In the realistic fiction book, The Red Umbrella, by Christina Diaz Gonzalez, the main character Lucia needs to remember how to celebrate her culture when moving to America. In the realistic fiction book, Inside Out and Back Again, by Thanhha Lai, the main character Kim-Ha needs to show her culture even though she thinks differently and is
The novel, “There There” by Tommy Orange follows the stories of a plethora of characters, sharing many unique experiences with the readers. Themes of gender, identity, community, race, and assimilation can be seen throughout these stories, as the characters experience them firsthand. The journeys these characters experience connect these themes to the terms culture, multiracial person, and stereotype through showcasing the impact that these terms have on the characters and their stories. Culture is a term referring to the practices, arts, and achievements of a nation or group of people. Strong traces of culture can be seen throughout the novel, as the characters all have unique experiences with the same culture.
We all grow up and change, sometimes we try to forget everything we were taught. Dee is trying to be something she is not for the sake of being higher up. She changed so much that her sister and mother don’t recognized her anymore. She doesn’t understand African or American culture and she just want to take all the family possessions to store them and show them off. Her name was special and she changed it for a name that really has no meaning she even got that wrong because it means nothing.
Then we are on the stage and Dee is embracing me with tears in her eyes.” Her dream shows how the mother dreams of a better relationship with her daughter than the one she has. Dee seems to be embarrassed by her mother and where she comes from. The author shows this when she talks about the burning of their house. She seemed happy to see her house burn down, “Why don’t you do a dance around the ashes?
Alice showcases the amount of Dee’s insolence when Dee returns a completely different person, impesizing this on pages 61 and 62 when Dee introduces herself as “Wangero leewanika Kemanjo” stating that “Dee is dead, I couldn’t bear it any longer, being named after those who oppress me” these lines express just how rude and ignorant dee is when it comes to her family. She uses “oppress “as if her mother has ruled over her unfairly with strict authority even though this is not the case. The mother obviously cares a great deal about Dee and respects her daughter’s choices, even paying for her school and other things despite their financial difficulties. This story wills the reader to understand to respect family heritage, using the scene in which the mother Denys Dee the Quilts, the quilts she would not use or
This starts by the inclination Dee has to approach the world without fear. She views the world as a white woman, back then, rather than an African American woman like her mother and sister-timid and afraid. She then comes back from getting educated and allows this to cloud her judgement and think that she is above those who aren’t educated. She continues this attitude all the way to the end of her visit where she tells her mother that she doesn’t understand her heritage and then continues on condescending to her sister, “’You ought to try to make something of yourself, too, Maggie. It’s really a new day for us.
Alice Walker’s “Everyday Use” illustrates Dee’s struggle for identity by placing her quest for a new identity against her family’s desire for maintaining culture and heritage. In the beginning, the narrator, who is the mother of Dee, mentions some details about Dee; how she “...wanted nice things… She was determined to stare down any disaster in her efforts… At sixteen, she had a style of her own: and (she) knew what style was.” Providing evidence to the thesis, she was obviously trying exceptionally hard to find for herself a sense of identity. She wanted items her family couldn’t afford, so she worked hard to gain these, and she found a sense of identity from them, but it also pushed her farther away from her family.
In attempts to reconnect with her African roots, Dee has changed her name to Wangero Leewanika Kemanjo. Dee has also taken an interest in embracing her African heritage and has dressed in traditional African clothes to visit her mother. Her mother knows that Dee’s intentions are not genuine. Worrying more about taking pictures of her mother and collecting items that represent the African culture to take back home, Dee neglects to spend time with her family. Her mother notices that Dee, “Lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me.
At the same time, resisting the genre convention of having a sensitive protagonist further demonstrates that eventually an individual will start to favor one culture over the other. Second generation immigrants in the United States during the late 20th century typically struggled with balancing two different cultures, their ethnic culture and the American culture. However, eventually they would end up assimilating to the culture of their society. In the article “Immigrants in America: The second-generation story”, a couple of second-generation immigrants were interviewed and were asked to comment on how they felt about themselves and their accomplishments. A man named Martinez said, “I’m on my way to doing better than my father” (par 8).
In the story, Dee is presented to the audience as someone who enjoys nice things and “had a style of her own: and knew what style was.” She wears the typical Americanized clothing style common to that time period. However, when she arrives at her family’s home, her family finds that she has completely altered her style: Walker writes in description of Dee, “A dress to the ground, in this hot weather. A dress so loud it hurts my eyes. There are yellow and oranges enough to throw back the light…
At first I wrestled with where my identity lay. The strong values and traditions of the Indian culture sometimes made it difficult to fit in with the crowd. As I grew older, I began to understand that I was not part of an individual culture, but a fusion of two rich and colorful histories. I recognized that there is remarkably more to an individual than where she comes from, and more to her than where she currently lives. Importantly, being from two cultures allows me to incorporate the best qualities of both.
Dee has also changed her overall appearance and has recreated a new image for herself by wearing brightly colored clothing and changing her voice. Critic of the story, David Cowart, describes Dee changes, “She now styles and dresses herself according to the dictates of a faddish Africanism and thereby demonstrates a cultural Catch-22: an American who attempts to become an African succeeds only in becoming a phony” (Cowart). She alienates herself from her original culture and values the items from her past
Dee is a girl who lived with her mom and her sister Maggie, but she wasn’t like them at all, she was different than her sister and her mother. Mama was collecting money to take Dee to school in Augusta. Dee liked to be fashionable, she always wanted nice things. Dee changed allot in the story, she changed after she went to study in school.
In the essay “Two Ways to Belong in America,” from 50 essays, Bharati Mukherjee contrasts the different views of the United States from two Indian sisters. The author distinguishes her American lifestyle to her sister’s traditional Indian lifestyle. Both sisters grew up in Calcutta, India, moved to America in search of education and work. Bharati adjusts to the American society very quickly, where her sister Mira clings to her Indian traditions more strongly. Despite both sisters living in America, only Bharati is an American citizen, while her sister Mira is not.
This womanist conceptualization is shown by a nuanced destruction by Dee’s response to the quilt, which is the main metaphor in the story. A typical political rhetoric is represented in the character of Dee. This is a rhetoric which is more aggressive than mature, showier than subtle. Dee ends up in simplifying and commodifying culture, instead of relating it to any meaningful way. She comes out as a being who takes activism as a fad rather than a commitment.
