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Comparing Marriages In A Doll's House And The Yellow Wallpaper

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Recommended: English A Doll's House analysis

“The marriages in both A Doll’s House and ‘The Yellow Wallpaper’ reveal the patriarchy in society during the 19th century through the dominance of the husbands and the submission of the wives. The dynamic between husband and wife in A Doll’s House and “The Yellow Wallpaper” is similar in many aspects. In both texts, the husband is the dominant figure, while the wife is more compliant.” (Francessca) The effects of the marriages are evident in the two types of writings. The husbands call their wives by pet names and treating them like children. In “The Yellow Wallpaper”, the wife clearly states, “Then he took me in his arms and called me a blessed little goose,” (Gilman). This is an example of John mocking his wife and marriage. This line
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“Trifles” and “The Yellow Wallpaper” are early 20th century short stories that depict women’s suppressive role in society and the belief that women should be treated as subservient and substandard to men. Authors Susan Glaspell (“Trifles”) and Charlotte Anna Gilman (“The Yellow Wallpaper”) are both known for advocating feminism in their works of literature. “Trifles” and “The Yellow Wallpaper” exploit patriarchal dominance and its effect on suppressing women’s intellectual and societal equality. In each short story, the woman protagonist is depicted as trapped in her marriage.

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In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.

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Women’s Issues in the Past In both Trifles and A Doll’s House the reputation and appearances of the two women are examined within nineteenth century marriages. The men believe that the women only focus on trivial matters. These two poems are so powerful because of the metaphors, emphasis on gender roles, and tone the narrator uses to convey the way women were treated in the nineteenth century.

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In 19th century society, marriage was considered a sacred institution between a man and a woman. A woman was considered her husband’s property. However, the antiquated idea that relationships should contain an aggressive husband dominating over a passive wife perpetuates negative stereotypes that still plague women in modern day society. The interactions between Nora and Torvald in A Doll’s House illustrate how the heteronormative ideal of marriage should be challenged to progress beyond the damaging idea of a patriarch and his simple, submissive wife. A scene from act 3 of the play can be performed to show how marriage requires both parties to be satisfied with their roles and identities within the relationship.

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The ideal characteristics of a mother and wife are found in women who become inferior to their husbands. The women allow the dominance of the husband to control the household. However this submissive behavior is due to the fact that by acting this way their lives contain less conflict. “They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels” (Chopin 8).

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She explains “John laughs at me, of course, but one expects that in marriage” (Gilman 226). Later, the narrator says “He is very careful and loving, and hardly lets me stir without special direction…John has

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Throughout history the existence of patriarchy has threatened women’s rights to equality and self-determination. Patriarchy manifested itself in the marriage practices of early modern European society and became the foundation on which couples built their love and partnership. During the sixteenth century, literature describing ideal wives and husbands was a popular genre, but works about female gender roles were more prevalent. The Bride, a poem published by Samuel Rowland’s in 1617 details the duties of a good wife and life partner.1 The duties listed in Rowland’s poem were very common for women at that time and can also be seen in Steven Ozment’s book, Magdalena and Balthasar. Ozment’s book documents the relationship of Nuremberg Merchant Balthasar Paumgartner and

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In comparing and contrast both drama A Doll House by (Henrik Ibsen), and Trifles by (Susan Glaspell). The authors shine a light on how a woman had no place in society in the nineteenth century .A woman place was in her home and her responsibility’s consist of taking care of her husband, her children and her home. Mrs. Wright was introduce to the reader as woman that was held for murdering her husband after a long time of abuse. Nora was introduce to the reader as woman that had everything in life.

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As we look at marriages in today’s day and age, it is difficult for a man to be more dominant over his wife. Women are allowed to work in any profession they choose, and do not need to rely on a man for money. However, centuries ago in the progressive era, men were superior and dominant over their wife. Charlotte Perkins Gilman’s novel “The Yellow Wallpaper” portrays this type of image where a woman is controlled and trapped in her marriage by her husband John. In this era, they considered articles exposing issues like this as muckraking.

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Two films, although created years apart yet have a lot in common, including their content of it’s narrative techniques. Both films, even though black and white with strokes of genius of cinema offer a vast stretch for study. I will be looking at Sir Orson Welles “Citizen Kane” (1941) and Akira Kurosawa’s “Rashomon” (1950). We see in Citizen Kane he values for the American life. The three abstract themes that constantly follow through Citizen Kane are Wealth, Power and Love.

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A Doll’s house is a realistic three act play that focuses on the nineteenth century life in middle class Scandinavian household life, where the wife is expected to be inferior and passive whereas the husband is superior and paternally protective. It was written by Henrik Ibsen. The play criticised the marriage norms that existed in the 19th century. It aroused many controversies as it concludes with Nora, the main protagonists leaving her husband and children in order to discover her identity. It created a lot of controversies and was heavily criticised as it questioned the traditional roles of men and women among Europeans who believed that the covenant of marriage was holy.

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In her essay, “I Want a Wife,” Judy Brady informs the reader about the way wives were treated in the 1970’s. She effectively expressed her point about wives being unappreciated and treated unfairly. She emphasizes the point that the role of the wife is unfair, as there is a huge difference and inequality between the roles of the husband and wife. Brady is writing about the expectations of wives in marriage during the 1970’s, trying to get out to the society that the unfairness expectations and stereotypes of the wife roles should stop, as wives are undervalued. Judy Brady stated sarcastically the society and men’s view of the wives’ duties and responsibilities toward her husband and children.

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In Henrik Ibsen’s A Doll’s House, the three-act play, set in 19th century Norway, explores the progress of Nora’s marriage as she attempts to hide her debt and forgery from her husband. Ibsen conveyed social commentary on gender roles and societal expectations, a topic still in controversy, through the use of symbolism, irony, and dramatic elements. In A Doll’s House, Ibsen presents the problems associated with the position of women in a man’s world of business as his central focus, even if other social or individual problems become more prominent as the play progresses.

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In 1880s, women in America were trapped by their family because of the culture that they were living in. They loved their family and husband, but meanwhile, they had hard time suffering in same patterns that women in United States always had. With their limited rights, women hoped liberation from their family because they were entirely complaisant to their husband. Therefore, women were in conflicting directions by two compelling forces, their responsibility and pressure. In A Doll’s House, Ibsen uses metaphors of a doll’s house and irony conversation between Nora and Torvald to emphasize reality versus appearance in order to convey that the Victorian Era women were discriminated because of gender and forced to make irrational decision by inequity society.

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