In literature and films, we are often offered a unique ability to understand the experiences of marginalized groups. This essay will conduct a comprehensive analysis of how two distinct yet interconnected texts, "The Australian Dream," directed by Daniel Gordon released in 2019, and "Get Out," directed by Jordan Peele released in 2017, effectively invite viewers to comprehend the viewpoints of disempowered groups. By employing documentary conventions in "The Australian Dream" and horror film conventions in "Get Out," these texts skilfully demonstrate the complexities of racial prejudice and societal disempowerment, cultivating sympathy and expanding societal awareness. "The Australian Dream" serves as an exploration of the disempowerment experienced by Indigenous Australians within the context of sports. Centred around the story of Adam Goodes, an Indigenous Australian footballer, the documentary employs the conventions of the documentary genre to show the harsh realities of racism. By utilizing a blend of archival footage, personal interviews, and expert opinions, the film constructs a narrative that bridges the gap between historical and contemporary forms of discrimination. …show more content…
Instead of relying on supernatural elements, the film centres on the very real horror of racial discrimination. By employing tension-building techniques, unsettling imagery, and a gradual revelation of the family's sinister motives, the film intensifies the sense of disempowerment experienced by Chris. This disempowerment operates on multiple levels, encompassing both physical danger and the psychological distress caused by the realization that one is reduced to their physical attributes. This subversion of conventional horror themes amplifies the film's commentary on the lived experiences of disempowered groups, highlighting their vulnerability within societal