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Compare And Contrast Richmond Barthe And Claude Mckay

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Richmond Barthe and Claude Mckay

The Harlem Renaissance was a time of great change in the political, artistic, and literary world. With this great change came some prominent figures. Two of these were Richmond Barthe and Claude Mckay. Though these men were quite different in some regard they both did much good for civil and equal rights.

James Richmond Barthe was born in the small Mississippian city of Bay Saint Louis on January 28th of 1901. Richmond's Father; Richmond Barthe Sr. had died at the young age of 22 leaving his wife, now single mother; Marie Clementine to remarry to a man named William Franklin. When Barthe was young he gained an interest in the arts, eventually applying to and getting into the Art Institute of Chicago at the …show more content…

He started as a painter but got into sculpting at his professor's suggestion (Anderson et al). This small suggestion from his teacher was a big turning point in Barthe’s life as sculpting was what brought Barthe into the limelight. Barthe’s first famous sculpture was a bust of a celebrity at the time: Henry O. Tanner. After finishing his studies in Chicago, Barthe moved to New York City where his life got much busier. From 1928 to 1947 Barthe worked tirelessly creating busts and portraits of celebrities as well as some original pieces which include: The Blackberry Woman, Drum Major, Break Away, and The Deviled Crab Man(Richmond Barthe). Around this time Barthe was at the forefront of his fame and he began to make friends with other prominent figures from the Harlem Renaissance including Claude Mckay. But in 1947 Richmond left his life of luxury behind and moved to Jamaica where …show more content…

“When he was 17 he passed the Jamaican government’s trade scholarship examination and worked as an apprentice craftsman in St. Ann’s Parish” (Amardeep Singh). This was an extremely important part of Claude’s life as it allowed him to both gain experience in craftsmanship and to also meet his mentor Walter Jekyll, who helped Claude develop his love for literature - encouraged him to pursue his passion for writing and activism. In 1912, McKay moved to the United States, settling in Harlem, New York, and became a prominent figure in the Harlem Renaissance. He became an important voice in the movement when he published his first book of poetry, "Songs of Jamaica," in 1912. This poetry book was “dedicated to Sir Sydney Olivier, who was Governor of Jamaica at that time. The book of poetry expressed admiration for Olivier's “sympathy for the black race””(Contributors to Wikimedia projects) The book received admiration from Olivier and even received a Silver Musgrave Medal from the Institute of Jamaica further proving Claude's talent for writing. On top of writing poetry books, he also wrote several novels, including "Home to Harlem," which won the Harmon Gold Award for Literature in 1928. The book was also his most famous with many people today remembering him for

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The Harlem Renaissance didn’t become a big thing until the mid to late 1920s, and officially ended in the mid-1930s. It involved several things like; music, art, theater, and dance. The Harlem Renaissance fostered black pride and spreading of the African Americans through the use of intelligence. One artist that was in the Harlem Renaissance was Aaron Douglas. He was a painter and an illustrator.

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The Harlem Renaissance was a vast artistic, academic, public movement, and musical advancement that changed the way art was viewed in a modernization. Artists like Jacob Lawrence, Augusta Savage, Lois Mailou Jones, Aaron Douglas were just some of the many who influenced the art world. The writing was also a large piece of the Harlem Renaissance, people like Langston Hughes, Countee Cullen, James Weldon Johnson, Carl Van Vechten, and many others were agitators who used their writing to influence. These people and many others utilized the skill they have and used their varying art forms to mold and manipulate the current world they lived in. Claude McKay is an example of a writer who endeavored to change the way the world regarded him.

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The Harlem Renaissance took place during the 1920’s. This was a time when the African American people took pride in their heritage, stood up and expressed themselves through their art and literature while also migrating to the north of the United States. Before this, that art was often dismissed and was not known in the art world. The Harlem renaissance influenced a lot of artist and authors including Aaron Douglas, Langston Hughes and Jacob Lawrence. Although these three remarkable people were not born during the Harlem Renaissance, they were greatly affected by it.

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He was born January 31, 1919 in Cairo, Georgia. His dad left when he was just an infant. Like most of the small population of blacks in the area he lived a life of poverty and toil (Conrads 2). This passage shows he had a tough childhood. When he was young they moved to Pasadena, California

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The Harlem Renaissance was a cultural movement that took place in Harlem between the end of World War I and the middle of the 1930s. It was a very cultural, social, and artistic movement where African American jazz performers, authors, poets, musicians, entertainers, and actors all gave themselves a name. But during the time it was known as the “New Negro Movement” named after Alain Locke. This was a time where new cultural expressions were coming about the urban areas in the Northeast of the United States. But this whole “new negro movement” didn’t just happen out of nowhere, there is a cause of how this happened.

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The Harlem Renaissance brought the rebirth of music and social culture. One of the greatest musicians achieved influential accomplishments during this era; Kennedy Edward Ellington. The “King of Jazz” better known as Duke Ellington dominated the jazz era during the 1920s. During the Harlem Renaissance he exhibited his dedication to music and displayed impactful leadership characteristics. Ellington also established a legacy that swayed the future generations.

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"The Harlem Renaissance'' experienced a significant transformation between the end of the nineteenth century and the period after World War I. It was a period known for its immense artists and culture for African Americans, particularly in the realm of literature, art, and music. This movement showed the talent of African American artists, poets, writers, and musicians, along with the continual challenge that was put upon them by racial stereotypes and how that would contribute to the cultural state of the U.S. Huge figures like Duke Ellington, Langston Hughes, and Zora also emerged during this period, creating many works that reflected the daily and personal experiences and dreams of African Americans. The Harlem Renaissance was a pivotal

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The Harlem Renaissance is regarded by many scholars and early pioneers of African American studies as a pivotal moment in 20th-century Black history. Throughout the 1920s spanning towards the late 1930s, the Harlem Renaissance produced an explosion of African American literature, art, and music. New collaborations between distinguished African American artists blossomed among the denizens of the Harlem community. Musicians such as Louis Armstrong and Billie Holiday help

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African Americans who moved to Harlem were astounded and inspired by the amount of people moving in to the city. Writer Langston Hughes once said, “Harlem was like a great magnet for the Negro intellectual…they began writing with a bold new voice about what it meant to be a black American,” (Brown). Hughes, the most famous poet of this time period, wrote to inspire the African Americans. His poems attracted many African Americans, but it also got the attention of publishers, and eventually all Americans, regardless of race began reading them too (“Harlem

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New York was one of the most popular places to live during the Harlem Renaissance. African Americans were moving into New York from Washington, Los Angeles, Philadelphia, Baltimore, and other southern states, to build and inspire African American culture and religion (Britannica). During these short ten years, black artists came together to create music, poems, books, sculptures, paintings, and more to create important characteristics such as self-expression, celebration, humanity, equality, freedom, oppression, and more. Some strong leaders of the Harlem Renaissance were Langston Hughes, Zora Neale Hurston, Countee Cullen, Claude McKay, and others that helped shape the Harlem Renaissance and the people engaging in it (History). American literacy, music, and art had changed during the early 1900s.

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Artist such as Duke Ellington, Langston Hughes, Claude McKay, Bessie Smith, amongst others, were beginning to express attitudes of hope, freedom and solidarity. Although it was primarily an artistic movement, it was also a political social movement. Despite the challenges of race and class, the Harlem Renaissance represented a new social interaction between Blacks and Whites. As a result of the big migration, the image of African Americans changed from rural country bumpkins to one of urban sophistication. African Americans began to generate a sense of pride within themselves, and a discovery of their own identity.

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The Harlem Renaissance was a period of great cultural growth in the black community. It is accepted that it started in 1918 and lasted throughout the 1930s. Though named the ‘Harlem’ Renaissance, it was a country-wide phenomenon of pride and development among black Americans, the likes of which had never existed in such grand scale. Among the varying political actions and movements for equality, a surge of new art appeared: musical, visual, and even theatre. With said surge, many of the most well-known black authors, poets, musicians and actors rose to prevalence including Langston Hughes, Countee Cullen, Louis Armstrong, and Eulalie Spence.

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