Maggie on the other hand, is characterized by her unattractiveness and timidity. Her skin is scarred from the fire that had happened ten or twelve years ago. Those scars she has on her body in the same way have scarred her soul leaving her ashamed. She “stumbles” in her reading, but Mrs. Johnson loves her saying she is sweet and is the daughter she can sing songs at church with, but more so that Maggie is like an image of her. She honors her family’s heritage and culture, by learning how to quilt and do things in the household, like her mother views their heritage.
Maggie in Alice Walker’s short story “Everyday Use” plays the role of being the nervous and ugly sister of the story, however she is the child with the good heart. Maggie was nervous ashamed of her scars “Maggie was nervous… she will stand hopelessly in corners, homely ashamed of the burn scars down her arms and legs”. Living in a house with a pretty sister and being the ugly sister with scars could be the reason why she picked up on a timid personality, being ‘ashamed’ of her own skin shaping her in a way that she degraded herself from everybody else. Maggie was not this way before the fire, her mother stated, as it is quoted that she had adopted to a certain walk ever since the fire.
In the short story, “Everyday Use” by Alice Walker, their are two distinct characters who are very different from each other. These characters have many different motivations, personalities, and points of views with respect to preserving their heritage. The narrator, Mama, looks at them both with different views. Dee and Maggie are two completely different people. Dee has different motivations than Maggie.
Alice Walker’s “Everyday Use” illustrates Dee’s struggle for identity by placing her quest for a new identity against her family’s desire for maintaining culture and heritage. In the beginning, the narrator, who is the mother of Dee, mentions some details about Dee; how she “...wanted nice things… She was determined to stare down any disaster in her efforts… At sixteen, she had a style of her own: and (she) knew what style was.” Providing evidence to the thesis, she was obviously trying exceptionally hard to find for herself a sense of identity. She wanted items her family couldn’t afford, so she worked hard to gain these, and she found a sense of identity from them, but it also pushed her farther away from her family.
The short story, Everyday Use, is written by Alice Walker. This short story tells about the narrator, mama, and her daughter Maggie wait for a visit from Dee, mama’s older daughter. Throughout this short story, the reader can see the distraught relationship between mama and Dee. The reader can see how Dee is different than mama and Maggie; she thinks that she knows way more about her heritage than mama and Maggie, when she really does not. In the short story, Everyday Use, Walker uses imagery, symbolism, and point of view to show that heritage can only be understood when one is true to their roots.
Mama always dreamed that she will be in a show with her daughter Dee and Dee will be thanking mama of all what she’s done for her, but she knows it won’t happen. Maggie is smaller than Dee and she is always nerves and very shy, when she was a child their house got burned at that time she was very scared maybe that’s what makes her nerves and shy and that also hides her personality what she looks from the inside she hides it from the outside. Maggie lives at home with mama, she never spends time in the outer world she always stays at home and mama protects
In the short story “Everyday Use,” Alice Walker shows the conflicts and struggles with people of the African-American culture in America. The author focuses on the members of the Johnson family, who are the main characters. In the family there are 2 daughters and a mother. The first daughter is named Maggie, who had been injured in a house fire has been living with her mom. Her older sister is Dee, who grew up with natural beauty wanted to have a better life than her mother and sister.
The setting of Alice Walker’s “Everyday Use” reveals important aspects about the family in many ways. Without the enriched setting provided to the reader by Walker, this story would have had no foundation on which to be built. The first way Walker uses setting to let the reader get to know the family is through the detailed description provided to the reader about the family home in paragraph one. Walker describes the family’s front yard as being an “extended living room” (Walker 417)
Maggie did not go to school, does not dress in colorful attention-getting African garb, and does not have a fancy boyfriend, but she does slam a door which indicates her feelings about the quilts and butter churn her sister has come to claim out from under her feet. The temper has flared, and Maggie gets her quilts. In conclusion, the story seems to tell how different Maggie and Dee were from each other; with few comparisons between the two girls to suggest that they had anything in
Have you ever not seen eye to eye with your mother? In Alice Walker’s short story “Everyday Use”, we are shown how many of the choices we make and the things we value create our identity. This story focuses on two characters, mama and her daughter Dee (Wangero), who struggle to see the same way about their heritage. Dee wants the things made by her grandmother, to not admire it as an artifact, but rather to remake it. She wants to take them, and change them to match her lifestyle as it is today.
Maggie In Alice Walker's Everyday Use, the use of a flamboyant and downright abrasive character as Dee helps to portray the serious effects of a lack of exposure to society in the quiet and passive demeanor of Maggie. Maggie's isolation from the riches of society in the world offers a stark contrast with her sister, Dee. Where Dee is ostentatious and loud, Maggie is almost silent and shies away from any flux of social activity. She's is repeatedly skittish
The Crucible, written by Arthur Miller, is a story of a scandal that ultimately results in the hanging of several innocent townspeople. The tale, which takes place in the Puritan town of Salem, Massachusetts around 1692, opens with Reverend Parris, the town minister, noticing a group of young girls attending a questionable gathering in the woods. The Puritan religion is a very strict faith in terms of the way a person may conduct themselves, which means that actions modern people find rebellious would be considered quite nefarious to a Puritan. As the story gains momentum, many corrupt people like Abigail Williams steer the situation in a direction that leads to distrust between neighbors, revenge, chaos, and even death for some. Incorporating these factors, Miller emphasizes the hysteria that develops when people fail to seek the truth with the character of Abigail Williams, a self-absorbed
Sarnowski describes Maggie by stating, “She ekes out an existence on the family farm and has neither the intelligence nor the physical attributes of Dee/Wangero” (Sarnowski 278). This statement shows that Maggie lives a conservative type of farm life, and due to this lifestyle, she is less intelligent than her sister. This statement also shows how the character Maggie is described in a sense as inferior to Dee because of her lack of education and physical attributes. Maggie’s traditionalist ways show, however, when she tells her mother, “"She can have them, Mama,” … "I can 'member Grandma Dee without the quilts"” (Walker 6).
This is due to her being severely burned in a house fire when she was a child, her scarred, unpleasant appearance hides her compassionate, generous nature. She lives at home and is protected by her Mama. Mama says, “Sometimes Maggie reads to me. She stumbles along good-naturedly but can’t see well. She knows she’s not bright” (Walker 487).
The oldest daughter, Dee, is an educated young women who redefines her identity and beliefs of her heritage. On the contrary, the youngest daughter, Maggie, leads a traditional lifestyle in the South with her mother and remains faithful to her idea of heritage. The author of the short story, Alice Walker, shares several parallels between her own life and this story. Kathleen Wilson, award winner of the Guggenheim Fellowship
