Beauty can be defined in so many different ways and be used as a lethal weapon as well. Although people choose to be hypocrites and stand behind their pitiful and white lies, it’s important to look at the truth. The number one reason why the world is doomed and awkward is because society depends on makeups, beards, and superficial statements. Not just that, humans depend on materialistic objects to hide behind because they feel these things make them beautiful and powerful. In Jane Martin’s short play “Beauty,” Bethany explains that “Money can only buy you things.
Choices Distinguish the Individual A man defines himself by his choices. The Picture of Dorian Gray by Oscar Wilde and Frankenstein by Mary Shelley both embody comparable characteristics about selfishness, prejudice, and desiring excess knowledge. The victims, Dorian Gray and Victor Frankenstein’s creation, become adversely influenced by Lord Henry and Victor Frankenstein respectively in divergent ways. Choosing to ignore his creation, Victor Frankenstein disregards any physical or emotional care needed by the creature. On the opposite hand, Lord Henry subjugates Dorian to his teachings by dominating his thoughts and lifestyle.
The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.
Wilde’s representation of the British upper class, its values and opinions, is presented most notably through Lady Augusta Bracknell. She is a dignified aristocratic residing fashionable London society circles. On the surface, she is very typical Victorian woman. As a mother to Gwendolen Fairfax, she has a great authority over her controlling her life. She has even a list of ”eligible young man” whom she is ready to interview in order to select a suitable partner for her daughter.
The play An Ideal Husband was written by Oscar Wilde in 1895 in England’s Victorian era. This era was characterised by sexual anarchy amongst men and women where the stringent boundaries that delineated the roles of both men and women were continually being challenged by threatening figures such as the New Woman represented by Mrs Cheveley and dandies such as Lord Goring(Showalter, 3). An Ideal Husband ultimately affirms Lord Goring’s notions about the inequality of the sexes because of the evident limitations placed on the mutability of identity for female characters versus their male counterparts (Madden, 5). These limitations will be further elaborated upon in the context of the patriarchal aspects of Victorian society which contributed to the failed attempts of blackmail by Mrs Cheveley, the manner in which women are trapped by their past and their delineated role of an “angel of truth and goodness” (Powell, 89).
“Do not be misled: ‘Bad company corrupts good character.’” (1 Corinthians 15:33). The protagonist in "The Picture of Dorian Gray" by Oscar Wilde suffers from bad company. The sway of people and objects causes impressionable Dorian to descend into corruption. Little by little, he makes choices influenced by the thoughts put in his head.
The Picture of Dorian Gray written by Oscar Wilde. The Picture of Dorian Gray shocked the moral judgments of British book critics. Some of them said Oscar Wilde deserved to be pursuance for breaking the laws guarding the common morality because the uses of homosexuality were in that time banned. This book was for that time unusual because it had a pretty serious criticism on the society from that time. The novel is about a young and extraordinarily beautiful youngster, named Dorian Gray that have promised to his soul in order to live a life of eternal youth, he must try to adapt himself to the bodily decay and dissipation that are shown in his portrait.
Influence in The Picture of Dorian Gray And The Book of Job The Picture of Dorian gray is a book written by Oscar Wilde and it was published in 1880. The book was later revised by addition of more chapters and reprinted in April 1891. Dorian Gray is the main character in this book that is described as a beautiful and unspoiled male who changes his life completely by sinning and pleasure after meeting Lord Henry. Basil Hallward who is a painter develops obsession for Dorian because of his beauty whereas Lord Henry Wotton Basil’s friend influences Dorian with his theories about life, pleasure and women even though he had no intention of changing Dorian’s personality. Lord Henry’s influence in Dorian leads to his downfall.
Another theme illustrated through Wilde’s use of motifs and symbols is the theme of superficiality. The theme of superficiality can be understood as a sense of the superficial view of outer beauty that is shown in the work. It relates to the concept of remaining young, which is an important factor of what is shown in the novel. This is an important part of the novel because outer beauty plays a bigger role for Dorian, than inner beauty does. In the beginning of the novel, Lord Henry and Dorian have a conversation that focuses on the topic of youth and Dorian 's outer beauty – Lord Henry mentions the fact that Dorian has a beautiful face, and later during this conversation, Lord Henry states that: “youth is the only thing worth having…”
The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.
Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.
The Paper of Dorian Gray Throughout Oscar Wilde’s novel, The Picture of Dorian Gray, we view the horrible actions of the main character, Dorian Gray. These actions, however, never seem to affect Dorian. We soon come to realize that this self-portrait reflects Dorian’s actions and aging process instead of Dorian and allow him to live a secret life of horrible acts. In the novel, Dorian takes full advantage of the portraits power, calling the portrait a reflection of his soul, and makes no effort to preserve his soul due to the poisonous influence from Lord Henry and his own selfishness.
M.H. Abrams’s The Mirror and the Lamp: romantic theories and the critical traditions is one of the most influential books in the field of western criticism. It was published in the year of 1953. The title of the book refers to the two contradictory metaphors used to portray the artist – one comparing the artist to a mirror which reflects nature as it is or perfected whereas the other compares the artist to a lamp that illuminates the object under consideration. Professor Abrams in his book illustrates the transition of the perspective of the theorists on the artist from one to the other and the ramifications of the latter in aesthetics, poetics and practical criticism. The essay “Orientation of critical theories” is the first chapter of this book.
Art has no influence upon action.” (Wilde 172). This statement is opposing to Wilde’s idea presented in his first letter to the St. James’s Gazette, where he claims that The Picture of Dorian Gray is a “story with a moral”, that “all excess, as well as all renunciation, brings its own punishment” 8. Thus, it can be argued that Wilde did not alter the idea of a moral story, but rather covered the idealised love of the painter Hallward for his muse to hide any homoerotic
Early in the novel, the reader gets the impression that the painting is pervaded by the longing for the youth that one has lost as well as the frightening deficiency of human life. In chapter eight this painting is described as: “the most magical of mirrors.” (Wilde 98). The portrait works
