In the conclusion paragraph, Barry talks about the point of view of his wife, that before womens liberation, men took care of cars and the women took care of the kitchen. Women had a more womanly jobs, while the men had the more manly jobs. The stereotypes of women having a job of working in the kitchen and doing all the chores in the house, make men believe nowadays that it’s okay for women to do all the work and that men don’t need to do as much as they have to in the kitchen. In conclusion “Lost in the Kitchen” portrays a story that focuses on the food of Thanksgiving, football, and the inability for men to multi task.
In these passages they 're speaking on whether psas ' is a good thing or can it be beneficial. Passage 1 is trying to prove that these commercials are good. Passage 2 is trying to prove that this can be good or bad but basically saying beneficial. Passage 1 is correct if you ask me. If they are trying to put in kids head that drugs and alcohol can hurt you then kids will not use them.
The use of the technique in order to communicate to the audience what life was like for Feliks in Poland is evident in the quote “ Hands darkened / from the cement, fingers with cracks like the sods he broke”. This conveys that due to the fact that he worked so hard he often unintentionally and absentmindedly disregarded his son provoking him to block him out of his world. Consequently , this had a detrimental impact on their relationship as his father was satisfied in the world in which he created which disregards him ( Peter) unintentionally as the garden is what connects him ( Feliks) to his previous lifestyle in Poland as it brought a sense of belonging with knowledge that it was like his former lifestyle. Peter, on the other hand, has no deep connection with his father due to the language barrier as Peter attempted to learn English whereas his father has not attempted or approached the fact that he needs to in order to belong. Peter tries to communicate that his father never focused on learning the language and tried to maintain his Polish lifestyle by disregarding the English language.
“The Man Into Whose Yard You Should Not Hit Your Ball,” Serves as a powerful representation of the nature and impacts of addiction on those close to and even peripheral to the addict. Lux uses the characters states and actions to show this. The narrative of this poem tells how a man mows his yard despite the season, the events happening, or what’s in his yard. The tone that overwhelms this poem compares the mans need to cut his grass is to addiction and the consequences that are a cause of it.
This fluctuation promotes the overall purpose, for when Vance sets the stage for a particular time in his life with strong tone and diction, the reader is then more capable of understanding and appreciating Vance’s life and the hillbilly culture as a whole. For example, when expressing one of his most traumatizing childhood stories, the author evades alleviating the scenario. Blatantly telling of the time in which his Aunt Lori nearly overdosed on drugs, Vance writes, “Lori woke up when Mamaw and her friend Kathy placed Lori in a cold bathtub. Her boyfriend, meanwhile, wasn't responding” (45). Vance’s candid tone and unconcealed imagery observed in this anecdote employ effective rhetoric and fulfill the purpose, for the intimate details of his own life as a hillbilly provide great insight to the still existing problems and experiences faced by hillbillies today.
In the short story, “This is What it Means to Say Phoenix, Arizona”, Victor and Thomas-Builds-the-Fire are two young Indian men living on a reservation. They were best friends up to age fifteen, but had long since drifted apart. Thomas goes around town telling the same old stories that everyone is tired of listening to. Most people don’t stop to listen or speak to Thomas and neither has Victor up to this point. The men have opposing personalities and ideas about life in general.
In the story “Fences” there is a family who usually keep to themselves. It is the time when racial tensions were high. From the outside of the house if you did not know what was going on seemed normal ,but inside was different. Cory, the only son in the house felt as if his father was a lurking shadow walking in the house.
The Great Gatsby and Oryx and Crake are both cautionary tales of the consequences of a society of excess, immorality, and uncontrolled consumerism and materialism. On the one hand, Fitzgerald tells its story within the context of the Roaring Twenties, America’s era characterized by an empty pursuit of happiness. Intellectual depth becomes the most insignificant concern as a superficial competition for social status is firmly rooted in people’s lifestyle. On the other hand, Atwood uses a dystopian realistic future to carry the readers along in a world where social inequality and genetic modifications become the norm.*1 A story about the future of the Earth, Oryx and Crake represents an “educated guess” and warning about the shortcomings of
The two of them travel everywhere in a glossy, red convertible they bought together during the summer. The red convertible shows the unique connection they have together. As time passes, their relationship quality becomes damaged because of a series of factors, including a war Henry was sent off to. In a person’s life, certain aspects can be a trigger for life altering changes. Henry and Lyman’s relationship experiences dramatic changes from buying a convertible and taking it on road trips, to Henry becoming a unfamiliar face to his family.
In the novella, Of Mice and Men, the author John Steinbeck illustrates a ranch in the 1930’s during the great depression where those who fit into mainstream society run the show, and those deemed “outcasts” are rendered useless. Steinbeck depicts characters with setbacks that diminish their value in the eyes of society, and contrasts them to characters that have no difficulties conforming to the norm. Crooks, being a black man isolated by his race, and Candy, a elderly man limited by his age and missing limb are examples of Steinbeck characters that experience hardships because of the differences. The poor treatment of Crooks and Candy by the other characters, and their chronic unhappiness in a place that doesn’t value them, comments on how
John Steinbeck’s, Of Mice and Men, is a compelling story that has captured and embodied the struggle and loneliness felt by many during the Great Depression. While desire for the American Dream is prominent in the novel, Steinbeck is able to demonstrate the wants from different social classes through the construction of characters such as George Milton and Curley’s wife. With these characters, Steinbeck successfully displays the difference in ideas, values and attitudes of certain social classes in the 1930’s and the illustrates the rarity of achieving the American Dream. Steinbeck wrote this novel during the Great Depression, when America was suffering greatly by the disastrous crash of the stock market. From this point in time, separation of the different classes became
The words ¨old garden¨ generate the picture of an abandoned or unattended garden. The words ¨moonlit evening¨ evokes the impression of a peaceful night. The first paragraph
In the stories “Popular Mechanics”, written by Raymond Carver, and “Hills Like White Elephants”, written by Ernest Hemingway, show the struggles that sometimes happens while being in a relationship. In “Popular Mechanics” Carver shows the struggle of being cheated on and the fight between the couple over their baby. The baby becomes more of an item when they fight trying to show who is a better person and parent. In “Hills Like White Elephants” Hemingway shows that not everyone wants to have a baby and that it can change your life drastically. The couples in “Popular Mechanics” and “Hills Like White Elephants” are arguing over a baby, are splitting up, and the stories have settings that represent what is happening.
When the argument shifts its setting by moving from the bedroom to the kitchen, Carver’s use of symbolism adds intensity to the story. Too busy with their selfishness, “In the scuffle they knocked down a flowerpot that hung behind the stove” (329). Neither parent stopped to see the broken pot, nor did any of them break focus on their fight with the child. The kitchen is usually a place where a family comes together, but here they were breaking apart at the seams.
The speaker is describing his yard as “. . . dark, the tomatoes are next to the whitewashed wall, the book on the table is about Spain, the windows are painted shut.” (Siken 3-6), is also what his relationship has become. His dark yard, standing for nothing more than how lonely his relationship has become. The tomatoes next to the whitewashed wall is the built up hatred that they are concealing from one another.
