Recommended: Analysis of cindy sherman's work
It attracts spectators’ attentions to think about what things the young female is facing as they replace themselves into the painting. The main target of this painting is female. Based on what Cayton, et al., the spectators recognize that Hopper was trying to tell us, “The workplace remained highly stratified along gender lines. Not until the political and cultural climate shifted in the early 1960s would women begin actively to resist the gender stereotyping so characteristic of 1950s social attitudes” (Cayton et al., 1993). Females sustained the pressure of taking restricted social role; otherwise, they will be discriminated by the public.
In the text Shirley Chisholm is taking a stand for women’s rights rather than African American rights. Paragraph 4 it states, “ The unspoken assumption is that women are different.” What Chisholm means by this is that they are treated differently due to their gender. Chisholm believes that it is not always true that women are different. Paragraph 6 states, “But the truth is in the political world I have been far oftener discriminated against because I am a woman than because I am black.”
The movement for woman rights appears to have been lost in today’s events because there once was a period in America’s history where woman activisms and pride was on the front pages of America’s newspaper storylines. The struggle and preservation for feminism has not all been fully removed or forgotten by the American public since the Democratic political party maintains women equality as issue as on its national platform. There are a number of feminist, like Bell Hooks, Maya Angelou, and Betty Friedan, who have participated in the carrying women issues to the top of the mountain and placing them within the conscience of the American society. Perhaps one of the most distinguished bearers for women rights and issues, Gloria Steinem helped
The unlawfulness of the black man being a black American but being treated as a second class citizen. The woman signifies the American Dream and prohibition against miscegenation when America is the land of the free, or is
At first glance you’re able to depict the woman in the photo along with many other major components like the book in her hand and the 2 children alongside her. The Women in the photo stands as a symbol herself, she wears a shirt saying, ‘America
“Now piercèd is her virgin zone; she feels the foe within it. She hears a broken amorous groan, the panting lover 's fainting moan, just in the happy minute”(Jon W.). Women are raised in a battlefield; they are taught to rely on men to protect them because they cannot protect themselves. This is an insult to many women everywhere, and it is a problem with society. If women were portrayed and viewed more independent, we could change the world we live in.
Equality is the state of being equal in rights, status and opportunities. Only a few decades ago, equality however did not apply to all. At the time, women were given a very low status. Men were the dominant gender and did not consider women as people. If being a woman wasn’t hard enough, having dark skin made it worse.
(Encyclopedia of World Biography). Sherman allowed viewers to “construct their own narratives”, so the photographs remained without a name. (Encyclopedia of World Biography). These photographs were all black and white. ‘Untitled Film Stills’ all had Cindy Sherman in the pictures, but the only difference was that Sherman dressed up differently.
The leaps that American society has made since Margaret Fuller’s lifetime, grow closer to fulfilling her petition for equality among all people and more specifically, women’s right to be individuals. In the 19th century, Fuller looked for an improvement to society which could only start with a new establishment of principles (Fuller). Men had a similar “tone of feeling toward women as toward slaves” throughout history, and it was this way of thinking that caused men to treat women as inferior (Fuller). Instead of providing rights to women, lawmakers gave power to only men to the extent that a man could kidnap his own children to control his wife.
In society, there are several stereotypes and gender roles culturally influenced by women today. Cindy Sherman’s Untitled Film Stills series made between (1977-1980) shows different stereotypes of women in different everyday situations. This series consists of the artist posing as those female roles in seventy black and white photographs. In my opinion, by doing this series she challenges the way we view women regularly in pictures, by giving a different perspective. In this paper, I examine Cindy Sherman’s work and how my work is inspired by or relates to her work.
In the current universe we know, numbers are everything and everywhere. They govern everything from how the universe formed to how a plant arranges its petals. There is nothing that escapes the reach of numbers, not even something as abstract and fantastical as literature. A prime example of that is The Odyssey by Homer, one of the first Greek literary works. Although Homer probably preceded the in-depth study of numbers, he lived in a very superstitious time.
It witnessed a tremendous change in the ideal female body image, which also changed from one decade to another. In The twentieth century, women started gaining more rights and expressing themselves more, witnessing a rise in women’s movements and newly formed organizations, a new generation of female artists, photographers, and writers. Females were emerging out of the set boundaries that the society had set for them and joined the workforce, contributing a lot to society. This offset feminine freedom was reflected through the way women represented themselves.
Subject: A series of black and white photographs, Cindy Sherman’s Untitled Film Stills look similar to snapshots from 1950 B-Grade Hollywood Films. Untitled Film Still #48 seems to have spurned from a film set in the country, as indicated by the plaid skirt Sherman is wearing. Standing beneath an overcast sky, her hands behind her back, she looks vulnerable and defenceless. The dark shapes of the trees and the shadows over the road and in the background stand erect, dominating her.
It also contains a decapitated woman dressed in a bathing suit who is sitting in the center of the piece with a light bulb replaced as her head. On top of the light bulb is what seems to be a cut out of a female hairstyle. It is also made upon a tan colored background giving the photomontage an antique look. Furthermore, the piece also contains a boxer that appears to be emerging from the tire. This combination of cut outs gives the impression that women were progressing slowly and that society was industrializing as well.
Barbara Kruger has had a career span as a designer for four decades who focused on creating responsive art towards society. She created a style that exemplifies the chaos from political, social, and historical events that have lead to the concern of freedom, sexism, and consumerism in our daily lives and the hypocrisy we create and surround ourselves with right now. She is better known as being identified as a feminist artist, for creating the voice of women that she wants to be heard. Kruger speaks nothing but the truth with the help of different media like installations in specific locations, films incorporated in her installations, and collage works she is able to display easily in our lives. Barbara Kruger was born in Newark, New Jersey
