Chekhov influence on the contemporary theatre

Anton Pavlovich Chekhov (January 29, 1860 – July 15, 1904) was a pioneer Russian playwright and chief modern writer of the short story. His technique, which involved a clinical objectivity, rejected traditional plotting (rising and falling action, transformation of the hero, heroes vs. villains, etc.) for a more natural presentation. Chekhov is a great modernist insofar as his impressionistic renderings of scene do not force ethical judgment as much as induct the reader 's subjective response. His endeavour to colour life through lively capturing familiar and frequent incidents helped to radically change the short story genre. Chekhov is best known in modern-day Russia for his numerous short stories, many of which are believed to be masterpieces of the form, but his plays are also great influences on twentieth-century theatre. From Chekhov, many contemporary playwrights have learned how to use mood, apparent trivialities, and inaction to shed light on the inner psychology of characters. Chekhov 's four major plays—The Seagull, Uncle Vanya, The Three Sisters, and The Cherry Orchard—are repeatedly reproduced in modern productions.

Chekhov is an obscure. There are some playwrights who exist in their work to the extent that it 's like you have the author beside you whispering on the incident. Chekhov is different; what does he think of his characters? Does he admire them or pity them? Ask us to examine or ridicule? It 's never