Identity is the distinguishing character or personality of an individual. Identity is evidently a concern for both protagonist Karim in The Buddha of Suburbia and Marji in the film Persepolis. Hanif Kureishi’s novel, The Buddha of Suburbia, portrays Karim Amir as a young teenager who is constantly trying to find himself. In Persepolis, director Marjane Satrapi tells her own story, living with idealistic family in 1970’s Iran, and the troubles of being a young woman. Both the novel and film represent the occurring coming of age theme. However, in order to come to age, one must find their identity, and once they do, a resolution is made.
In The Buddha of Suburbia, Karim is faced with several conflicts. Karim is portrayed as a confused 17 year old boy. He lives with his father Haroon, an Indian, and his mother Margaret, who is English. He also has a younger brother named Allie. Being born into a family with two distinct ethnicities constantly makes Karim feel different and self-conscious. The first sentence of the novel, exemplifies Karim’s insecurity towards his identity and belonging: “I am an Englishman born and bred, almost” (3).
Karim’s father, Haroon, is invested in meditation, Indian culture, and fitness. While Karim’s mother, Margaret is essentially the opposite; a pale overweight woman. This is a
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Karim takes his chances and goes to Shadwell 's theatre to audition for an actor position. Shadwell was astounded by Karim 's audition and believed he could play the role of Mowgli in The Jungle Book due to Karim’s appearance (small and dark skin). But when a successful theater director named Pyke booked a ticket for 'The Jungle book ', he was captivated by Karim’s performance and offered him the chance to play in his theatre in London. Although Shadwell was very angry with Karim’s choice to take an acting opportunity in London, it was the first sign of Karim finding his