Comparing Myself And Iago In Shakespeare's Othello
658 Words3 Pages
Iago in Shakespeare’s Othello, is mysterious character and deceiving he manipulates people in order to get what he wants.it seems like the only time he talks to people is when he wants to manipulate them, but he also makes his actions clear.it is very hard to to understand Iago because he says something then he quickly contradicts himself. He is playing with people because he might be jealousy or just the fact that he finds it fun to see others suffer. in this play Iago is jealous of Casio and Othello because he suspects that both of them slept
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Othello had a few friends, but the worst of them was Iago. Iago was an ensign in the army, eventually becoming the lieutenant thru misfortunes, lies. Iago was jealous that Cassio became the lieutenant and not himself. He was angry with Othello because he had heard rumors of him sleeping with Iago’s wife, and also heard rumors of Cassio sleeping with his wife too.
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Iago contributes to the tragic downfall of Othello, playing him like a fiddle. The human nature of Iago manipulates the trust
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Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
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Iago gives a soliloquy at the end of Act 1 that depicts what he wants to do to go about his plan. Iago desires to persuade the audience, which are the readers of the soliloquy, that his plan of taking revenge on Othello will work. Iago effectively persuades the audience his effectiveness of his plan to suspect Desdemona of cheating on Othello by utilizing hasty generalization, diction, and hyperbole. Iago gives a statement that is hastily generalized near the start of his soliloquy.
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Iago seems to not care about the feelings of others as he manipulates them and uses them for his own personal gain. Furthermore, Iago impersonates to be someone who he is not which relates to the theme appearance vs reality. This is because Iago makes it seem as if he cares about Othello and Cassio but secretly does not as he stabs them both in the back. Thus, proving the lack of empathy he carries and the game of deception he is playing with his two faced characteristics exposing his sociopathic
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Iago’s use of manipulation throughout the story contributes to Othello feeling Jealous and having trust issues around everyone at the end of the story. William Shakespeare gives us several examples of Othello feeling a lack of trust one
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Iago from Shakespeare’s Othello and Regina Mills from Once Upon A Time share extreme jealousy and irrationality. When Iago is talking to Roderigo, Iago tells him that he despises Othello. Iago states, “Despise me if I do not… I know my price, I am worth no worse a place” (I.i. 8-9, 12). Iago hates Othello because Othello gave an advance military position to Cassio.
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In the book Othello, Iago is a very manipulating man, throughout the book he manages to manipulate three main people, Roderigo, Cassio, and Othello. He uses all their weaknesses to bring them down. Iago wants revenge on Othello, because Othello overlooks Iago and his abilities, so Iago manipulates these three characters to get back at Othello in the long run. He comes up with a very good plan to get each other to turn against one another. So in the end he ends up getting what he wanted, revenge.
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In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
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Throughout the play, he would often talk about Iago in the same manner as in Act 2, scene 2, “a man he is of honesty and trust”( II,ii. 323-324). Given that Othello trusted who he thought was his best friend, it was easier for Iago to bring Othello down. The root of Iago’s evil intentions is jealousy, which he describes to be like a “green-eyed monster which doth mock the meat it feeds on” (III,iii. 196-197). He speaks of it in a way that captures how it affects man because that is what he was going through after Cassio got the lieutenancy.
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He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own
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Iago also manipulates Othello with jealousy. When Othello is gone at war, Iago tells him that Cassio and Desdemona were getting too close. At first Othello does not believe him, but by Iago saying “nothing,my lord; or if- I know not what” Othello starts to question if it is true (III. III. 39). Iago constantly uses his “innocence” to make Othello jealous and start to assume that it is true. These actions eventually lead to a tragic event.
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Othello’s life transforms the second he steps into Cyprus. Iago’s motives are devastating as he plan’s to take Othello’s position, regardless of the cost. Iago plants the seed of deceit and unfaithfulness when he hints of an affair involving Othello’s love, Desdemona and Cassio. An overwhelming feeling of jealously takes a hold in Othello’s life. Othello is no longer the well spoken, and respected army general that everyone knew him to be, but instead a short tempered man with little respect for
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Kolin observes that Iago stands out among Shakespearean villains since he is the only one to survive his own monstrous acts (25). Unlike Richard III, apart from telling stories, Iago carries out a downright fraud through other means of manipulation, which makes him the most evil and intelligent character. To be exact, Iago is a puppeteer who sets up scenes to deceive the “credulous fools”—Othello, Cassio and Desdemona (4.1.45). Iago talks to Cassio about Bianca while telling Othello that the subject of their conversation is the Moor’s wife. He is so smart and careful that he even gestures Othello to come closer when Cassio is about to illustrate how Bianca entangles him.
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Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
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