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Kafka's metamorphosis dehumanized
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Throughout “The Metamorphosis,” Franz Kafka uses a tone of absurdity and presents a contrast between what is expected in the normal world and what actually occurs in the story to show the ability of one to stifle their identity and opportunities. The opening line of the piece presents the contrast between the expected and unexpected in a very straightforward way, as it matter-of-factly states how Gregor Samsa “found himself transformed into an enormous insect” (Kafka 195). The presentation of this line acts as if the transformation of a human into an animal is rather expected and not out of the ordinary, and as a result, the reader finds that their expectations for the story should not be usual. The placement of this line at the very beginning
Kafka’s Metamorphosis can be analyzed from the perspective of de-familiarization. That 's because, throught out this work, Kafka is seen busy in defamiliarizing everything and anything. Everything which seem ordinary is transformed into something extraordinary. A man take the shape of a bug: this defamiliarizes the man. We, as critical readers, are compelled to look at Gregor, and so other people in general, and see him, and everyone around us, as vermin.
Franz Kafka, a son of an affluent merchant, was born and raised in a Jewish German family in Austria-Hungary. Even though composing was Kafka’s “sole desire and sole vocation” (Marill-Albérès and de Boisdeffre 13), the recognition of his legacy came two decades after his death, after the Second World War. Being a man of a delicate physical and mental condition, Franz Kafka strongly identified himself with his maternal ancestors because of their spirituality, intellectual distinction and piety (“Franz Kafka” par. 2). His Jewish heritage brought in (HIST PRES???) not only autobiographical details to the texts but also instilled a sense of the otherness, estrangement and abjection into his oeuvre.
Kafka lived most of his life with his parents and never married. He had a distant mother and domineering father who had a profound effect on his romantic relationships and writing. Kafka questioned the adequacy of his own body and mind. The author poured all the questioning thoughts and visions he had about himself into the consciousness of Gregor Samsa, and imagined the remedy to the problems to be found in a woman, Grete. Kafka envisions that his “…body is too long for its weakness…” and imposes his own image on his counterpart Gregor, who’s “…left side felt as if it were one long, painfully tightening scar…” (Kafka 278).
There are hundreds of works of literature out in the world, many of them are great, and some are not as great. What makes them great is the truth behind them, the true feelings, and what it truly meant to the author. Many great works of literature are influenced by several different things, in the case of “The Metamorphosis”, it was influenced by the life of Franz Kafka, the author, and his real- life experiences. The Freudian concept help explain why “The Metamorphosis” contains symbols and clues that can be used to compare certain relationships throughout Kafka’s life, one being with his father, and the other with woman who entered his life. Franz Kafka was a German man who worked as a lawyer who worked at the workmen’s Accident Insurance
The metamorphoses, that goes on in Franz Kafka’s “The Metamorphoses” is not talking about Gregor Samsa’s physical change. Despite Gregor changing from a human into a bug, literally in the first sentence of the book, there is a copious amounts of metamorphoses to each of the main Characters represented in the book. In other words, not only does Gregor, but also, his sister Grete, his father, and partially even the three renters go through some kind of metamorphosis. Gregor himself, the original breadwinner of the family, is now a bug. However, that doesn’t phase him.
In Kafka 's work The Metamorphosis and in In the Penal Colony the themes and ideas portrayed are nothing less than chaotic. But it is in this chaos that he creates an efficient way of portraying the ideas of philosophical thought to his readers. He shows these ideas without directly stating any one track of thought to follow which allows each reader to form the book to their ways of thought rather than molding their outlook to existential thought. Kafka chooses to convey the messages of absurdism, essentialism and existentialism through the protagonist 's reactions when their purpose is brought into question. He does this by completely revoking purpose in The Metamorphosis and question the legitimacy of the officer’s purpose in In the Penal Colony.
The Metamorphosis of Family Franz Kafka was a writer of realist literature and his pessimistic point of view opened up a new style of thinking rarely thought of. Kafka had a rough life, his father was overbearing and the only person who treated himself well was his sister, Ottilie. Kafka had a relatively lonely life that was dominated by the demand of his father for him to be successful in business, this drove Kafka to write short stories about his life. The Metamorphosis by Franz Kafka talked about the physical change of the protagonist Gregor, but through his misfortunes, his family went through a metamorphosis of their own. Gregor was a travelling salesman who was the sole source of income for his income.
Economic Drive in Franz Kafka’s The Metamorphosis Franz Kafka was raised in early twentieth century Prague where, for Jewish families, economic status was of utmost importance. Approximately sixteen percent of the members of the German corporate network was Jewish. Yet, Jews composed less than one percent of the population (Windolf 2). The Kafka’s were part of that sixteen percent in German corporate.
Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity.
It’s quite remarkable how differently people react to change; how one could be so rebellious while the other embraces it. In “The Man in a Case” written by Anton Chekhov, Byelikov is not only a reserved, quiet man who revolts against any form of change, but is also a man who makes no exceptions to his mental disciplinarian handbook of rules whether it was for personal or professional purposes. On the other hand, “The Metamorphosis” by Franz Kafka begins with Gregor Samsa treating his change from a human being to an insect with complete disregard as though his transformation is a natural occurrence in his life. Chekhov and Kafka, in their respective works of literature, use profound figurative references and discuss the different reactions to change, which as a result intrigue and arouse the reader’s curiosity.
In Franz Kafka's novella The Metamorphosis, many themes are evident. However one theme seems to stand out within the reading. Kafka easily shows the audience how alienation can impact society so easily. Through characters, word choice, and analyzing Kafka's life within the story, alienation is prevalent overall. This theme would bring the reader to conclude that Kafka, being alienated through his culture, or lack their of, and heritage exhibit how alienation negatively impacts ones will to live.
Kafka illustrates in his novel the permanent conflict between an elusive law and a vain search for truth and justice. In The Trial, the law appears to be hidden and distant while still demanding, through its representatives, rigorous obedience. Society is thus divided in two groups differentiating the people incarnating the law to those who must obey it. This submission, however, can lead to the lost of what constitute mankind, the one element, according to René Descarte, that truly differentiates humans to animals: the possession of our souls. Indeed, Joseph K is ashamed of the despicable nature of human kind and dies, in submissiveness towards the law, “like a dog”
Franz Kafka’s novella The Metamorphosis is the tragic story of young travelling salesman Gregor Samsa who becomes alienated by his family after he transforms overnight into a giant insect. The Metamorphosis, while open to various interpretations, clearly depicts Kafka’s own views of the suffocating capitalist socio-economic structure and the struggles for power that occur within one. In The Metamorphosis, Kafka illustrates the incessant oppression that occurs as a result of a rigidly capitalist society. First, Kafka illustrates the expendability of workers in a capitalist society with the role of Gregor at his workplace and within his family. Gregor is a traveling salesman, utterly unimportant to the company to which he dedicates his life.
However, people have failed to find the ultimate solution in a constant cycle. On the other hand, some people find life meaningless. These people do not seek any element in life, nor do they search for the true meaning of life. . Kafka, the author of the story “The Metamorphosis”, illustrates the concept of meaningless of life through the usage of the character Gregor Samsa, who faces a crisis where he is transformed into a bug-life figure and gradually doubts his own existence.
