How Does Shakespeare Use False Appearances In Much Ado About Nothing

The Sonnets and Much Ado About Nothing are two of William Shakespeare’s works that explore the deceptive nature of appearances as a way of distorting reality. Shakespeare illustrates how appearances are disingenuous and how they lead to misconstrued thoughts within relationships. In Shakespeare’s Sonnets, particularly sonnet 93, the speaker addresses the conflict between his lover’s physical appearance and inner being. Much Ado About Nothing seeks to demonstrate how deception occurs when false appearances are used as a way of twisting the truth. Both of Shakespeare’s famous works explore how appearances are used merely as a means of deception, by having sonnet 93 focusing on physical appearances, and Much Ado About Nothing examining false appearances. In sonnet 93, the speaker portrays his lover as someone who masks their emotions and feelings through their physical appearance.

Many themes are encompassed within Shakespeare’s Sonnets; however, sonnet 93 meticulously depicts how physical appearance is deceiving. Shakespeare emphasizes that although an individual may seem genuine through how they look and present themselves on the outside, it may not truly represent how they are on the inside. In sonnet 93, the

In both of these works, Shakespeare portrays appearance as a method of deception, by twisting or hiding the truth. Out of all the sonnets, sonnet 93 is the one that best illustrates how individuals may not appear to be what they truly are, such as the speaker’s lover man who possesses a physical appearance that seeks to deceive by hiding his inner thoughts. In Much Ado About Nothing, Claudio and Hero’s relationship illustrates how false appearances can be misleading and how they can have a large impact on a relationship. All in all, both of the physical and false appearances portrayed in these Shakespearean works possess a deceptive