Most, if not all, writings contain seemingly minor detail with significant information. In Louise Eldrich’s “The Red Convertible,” protagonist Lyman recalls his memory under the willow trees. Lyman says, “under those trees… it was comfortable.” (127) Despite the indian festival powwow going on right in front of him, Lyman says that “it was quiet. ”(127)
If you were rowing past your enemy in 1775, what would you do? Paul Revere faced a scary and dangerous time while rowing by his enemies across the Charleston River. There are many similarities and differences between the poem, “Paul Revere’s Ride”, and the historical account of Revere’s ride. The meaning of the lanterns were the same in both the poem and the historical account. However, different people saw the lanterns at the Old North Church.
Alan Bradley includes a variety of literary elements and concepts in order to get his point across. He creates an intriguing protagonist in Flavia de Luce, who propels the plot and brings the novel to life. In The Sweetness at the Bottom of the Pie, Bradley’s use of youthful idealism, eloquent imagery, and dynamic tone emphasize Flavia’s positive attitude to contradict traditional ideas of intelligence. To begin with, Bradley conveys Flavia’s always-positive attitude many times throughout the story. For example, when Flavia’s investigation to find whether her father is innocent or not keeps failing, she sticks with it.
A dystopian society is dehumanizing, unpleasant, and completely unlike modern American society. Or is it? There are many similarities and differences between dystopian societies and modern American society. Three examples are in the book Fahrenheit 451, the film “2081”/”Harrison Bergeron”, and the novel The Selection. These similarities and differences can be represented in first responders, handicaps, and jobs.
Malala Yousafzai, youngest-ever Nobel Prize laureate, once said, “ I speak not for myself but for those without voice… those who have fought for their rights… their right to live in peace, their right to be treated with dignity, their right to equality of opportunity, their right to be educated”. Natives are continuously being treated with inequality and are constantly being discriminated against; Malala Yousafzai is one of the many people who stood up for people like the Natives, people who cannot speak up for themselves. The short story “Hearts and Flowers” by Tomson Highway speaks of an eight-year-old boy who fights to prove that Native people are just as human as white people. Throughout the story, one is able to uncover how people who
After reading John Steinbeck’s Of Mice and Men and Ray Bradbury’s Fahrenheit 451, some similarities found in both books relate to the theme of friendship. These two books are very different in showing their types of characters and storylines with Of Mice and Men being a type of realistic fiction novel which takes place during the Great Depression, while Fahrenheit 451 is an all-around fictional novel which takes place in a dystopian society. The protagonists, and most of the characters as well, have and form friendships with many different characters throughout the books’ storylines. These friendships are formed from losses or from a character’s personality traits. These formations of friendships are what make these two books very similar to each other.
The reconstruction during the early 1860’s and 1870’s caused different reactions throughout the United States. The first two articles seem to have a positive viewpoint of the reconstruction and the actions being taken to allow African Americans to vote and become literate and more educated. The third article, The Ordeal of Reconstruction, expresses extremely negative points throughout the article and is almost satisfied with the actions of the Ku Klux Klan. The final article Unfinished Revolution’s article is broken down into sections and informs the audience of the events which she detonates as formal and neutral. It is critical to be informed over this period due to the impacts it had on the country in later years.
Every detail mentioned in the story is put there for a reason and has indirect value to the theme. Even the smallest of details, or the most stark conversations hold meaning. When Carver writes “The boy used to say to the
Writers can enrich their story in many ways. The use of conflict, foreshadowing, and personification can be used by authors to deepen their story. The short stories “The Open House on Haunted Hill” by John Wiswell, “The Chaser” by John Collier, and “The Veldt” by Ray Bradbury all contain evidence of these literary devices. Dispute, foreshadowing, and personification are all elements that enhance short stories.
By nature, shorter poems are more densely packed with cues and devices because authors cannot express their intended message over the sweeping length of a poem but rather they must be more concise and creative. A poet may write a shorter poem to juxtapose a simple surface message to a more meaningful deeper message. Thus, complexity and artistic value are unrelated to length, but rather, they are developed through masterful writing. “Good Times” by Lucille Clifton embodies the double-edged sword of complex storytelling within a short poem, as she identifies the speaker 's occasional good memories to develop an image of the speaker’s typical abject life. The short poem is crafted with patterns of repetition, for there are so few lines to fit meaningful insight into.
There are many mini stories throughout this work. The author tells an extremely brief tale about Illinois Avenue. Three men catcall a girl, but she replies with a smart remark and keeps walking (McPhee 362). These stories offer tiny snippets of life and enhance the even greater story that his being told; that story is McPhee’s battle with his opponent. The games between McPhee and his opponent represent how people fight to find happiness and success in life and show that sometimes, failure is inevitable because the adversary is “dumbfoundingly lucky” (McPhee 364).
This had been a tiring afternoon. It was still only about four o’clock but Wilbur was ready for bed” (White, 1980, p. 24). Through this line we could find and understand that Wilbur was tired of running and hunger for food. Without variation in narrative form, we might have hard time to understand or find feeling, thought and action of the each
Raymond Carver’s short story “Popular Mechanics” was written in the minimalist style, but that didn’t stop him from using rich and full uses of imagery, symbolism and irony. Carver begins the story up by giving details on the weather outside than slowly comparing it to the drama going on inside his story. By using a mix of imagery and symbolism, the day gets darker as well as the story and gives off a feeling of melancholy. Though the communication is brief, Carver makes every word said important and meaningful. He uses irony throughout the entirety of “Popular Mechanics” and gets the purpose of the writing across while still adding emotion to the argument.
In Noah Mckenzie 's review of the short story Fat by Raymond Carver. He argues that many of the “small actions” in the story and “ statements mean a lot.” He claims that it’s a straightforward story to read and get no meaning out of it the first time. However, it is necessary to reread the story more than once to uncover things that weren’t there the first time. The author believes that carvers story has a deeper meaning and that it can only be found by reading the story more than once.
He may be the high priest of minimalism, the genre currently so much in vogue in the writing departments, but neither in style nor subject manner does he conform to conventional definitions of the literary. His prose is sparse, terse, devoid of showy effects, stripped clean of all but the most inescapable adjectives and verbs; his subject is the daily life of the American lower middle class – the flip side, as it were, of the American dream. Yardley’s argument that Carver’s writing is “stripped clean of all but the most inescapable adjectives and verbs” is entirely true. In “Little Things,” Carver does not bog the reader down with such details as the characters’ names or backgrounds.
