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Comparing Battle Hymn Of The Tiger Mom And The Joy Luck

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In the two stories Battle Hymn of the Tiger Mom by Amy Chua and The Joy Luck Club by Amy Tan, the mother-daughter relationship of the two families is rather similar but at the same time they are very different. The tone of the mother is one of the only differences between these two stories, but the tone is complete opposite for the two mothers. The point of view and diction of the two stories is also very different.

In Battle Hymn of the Tiger Mom, Chua is writing in the mother's point of view of trying to teach her daughter how to play the violin. Her daughter is not very good at violin and Chua is yelling at her saying “RELAX! Mr. Shugart said RAG DOLL!”(Chua 47-48). In The Joy Luck Club, Amy Tan writes in the point of view as the daughter and her mom is trying to teach her how to grow up like a normal chinese child and teach her how …show more content…

Tan says how she can not and will not be the child her mother always wanted her to be. “I’ll never be the kind of daughter you want me to be!”(Tan 141-142). The tone of the two mothers is very different, Chua acts humble and like she is doing nothing wrong with her daughter. Tan is getting mad at her daughter and yelling at her and dragging her because she does not want to be a normal chinese daughter. The way the mothers show affection and love toward their daughters is very different and it portrays their diction and tone of how the story comes to an end. Amy Chua acts and talks like she should be the best mother and is helping her daughter try to learn how to play the violin. Chua tries to calm down her daughter but her daughter does not want her help at all, because of how she treats her before and her choice of words when they are arguing, “RELAX!” (Chua 47-48). How

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In Amy Tan’s novel, The Joy Luck Club, many cultural differences exist between the characters, creating complications in their relationships. An example of a cultural difference is between An-mei’s Chinese values and traditions and those of Christianity. The collision of these Chinese and Christian faiths profoundly influences An-Mei's character by causing her to doubt both faiths and resulting in her daughter Rose's inability to control her own choices. An-mei’s exposure to Chinese culture and the Christian faith results in an intermixing of both ideals which eventually leads to a cultural collision. An-mei is exposed to the traditional Chinese values of filial piety, wisdom, deference, and honesty through her grandmother.

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In the world today there are a lot of miscommunications between mothers and their daughters. In “ The Joy Luck Club “ Amy Tan the author shows the miscommunications between Suyuan and her daughter Jing Mei. Tan shows the miscommunications by showing different situations throughout the story between Suyuan and Jing Mei. In the Joy Luck Club Tan shows the miscommunication between Jing Mei and suyuan.

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Like Water for Chocolate by Laura Esquirel and The Joy Luck Club by Amy Tan are similar because they both share cultural expectations and cultural values. In both stories each family has different expectations for the women in the family. Like Water for Chocolate is about The youngest daughter in the De La Garza family, Tita is forbidden to marry her true love, Pedro because its tradition that Tita must care for her mother. However, the tradition only applys to their family. Pedro Marrys her older sister, Rosaura, even though he still loves Tita.

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Thesis Statement about theme of literary work- In Amy Tan’s The Joy Luck Club, expressions of love and hatred are shown in multiple mother-daughter relationships resulting in negative impacts such as pain, bitterness, and regret because of their differing opinions. Support Point #1- Suyuan Woo guiltily leaves her twin daughters on the ground in China as she walks away in tears.

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Mother-daughter relationships can have a roller coaster of emotions. These relationships are sometimes peaceful, and other times warlike as written in Amy Chua’s Battle Hymn of the Tiger Mom and Amy Tan’s The Joy Luck Club. Amy Chua’s excerpt has a tone much less belligerent than Amy Tan’s passage, but each excerpt’s tone imply tension within their mother-daughter relationships and even hatred. “ ‘RELAX!

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‘“Not know your own mother?” cries Auntie An-mei with disbelief. “How can you say? Your mother is in your bones!”’(Tan 40). The Joy Luck Club has recurring messages throughout the book, including: marriage and divorce, culture and beliefs, and mother and daughter relationships.

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Amy Tan is a writer, who writes about the experience of being Chinese-American. In the novel Joy Luck Club, she shows four pairs of Chinese mothers and their Chinese- American daughters struggling to understand each other. The author develops Ying-Ying St. Clair, a Chinese mother who faces many difficulties throughout life, and wants to protects her daughter from these same things. Daisy Zamora is a very influential Latin-American poet. The poem “Mother’s Day” shows the bond a mother feels with her children despite their differences.

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Amy Tan was born in 1952, in California, to two Chinese immigrant parents, both of whom had fled the country to escape civil conflict during the late 1940s. Some of the events in The Joy Luck Club even reflect stories or experiences from her own mother’s past. Tan began writing the book after her first trip to China, which she took with her mother in 1987. Reading this book, one can easily tell that Tan is a talented storyteller; it beautifully explores a variety of themes, including subjects such as cultural identity and intergenerational conflict. Tan’s writing style in this novel is unique in that it can, at times, feel disjointed and haphazardly organized.

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Battle Hymn of the Tiger Mother Critique Amy Chua, a professor at Yale Law School, has created an article called Battle Hymn of the Tiger Mother that intensively describes differences in the usage of parenting methods in Chinese and Westerners culture. The author has personally raised her children in a highly strict manner so her children succeed in life and academics. Chua often refers to the term “Chinese mother” that describes her parenting style apart from Western parents. The main purpose of this article is to show the two parenting techniques and how they affect the child 's success.

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As seen by the mothers’ and daughters’ behavior towards each other in The Joy Luck Club, it is difficult to preserve one’s culture when one is exposed to a new environment or country. With a difference of two distinct generations between them, the four main pairs often come across cultural collisions. Other than facing the age gap, these mothers and daughters also have to deal with a language and communication barrier. Already, at the beginning of the story, Jing-Mei Woo is able to understand how the mothers of the “Joy Luck Club” are displeased with their daughter’s rejection of their Chinese culture. She speaks to herself, admitting that “they are frightened.

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While the tone in Battle Hymn of the Tiger Mom is one of frustration and tension from the point of view of the mother, Amy Chua; the tone in The Joy Luck Club is bitter and resentful from the point of view of Amy Tan as a child. In Battle Hymn of the Tiger Mom, the mother, Amy Chua, is constantly concerned about her daughter's violin playing and is trying to give her feedback on how she can do better. Her daughter, Lulu, responds to the feedback with annoyance and discontent. The irony in this passage is due to the fact Amy Chua is trying to create a calming environment for Lulu even though she irritatingly screams “RELAX!” (Chua 47-48).

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Amy Tan’s Joy Luck Club is an amazing representation of what Chinese immigrants and their families face. The broad spectrum of the mothers’ and daughters’ stories all connect back to a couple of constantly recurring patterns. These patterns are used to show that how the mothers and daughters were so differently raised affected their relationships with each other, for better and for worse. To begin with, the ever-present pattern of disconnect between the two groups of women is used to show how drastically differently they were raised.

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As Wynonna Judd once said, “The mother-daughter relationship is the most complex.” Amy Tan explored this relationship between mother and daughter in her novel, The Joy Luck Club, a story about four Chinese women and their daughters. After her death, Suyuan Woo left her daughter, Jing-mei, to fill the fourth corner of the Joy Luck Club, a club Suyuan made with three other couples who also left unspeakable tragedies behind in China. At the end of her first meeting, Jei-mei unexpectedly found that her two sisters who her mother had left in China years ago were alive and well. Composed of short stories, this book follows the lives of the four Chinese mothers and daughters through their hardships in their past and present.

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Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.

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These qualities fit the standards of a good mother. First, Amy, a stubborn Chinese “tiger” mother, is willing to make changes for her daughters. Those really unreasonable parents can always insist on very strict rules they believe are beneficial and never make a compromise. Amy indeed is strict to her daughters, but she is not unreasonable and sometimes she would break her rules for her daughters. The most obvious change she mentions in her book is allowing Lulu to give up practicing violin.

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