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Compare And Contrast Cimabue And Giotto

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Cimabue and Giotto were both very well known artists that both painted the Virgin and Child Enthroned. They both have the same meaning and the same subject. The Virgin and Child Enthroned have Madonna and Christ and it had the angels and the prophets. Comparing both of the artworks, they both have a different style. Cimabue and Giotto painting have a great symbolism behind their paintings and what it means for them. Comparing both of the paintings, Cimabue is the first Italian painter that created the Renaissance style of the Virgin and Child Enthroned in Florence, Italy in 1280 which was twelve feet tall and was created with a wood panel and gold. The gold was flattened and glued down onto the painting. The gold that was all over the painting …show more content…

There is a lot of space and viewpoints that go around all areas of the painting. Another artist that recreated the painting was Cimabue. He recreated Virgin and Child Enthroned in 1305 through 1310, we see that there are many illusions and multiple viewpoints in the picture. Giotto painting of the Virgin and Child Enthroned was a very exaggerated when it comes to size. Mary is very massive and big, Mary's hips were very wide and Madonna looks very realistic compared to Cimabue painting. The prophets in the painting of Giotto all the prophets were positioned different and all the angels and prophets are looking at Mary and Jesus and the prophets are all behind the angels. The angles and the prophets were facing towards Mary and Jesus that represents humbleness and respect to Mary because both Mary and Jesus are holy. Madonna has Jesus sitting down on her lap and it looks very natural the way Jesus is positioned. Cimabue painting of Jesus sitting down in Mary's lap he looks very stiff and is positioned straight. Both paintings are so wonderful and unique they are quite similar to each other but have a different tradition and culture value behind it and both having a different way of recreating the painting of the Virgin and Child

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The di Credi's "Madonna and Child" (c. 1500) image is one of the earliest Florentine panel paints, known to have been produced with a paint medium that comprises of oil for color pigments. This method of painting, supposedly, appeared first in the northern painting in the first half of the 15th century which spread quickly until his time. This painting technique was first adopted in Italian who developed it up to the mark. Florentine type of depiction spread widely due to the painting. Its popularity among the masses can be understood by the fact that the image has been used by most religious foundation in expression of Jesus and His mother Marry during the child’s tender age (Gelfand, 2000).

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Raphael's Galatea was painted during the High Renaissance period while Botticelli's The Birth of Venus was from the period of Early Renaissaance. Raphael's Galatea and Botticelli's The Birth of Venus had both males and females' figures. Meanwhile, Raphael's Galatea and Botticelli's The Birth of Venus were both based on Greek mythology. Both paintings' color tones were very earthy and natural. As i mentioned in the beginning that both of the paintings were took place near the ocean, it is because i noticed there were dophins, seashells on Raphael's Galatea; while Botticelli's The Birth of Venus had the Goddess of Venus standing at a sea shore on the ocean.

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Most depictions of Mary show her holding her son, Jesus Christ. There are a few distinct poses in which Mary is depicted. Mary holding Jesus was generally showing love and affection, these are some of the morals Byzantine Christians had. Mary was depicted as an infant sometimes, to show her tenderness. The Virgin Mary is the center point in many Byzantine works of art.

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In making my comparison, I seek to compare the two pieces of work based on symbolism, the distinguishing features as well as the target audience. Madonna and child with the two angels is a painting of a praying Virgin Mary with two angels who are carrying baby Jesus just in front of her. In this piece of art, Mary

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