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Comparing Two Themes In William Shakespeare's Frankenstein And The Tempest

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“Frankenstein” by Mary Shelley and “The Tempest” by William Shakespeare are both similar because they include a father and son relationship between the characters. Frankenstein from the text “Frankenstein” and Prospero from “The Tempest” represent neglectful fathers, while the creature and Caliban represent the abandoned orphans. In spite of their similarities, the characters from both of the texts also have differences between each other. The creature is portrayed as an abandoned son who is superior to Frankenstein, unlike Caliban who is not superior to Prospero. This shows how both “Frankenstein” and “The Tempest” present similar themes to their audience in different ways. Frankenstein’s and Prospero’s characteristics are undifferentiated from one another. From the start, Frankenstein and Prospero both cared and showed kindness towards their creations, but as time went on, they grew hatred upon them. Throughout “The Tempest”, it is evident that …show more content…

Both Caliban and the creature are constantly insulted by their creators. Throughout “Frankenstein”, it is clear that Frankenstein abhors the creature and feels ashamed for creating it. In “Frankenstein”, Shelley states, “I shudder to reflect, that I have been the miserable origin and author?” From this piece of text, the reader can infer that Frankenstein wants nothing to do with the creature. Caliban is also treated in a similar manner. Prospero constantly claims that Caliban is incapable of doing anything right and is only capable of committing malicious acts. In the text, Shakespeare states, “Which any print of goodness wilt not take, being capable of all ill.” This statement further emphasizes Prospero’s revulsion towards Caliban. They have both endured neglection and verbal abuse throughout their lifetimes, which has led them to commit wrongful acts of violence upon

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Frankenstein Lit Analysis Rough Draft Since the beginning of time, Man has always pursued knowledge, but this pursuit is always kept within certain boundaries, especially while searching for the truths behind the creation and origin of life. As this quest for knowledge continues, men can become consumed with the perilous thoughts and ponderings required to attain this wisdom. In her novel, Frankenstein, Mary Shelley explains how the pursuit of forbidden knowledge can become dangerous through symbolism, allusion, and foreshadowing proving each effectively to the reader. Employing symbolism as her first technique, Shelley uses this in the way many other enlightenment authors do. The strongest use of symbolism is prevalent while Victor is contemplating

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The novel Frankenstein, written by Mary Shelley depicts certain ideas that can not be described or written within novels. For example, the telling of the story between three different narrators can teach the reader about putting together “pieces of a puzzle” in order to understand the plot of the story. The three narrators in Frankenstein are Victor, Walton, and the Creature, all with very distinct personalities and character traits. Of these storytellers, Victor could possibly be debated as the most extraordinary. The qualities that make Victor pictured as this unique character, that the fact that he is a dynamic character, and that he is an unreliable narrator.

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In addition to Caliban, Prospero's yearning for vengeance also creates internal issues for himself. After Ferdinand and Miranda announce their marriage, Prospero claims his "rejoicing / At nothing can be more," because he must "perform / Much business appertaining," (Shakespeare, 95-99). Usually, a father focuses more on his daughter getting married, however Prospero can only focus on his plans for vengeance. Some believe that the characters internal struggles were caused by the wrongdoers, and not a lack of forgiveness; however, at the end of the play, after Prospero becomes a more virtuous character, his conflicts with his brother and Caliban are resolved, clearly showing that their focus on vengeance is what caused the internal struggles.

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Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.

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By denying both main characters the sensation of domestic affection, or any other kind of social belonging, Mary Shelley highlights the importance thereof. The resulting isolation became the driving force behind both Frankenstein and his creation’s abominable actions which, in turn, shows that trying to avoid isolation and seeking the feeling of social belonging is the primary message of Mary Shelley’s Frankenstein and of

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Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”

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In the novel Frankenstein,by Mary Shelley, the mysterious and unnatural origins of the character of Frankenstein’s monster are an important element. The Monster, having been created unethically and haphazardly, is at odds throughout the novel, resulting in his alienation from society and prolonged feelings of anger, desertion, and loneliness. Shaping his character, his relationships with other characters, and the meaning of the work as a whole, the Monster’s origins are what define him. The Monster faces rejection and violence every time he attempts to make contact with the new, foreign world he has been thrust into.

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The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost

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Frankenstein and his monster begin with opposite lives: Frankenstein has everything and the monster has nothing. However, in creating the monster, Frankenstein’s life and feelings begin to parallel that of the monster’s life. Frankenstein is incredibly intelligent with a fascination for science, but ultimately his thirst for knowledge leads to his undoing. Similarly the monster is determined to understand the society around him. But once he does, he understands that he will never be able to find companionship, which leads him to pain and anger.

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“Whenever the creation order is inverted, there is disorder, destruction, and death. When we tamper with this order, even a little, we become life-takers rather than life-givers”(J. Ligon Duncan III ). This quote plays a large part in the overall literature that is Frankenstein; it pulls together the attributes of the story in a way I haven’t seen before. This essay will be focusing on the relationship between the gothic novel of Frankenstein, and the greek myth of Prometheus. It will be a compare and contrast of the dueling stories.

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Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

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The monster is said to be a replica of Frankenstein. The monster has no control over his aggression and continues to murder his master’s loved ones. Although, this aggression is spurred on from the rejection and sorrow that humanity has placed on him (Cantor 117). The creature’s ultimate sorrow is caused by the denial of a companion

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In Frankenstein, Shelley presents two characters who represent the different sides of the same character. The monster was a clear reflection of his creator because; they had the same development, same pain and suffering, and were recluses. Victor and the monster did not physically resemble each other, but they had the same personality and traits, therefore,

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Prospero brands him "a born devil, on whose name/Nurture can never stick.” As Mannoni says, “Caliban does not complain of being exploited; he complains rather of being betrayed”. Even though Prospero understands that Caliban’s bad behaviour is like that of a child, he does not offer mercy and forgiveness as freely and earnestly as one should. Thus, it is through Prospero’s treatment of Caliban that Prospero’s desire for revenge is

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In comparison, the inconsistency between diction depicts the power dynamics observed in the play. Shakespeare often uses Prospero’s servant, Ariel and slave, Caliban to portray the differences in the hierarchy of the play. As observed by the audience Prospero often uses threats and insults to communicate and assign task to Caliban, hence “...tonight thou shalt have cramps, side stitches that shall pen thy breath up. ”(I.ii.325-326) Prospero threatens Caliban with pain after his refusal to do work, because he feels as if the isle belongs to him due to the fact that it was inhabited by his mother first.

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