there was no “real” way out of mankind’s ancestral mansion of many apartments.” (Haney-Peritz 124) Another idea Bak presents is that the text indicted the men who were responsible for the narrator’s confinement and mental demise (Bak 39). These ideas and others critics have presented all show that Gilman’s “The Yellow Wallpaper” effectively embodies the sexist society of the Victorian