She doesn 't know how hard life is with her sister and mother. Dee only cares about what she wants and she talks down on her family. She believes her sister could not use the quilts in a way she thought they should be used. " Maggie can 't appreciate these quilts!" she said.
The family leads a hard working, simple and minimalistic life that allows them just enough to get by. Mama is described as a “large, big-boned woman with rough, man-working hands” (Walker 418). Her day to day life doesn’t allow for the high standards of her eldest daughter Dee. Dee is described by Mama as being unappreciative and bratty. Mama makes is clear that the family’s socioeconomic status would never be good enough for the eldest daughter.
Everyday Use and Sula are coming of age stories. They both illustrate times in people’s lives when they have to decide to how they are going to live with their past and themselves. The short story "Everyday Use", Alice Walker emphasizes the aspect of individuality. The story focuses on the lives of two sisters, Maggie and Dee.
She lives her life for others, like her marriage to Jude, and only finds meaning for herself when she is with Sula, a childhood friend who compliments her personality. Together, they create meaning for themselves through each other. “[Nel’s] parents had succeeded in rubbing down to a dull glow any sparkle or splutter she had. Only with Sula did that quality have free reign, but their friendship was so close, they themselves had difficulty distinguishing one’s thoughts from the other’s” (Morrison 83).
Mama wanted nothing but the best for her; she did everything in her power to get her to college because she wanted her to have a better life than she did. However, Dee used her education against Mama and Maggie in efforts to present her culture in a “better” way. Changing her name to Wangero because her birth name “Dee”, as she informed them “I couldn’t bear it any longer, being named after the people oppress me” (Walker 27). In contrast, Mama and Maggie never changed the way they dressed “African descent” or change their names to portray their true
This shows, unlike her sister Maggie, Dee’s perception of the quilts are strictly aesthetic and artistic pieces that reflect African Heritage. Dee never considers they may represent oppression themselves and it makes her seem as though she wants them solely just to show off. In addition, Ross goes on to state, “Her admiration for them now seems to reflect a cultural trend toward valuing handmade objects, rather than any sincere interest in her “heritage.” After all, when she was offered a quilt before she went away to college, she rejected it as “old-fashioned, out of style” (Ross 1-2).
She remembers that Dee had refused her previous offer on taking the quilts, arguing that the quilts were “old fashioned and out of style”(70). She didn’t conformed to Dee as she did in the previous case, and the tension between two women
“Everyday use stresses the mother daughter bond and defines the afircan American womens identity in terms of this bond and other family relationships”(Andrews and McCann). Seeing the different views of the sisters really helps the readers understand the meaning of heritage. We don’t only see it between the sisters but the readers see it through minor characters like hakim a barber. “when hakim-a-barber says that he does not eat collard greens and pork- traditional African American foods- he symbolically denies his heritage despite his complicated African name” (“everyday use”). Hakim a barber is dee boyfriend who seems to be not so passionate about his heritage.
In attempts to reconnect with her African roots, Dee has changed her name to Wangero Leewanika Kemanjo. Dee has also taken an interest in embracing her African heritage and has dressed in traditional African clothes to visit her mother. Her mother knows that Dee’s intentions are not genuine. Worrying more about taking pictures of her mother and collecting items that represent the African culture to take back home, Dee neglects to spend time with her family. Her mother notices that Dee, “Lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me.
Importantly, the quilts which Mama promised Maggie on her marriage were highly symbolic, representing the Mama's heritage of the past. The quilt was very significant thing in a way that it represented history; it included clothes that Dee's great grandma was wearing and pieces of grandpa uniforms that he used to wear during the civil war times. The guilt also signifies the experiences of Negro American civil war; as Walker indicated the importance of civil war legacies in her story. The quilt also complements to the idea of creative activities, which women created during generational lineages.
Ms. Johnson didn't have an education, yet she knew the value of the quilts and she didn’t let a few words from Dee change her decision of giving the quilts to Maggie. Dee leaves her mother’s house quite upset and tells her sister, “You ought to try to make something of yourself, too, Maggie. It’s really a new day for us. But from the way you and Mama still live you’d never know it” (Walker 12).
Alice Walker wrote what Mama said about Dee or Wangero, “Dee wanted nice things.” Mama describes Dee as a lavish person who is only interested in herself and her fulfilling’s. Dee had changed her name to show that she is not accepting that a “white person” named her ancestors in way, so it can be passed down. Walker describes Mama as someone who is satisfied with what they have. “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon,” Walker demonstrates how Mama is pleased with nature where her life takes place in.
Characterization in “Everyday use” In “Everyday Use” Alice Walker creates the characters of Mom, Maggie, and Dee in order to explore the appreciation and values of African American culture and what it stands for. The story grows around one daughter Dee coming back home to visit her family. As one is introduced to the characters in “Everyday Use”, it becomes noticeable that the two sisters, Maggie and Dee, are very different. Maggie is portrayed as a homely and ignorant girl, while Dee is portrayed as a beautiful and educated woman.
“ ‘Mama, Wangero said sweet as a bird. Can I have these quilts?’... ‘These are all pieces of dresses Grandma used to wear. She did all this stitching by hand. Imagine!’...
These quilts are a ways of honoring her African American heritage and to be given these was very significant in their culture. For once Dee sees the historical background because of the stitching and material used, but doesn’t find any use in using them. Dee is going to try and convince her mom to let her keep the quilts, when Dee says, “Maggie can’t appreciate these quilts!” (Walker 721) and “You just will not understand. The point these quilts, these quilts!”
