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Cholly's Rape In The Bluest Eye

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Should we be “Taking Refuge in “How:” Dissecting the Motives Behind Cholly’s Rape in The Bluest Eye”.Rebecca Andrews talks about the actions of cholly is the bluest eye are unacceptable but understandable. In the The Bluest Eye by Toni Morrison, Cholly, one of the main characters rapes his daughter Pecola. Now in this article by Rebecca Andrews, she talks about how the events in the past of Cholly are the reasons why he raped his daughter. The actions that happen in the past are do not explain what we do in the future; it may impact the choices we make but in the end it comes down to our choices.
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She wrote that her inspiration for the story was a conversation she had had when she was little with another little black girl who had a fascination with blue eyes, much like her character Pecola Breedlove. Morrison is known for her stories that circle around how racism and misogyny affect black women. For The Bluest Eye, a little girl named Pecola Breedlove goes insane from the inhumane treatment she faces as an eleven-year-old african american girl in the Great Depression. There are many points in the book where she is dehumanized and treated less than dirt, even by her own parents. Her father in a bid to feel in control despite how much white men have controlled him, rapes his daughter and she becomes pregnant with his child.

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The novel Beloved by Toni Morrison fundamentally relies on the relationship between the former slave Sethe and the daughter she murdered as an infant, only known to the reader as Beloved. In one scene, Beloved is attempting to make Sethe feel guilty as Sethe argues that her attempted murder of her children was out of love, and that she intended for them to be “together on the other side.” Beloved’s response, in which she points out that, after she “died,” “ghosts without skin stuck their fingers in her and said beloved in the dark and bitch in the light,” shatters the intensely loving, devoted tone that Sethe attempts to establish in favor of a more dramatic, graphic tone and creates intense juxtaposition, a device which is continually used throughout the text. (254) The phrase “ghosts without skin,” overall, exemplifies Beloved’s immature perspective.

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Most individuals are able to succeed in life based on their past occurrences. Normally, everyone’s life is the way it is based on what they have done or experienced in the past. However, how one reacts to to their experiences determines their outcome in life. History, memories, and the past encounters are never entirely separated from current events. In order for things to be set in motion in the present, past transgressions precede to teach valuable lessons that connects to the present.

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In The Gathering of Old Men, by Ernest J. Gaines, and The Bluest Eye, by Toni Morrison, the authors follow the story of different black communities and how they are affected by oppression. In The Gathering of Old Men a white man, Beau, is found dead in a black man’s yard, Mathu. Mathu’s ‘daughter’ brings together all of the black men in the surrounding neighborhoods to say that they were the ones who shot Beau. In The Bluest Eye a black child, Pecola, is oppressed in many ways throughout the story and near the end is raped by her father. The most substantial part of the story however, is afterwards and how she eventually becomes insane from the onslaught of oppression she faced.

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Later in the book, Toni Morrison uses Pecola’s own conviction of being “ugly” to show that she truly believes that if she changed her physical appearance to match those at the top of the race and beauty hierarchies, her perception of her reality would be ameliorated. Back at home after her parents’ fight, Pecola ponders the unfair way she is treated by teachers compared to her Caucasian classmates at school. When the narrator says, “It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different. Maybe they’d say, ‘Why, look at pretty-eyed Pecola. We mustn’t do bad things in front of those pretty eyes’”

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The world is filled with labels, some negative and some positive. When it comes to negative labeling, a person’s sense of beauty in themselves and in the world is impacted. In The Bluest Eye, author Toni Morrison uses her characters such as Pecola to illustrate how another’s labeling can alter the way one internalizes his or her own beauty; Morrison poses an overall negative storyline filled with labels and discrimination that in turn allows the reader to identify the highlighted and deeper beauty that is not always visible to the naked eye. Pecola, a young girl during a time of extreme racism and discrimination, is raised in an abusive and unstable home. The effects of the abuse on Pecola has a large impact on her views of the world and

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Toni Morrison, the first black women Nobel Prize winner, in her first novel, The Bluest Eye depicts the tragic condition of the blacks in racist America. It examines how the ideologies perpetuated by the dominant groups and adopted by the marginal groups influence the identity of the black women. Through the depictions of white beauty icons, Morrison’s black characters lose themselves to self-hatred. They try to obliterate their heritage, and eventually like Pecola Breedlove, the child protagonist, who yearns for blue eyes, has no recourse except madness. This assignment focusses on double consciousness and its devastating effects on Pecola.

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Destructive Nature of Racialised Beauty Toni Morrison published her first book, The Bluest Eye, in 1970. In this novel, Toni Morrison shows how societies racist and false beliefs on beauty can be seriously destructive if believed and taken to heart. Toni Morrison displays the destructive nature of racialised beauty through the character in the novel named Pecola Breedlove. Pecola lacks self esteem and believes that she is the blackest and ugliest girl, and she believes that white is the only beautiful race.

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Morrison 's first novel, The Bluest Eye, examines the tragic effects of imposing white, middle-class American ideals of beauty on the developing female identity of a young African American girl during the early 1940s. Inspired by a conversation Morrison once had with an elementary school classmate who wished for blue eyes, the novel poignantly shows the psychological devastation of a young black girl, Pecola Breedlove, who searches for love and acceptance in a world that denies and devalues people of her own race. As her mental state slowly unravels, Pecola hopelessly longs to possess the conventional American standards of feminine beauty—namely, white skin, blonde hair, and blue eyes—as presented to her by the popular icons and traditions of white culture. Written as a fragmented narrative from multiple perspectives and with significant typographical deviations, The Bluest Eye juxtaposes passages from the Dick-and-Jane grammar school primer with memories and stories of Pecola 's life alternately told in retrospect by one of Pecola 's now-grown childhood friends and by an omniscient narrator. Published in the midst of the Black Arts movement that flourished during the late 1960s and early 1970s, The Bluest Eye has attracted

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The characters in Beloved, especially Sethe and Paul D are both dehumanized during the slavery experiences by the inhumanity of the white people, their responses to the experience differ due to their different role. Sethe were trapped in the past because the ghost of the dead baby in the house was the representation of Sethe’s past life that she couldnot forget. She accepted the ghost as she accepted the past. But Sethe began to see the future after she confronted her through the appearance of her dead baby as a woman who came to her house. For Sethe, the future existed only after she could explain why she killed her own daughter.

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