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Charlotte Perkins Stetson Create Repressions In The Yellow Wallpaper

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Repressions in “The Yellow Wallpaper”

In “The Yellow Wallpaper” by Charlotte Perkins Stetson, the narrator and her husband John help express a variety of themes addressing marriage, gender roles, and gender discrimination. The short story starts with the narrator and her husband moving into a colonial mansion for the summer. They do this to improve the narrator’s health. Stetson does not tell the readers what the narrator’s illness is; however, from the story it appears as if the narrator is mentally unstable and nervous. With the narrator’s health worsening she appears to grow obsessed with the distasteful yellow wallpaper in her room. In reality, Stetson uses the narrator’s obsession with the yellow wallpaper as a symbol for numerous …show more content…

I even said so to John one moonlight evening, but he said what I felt was a draught, and shut the window,” (Stetson, 648). The quote is an example of an interaction between the narrator and her husband that she retells the readers. The narrator starts off by telling readers that she felt there was “something strange about the house.” Here, in these lines, John denies how the narrator feels by saying “what [she] felt was a draught.” He refuses to listen to how the narrator actually feels, and instead imposes his own thoughts on her. The narrator, who still disagrees, cannot argue against her husband because he is the authoritative figure in their marriage. By doing this, John is confiding the narrator in their marriage.
Examining both themes in “The Yellow Wallpaper,” shows that themes are closely related if not intertwining. Since the narrator, who is a female, is oppressed by her husband, it is easy to say that themes address oppressions in marriage and gender. Stetson helped express these themes through symbolism with the wallpaper and through her characters and their interactions. These themes and interactions, however, overlap with one another or can be interpreted in different ways. This leads readers to interpret the themes of the “The Yellow Wallpaper,”

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The color yellow, when used negatively, represents sickness or weakness. in "the yellow wallpaper", Charlotte Perkins Stetson uses the wallpaper to represent how the main character is perceived by her husband, but also to help her understand herself. To her husband it is just wallpaper, but to her it becomes the personification of her life. The appearance she is forced to perceive versus the reality of her mind is expressed in the setting, the symbols use, and the irony of her situation.

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Finally, the yellow wallpaper plays the biggest role in the story. Not only for the reason that the narrator saw a woman behind it. But for the reason that the woman behind the yellow wallpaper was Perkins. According to the narrator "And it is like a woman stooping down and creeping about behind that pattern. "(Perkins 532),"I don't like it a bit"(Perkins 532), Trying to send out the moral of the story which was gender oppression.

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In the short story “The Yellow Wallpaper”, author Charlotte Perkins Gilman uses many literary techniques to allow the reader to understand the universal truth that a woman’s class is seen as lower than that of a man’s, due to their sex. We see this truth throughout the literary work, when the main character who is a woman, is put in confinement and later becomesdistraught and mentally unstablebecause her husband and brother who are both Physicians diagnoses her as “nervously depressed”. Two techniques author Gilman uses is tone and diction to illustrate how the narrator, among most women in that time period is treated as below men in class, with little say in their own mental or physical issues. Gilman utilizes tone to illustrate the universal truth of gender being in hand with class status, effectively. In the literary work,the narrator’s tone shifts from hopeless in the beginning, to determine in the end.

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As was common of the treatment of women during the nineteenth century, Charlotte Perkins Gilman's short story, "The Yellow Wallpaper," is one of oppression as John, the protagonist's physician husband, tries to cure her mental illness with a treatment plan of solitude and rest after moving in hopes his wife will regain her health. While critics have debated what causes the character's eventual insanity, María Teresa González Mínguez suggests that lack of a creative outlet lends to the woman's rapid regression. The protagonist's lack of a creative outlet combined with isolation ensures a downward spiral for the woman as symptoms of her mental illness ultimately consume her. While John hopes monitoring his wife's behaviors will cure her, his efforts only worsen her mental state.

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The author, Charlotte Perkins Stetson, uses symbolism and point of view to indicate the narrator's identity through herself and outside connections. The author of “The Yellow Wallpaper” uses the literary device symbolism; to demonstrate the narrator's connections with the wallpaper and herself. The narrator expresses a woman that wants to ‘escape’. “The faint figure behind seemed

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Within the mind of the Narrator, she would always admit to the reader that she has a mental illness. Throughout “The Yellow Wallpaper”, Stetson explained the story in First Person, as if it was a diary, and it showed how she was slowly going insane with the wallpaper in the baby’s room. With the narrator’s opinion about the wallpaper, she found the whole thing to be disgusting and vile, which can be figured to imagery, foreshadowing and the point of view that is presented in the story. First of all, Stetson did not grow very fond of the yellow wallpaper as it may have represented her troubles, such as her marriage, family and even her own life. She had described it directly and firmly that the color is “a smoldering unclean yellow”(Stetson)

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In “The Yellow Wallpaper”, Gilman uses the visual imagery of the narrator’s environment to emphasize the conditions of her isolation brought upon by her husband. The narrator is confined in an “atrocious nursery” (78) with “rings and things in the wall”, (77) an “immoveable…nailed down” bed (81) and “windows that look all ways” but are “barred for little children” (77). Despite her multiple objections, John refuses to change their bedroom and keeps her stationed where he pleases. The barred windows present evidence of deception as John refuses to let her clearly see outside the home where they are supposedly vacationing. The “nailed down bed” is a metaphor for her confinement to the house and John’s intention of keeping her there.

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The narrator is a woman who is imaginative trying to make her mind think and realize the meaning of the yellow wallpaper. She describes the wallpaper as, “repellant, almost revolting; smouldering unclean yellow, strangely faded by the slow turning sunlight” (Gilman 641). This specific wallpaper makes the narrator feel a certain way. At first, she does not like the color or how it looks. But then not having anything else to do in the room, she starts examining the wallpaper.

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Connie and the narrator in “The Yellow Wallpaper” are both vulnerable and victims of circumstance. The narrator is an accurate representation of the typical treatment of women at the beginning of the 20th century, the confinement and repression she

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As we come to discover John, controls the narrator and she, with her benevolence and love that she has for John trusts whatever he advises her. All through the start of the story, it is obvious that the narrator wishes to talk, however, something holds her back and this consumes her since she has nobody to converse with. The narrator says, "It is so hard to talk with John about my case, because he is so wise, and because he loves me so". The incongruity of this quote and of the entire story is that this is a marriage, but the relationship amongst John and the narrator are

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Martin states that the narrator’s confinement in the upstairs bedroom fortifies her mental illness developing into “a frightening hallucinatory world constructed around the pattern of the yellow paper on the wall.” This shift in her identity happens as the shift in her disposition towards the wallpaper changes. The wallpaper is a visible metaphor that eventually becomes her identity. In the beginning of her stay in the bedroom she says the wallpaper is “committing artistic sin” (Par34) and can push anyone to “suddenly commit suicide” (Par35) These comments show her despise towards the wallpaper and the separation she originally has from it.

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It 's here where she discovers the yellow wallpaper that leads to her mental demise. What is the symbolic meaning of the yellow wallpaper and how do her interactions with the wallpaper represent the change in her feelings towards her husband and society. The yellow wallpaper symbolizes women 's suffrage and the struggles women went through, and her interactions with the wallpaper represent the problems woman had with their husbands and society. The main symbolism present in the story is how the yellow wallpaper represents woman suffrage and the problems they endured during the 19th century.

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However, in stories such as “The Yellow Wallpaper,” the narrator’s point of view is what truly helps define the setting and symbolism. Without the narrator’s distinct point of view on how she

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(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”

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Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a first-person written feminist short story that critiques and condemns the nineteenth-century American male attitude towards women and their physical as well as mental health issues. In the short story, Perkins Gilman juxtaposes universal gender perspectives of women with hysterical tendencies using the effects of gradually accumulating levels of solitary confinement; a haunted house, nursery, and the yellow wallpaper to highlight the American culture of inherited oblivious misogyny and promote the equality of sexes. The narrator and her husband, John, embody the general man and woman of the nineteenth century. John, like the narrator’s brother and most men, is “a physician of high

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