In contemporary literature, female characters often embody the notion of monstrosity, challenging societal norms and invoking fear through their actions or circumstances. This essay analyzes the comparison between Carrie White from Stephen King's "Carrie" and Offred from Margaret Atwood's "The Handmaid's Tale." Through the lens of Julia Kristeva's theory of abjection, Jeffrey Jerome Cohen's seven theses on monsters, and Purkiss’ analysis of the body of the witch, this analysis aims to unravel the complexities of these characters and their significance within contemporary culture. Carrie White embodies a complex interplay of themes surrounding the monstrous feminine, as depicted by Julia Kristeva. Tormented by her peers and suffocated by her …show more content…
In the film, Carrie's telekinetic abilities manifest in response to the trauma inflicted upon her, symbolized notably by her menstruation. This physiological event, a natural occurrence symbolizing womanhood, triggers Carrie's powers and serves as a catalyst for the climax of her vengeance. Here, Carrie's menstruation, a taboo topic despite its natural and common occurrence, embodies the abject, confronting societal norms and eliciting a visceral reaction from those around her. Drawing from Kristeva's theories, Carrie's menstruation represents the intersection of the feminine and the abject, disrupting established boundaries and provoking fear and revulsion in others. Additionally, Cohen's thesis of the monster as a cultural construct finds resonance in Carrie's portrayal. Carrie emerges as a product of societal marginalization and repression, shaped by her experiences of bullying, abuse, and religious fanaticism. Her monstrous acts, culminating in the infamous bloodbath at prom night, serve as a manifestation of the anxieties and tensions within the social …show more content…
In Gilead, women are subjected to the authority of the state and the dictates of a patriarchal theology, echoing historical efforts to suppress female autonomy and enforce male dominance. In Fiona Tolan's "Monstrous Regimes: The Handmaid's Tale as a Critique of Patriarchy,” Tolan argues that the novel portrays women like Offred as monstrous figures, not inherently due to their actions, but rather as a result of the monstrous regime that seeks to control and diminish them. Through Tolan's lens, "The Handmaid's Tale" serves as a powerful indictment of patriarchal systems, illustrating how they transform women into monstrous figures by denying them agency and autonomy. Atwood's narrative also highlights the cyclical nature of history and the persistence of oppressive systems. Despite the futuristic setting, the atrocities committed against women in Gilead mirror historical realities, illustrating how the subjugation of women is not a relic of the past but a recurring theme in human society. As Offred reflects, "Nothing changes instantaneously: in a gradually heating bathtub, you'd be boiled to death before you knew