Lastly, one thing that stands out is the fact the author of the book is seen in the movie. In the
The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.
1. The film Casablanca was released during World War II in 1942. Some have argued that some of the themes and plot points of the film can be read as propaganda. Do you agree or disagree? Does Casablanca have a political message?
Goodfellas versus Casino The gangster genre of films was made popular early on in American film history with the development of sound (White 35). Some of them stick out in cinema history such as Goodfellas and Casino, both directed by Martin Scorsese. The audience discovers how greed for the ultimate American dream can tear apart the things that truly matter in life. In terms of quality, there is a lot of debate of which movie is the better view.
The intriguing world of Casablanca, displays a wondrous mise-en-scene in fashion that accentuates emotions and feeling through aspects of cinematography. From the movement of the camera, to the intricacy of the shot distances chosen to be included within the frame, the film reveals important elements of the diegesis without uttering a sound. The cinematography of Casablanca gives the audience an insight into the intimacy of Rick and Ilsa's relationship, and seeks to situate the viewer’s attention to the space and time of the film. Throughout the film, Rick’s romantic relationship, or rather previous relationship, with Ilsa appears to be a focal point of the film.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue
N00145563 The Maltese Falcon is a film noir directed by John Huston. The film is based on the novel by Dashiell Hammett of the same name. The film was made and distributed by Warner Bros. and was released in October 1941. In this film, detective Sam Spade, played by Humphrey Bogart, takes on a case from the beautiful but deceptive Miss Wonderly, played by Mary Astor.
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.
Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
The novel 1984 by George Orwell and the movie V for Vendetta are both dystopian themed works of fiction. Both depicted the dangers of a totalitarian type of regime and the horrors that come along with it. In 1984, Winston Smith the main character, lived in a poverty-stricken country called Oceania wherein the government controls all aspect of the people 's lives. On the contrary, in the movie V for Vendetta, the main characters named V was a vigilante who sought to overthrow the totalitarian government of London. He met a girl named Evey Hammond, who just like Winston Smith in 1984, was stuck in a country ruled by despotism.
Quite as what has been suggested by him, comedians such as Charlie Chaplin and Buster Keaton made films to express their attitude to the social changes; it can be said that some silent comedies are the reflections of the uncertainty during that era. Stuck to the old value in 19th century, Chaplin implicitly expressed his resistance of mechanization, capitalism and modern society . In his film Modern Times (dir: Charlie Chaplin, 1936), Chaplin played a worker who is mechanized as a robot on the assembly line in a factory. His character could not acclimatize himself to the high-strength production line and got caught in the modern machine’s wheel gears. In the end, he chose to leave the city with his girlfriend.
George Orwell 's novel 1985, was adapted into a movie, directed by Michael Radford. The movie coincidentally came out in the year 1984 and starred John Hurt. The movie received a 7.2 out of 10 on IMDb, a popular movie rating site,which is a higher rating than most of today 's movies. Although the movie did do alright to the general public, the movie did have some flaws when compared to Orwell 's original writings. The movie did not include all of the same details, it went very quickly over many of the events and was difficult to get into and understand for those who haven 't read the book.
