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Chin Scenes From The Life Of The Buddha

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One of China’s earliest landscape paintings was the “Scenes from the life of the Buddha”, it is made from ink and colors on silk from the Tang dynasty, 8th-9th century. In this period, followed by the Han dynasty, Buddhism had spread across China. Many artists started to illustrate the life of the Buddha on earth and also created imaginative versions of a paradise setting for the Buddha. In the painting “Scenes from the life of the Buddha”, this painting displays a specific scene one of a series representing the life of the historical Buddha. The historical Buddha was named, Prince Shakyamuni, when he lived on earth. In the background there are simple triangular shaped mountains that have ridged brush stroked peaks giving the mountain peaks
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The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the

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In third century B.C.E the following vital occasion in the improvement of Buddhism was the meeting of a Buddhist friar and indian ruler named called Ashoka. It is the leader of substantial Mauryan domain in India, Ashoka had extended it until it secured cutting edge India. Be that as it may, he had turned out to be profoundly trubled by the carnage he brought about in this triumphs. Listening to the friar persuaded Ashoka to give himself to the quiet message of Buddhism. Ashoka raised thousand of rock columns everywhere on his Kingdom with the educating of the Buddha cut into them, the first composed proof we have of Buddhism.

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Buddhism in China DBQ A little before the Tang dynasty there was the Han dynasty where Confucianism was a staple of daily life and government. When the Han dynasty dissolved and the Tang dynasty took authority. Buddhism began to spread widely all over China. Buddhism was met with all types of responses: some saw buddhism as a threat to Confucian family values, while some saw Buddhism as a way to disregard worldly pleasures and luxuries that would only bring them harm, and lastly some mixed on the concept of Buddhism had an issue with the ascetic lifestyle led by its followers. One of the responses to Buddhism in China was that it was thought that Buddhism was a threat to Confucian family values.

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Ashoka was the cofounder of buddhism and made a big religion After Ashoka destroyed Kalinga Ashoka felt a feeling and so he went seeking for a teacher. To help him and while serching he see a buddhist a monk to the monk told him to sit under the bodi tree and then Ashoka did and had enlightment and then became a buddha. When he returned he had changed Many things about himself he would go to poor and then give them riches and he rejected violence. And would go to other kingdoms and give them advice to their king on how to make it a better place.

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For example, in a picture labeled “Sakyamuni (Buddha) Cutting His Hair” created during the Tang dynasty depicted a man in Chinese clothing with Chinese people around him in an environment full of mountains and trees that is usually favored by Chinese artists (Doc 3). The man represents Buddha if Buddha was a Chinese person, when he is actually an Indian prince who is named Siddhartha Gautama. The purpose of this painting was to show how Chinese artists blended Chinese culture with Buddhism in paintings to show how Buddha would be like if Buddha was a Chinese person. Another example is the Leshan Giant Buddha statue which is a statue that is 233 feet tall which is built during the Tang dynasty (Doc.4). Surrounding the statue of Buddha was statues of Chinese generals that were to “protect” the statue.

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This painting is an oil painting on canvas by Albert Bierstadt. (1863). It is called “The Rocky Mountain, Lander’s Peak.” Looking at just the composition Bierstadt uses dramatic lighting and atmospheric perspective to draw your eyes to the waterfall and then up to the mountains from a far distance. The detail and colors used show that the artist spent a lot of time one this piece. The diagonal lines of the mountains are separating the sky from the horizontal lines of the land and trees.

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The Buddha, who is the origin of Buddhism, had to face

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Slightly beyond the mountains a storm is approaching. The artist also uses sharp lines and forward movement. One

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The second image is Portrait of the Kangxi Emperor in Court Dress. This piece if art was created by Qing Dynasty during the 18th century dating the 1644- 1911. In addition, this image was concealed only to be seen by the elite and royalty. During favorable occasions painting like this was created. The Emperor was mysterious and only seen by a few which increased his God-like status.

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A varied balance between the symbolic and realism has been struck world over by the painting. In the fifteenth century Western painting began to turn from its age- old concern with spiritual realities towards an effort to combine this spiritual expression with as complete an imitation as possible of the outside

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