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Comparison Of Candice Raquel Lee And Edmonia Lewis

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Candice Raquel Lee and Edmonia Lewis Edmonia Lewis and Candice Raquel Lee are two of the most inspiring African American artists in the history of art. They have motivated many inspiring artist to work hard and always accomplish your dreams in life. Although both of these artists have had a major influence on women, but also has influenced the African American culture as they both have contributed excellent pieces of art work to encourage the African American culture of artwork. Edmonia Lewis is known to be the first professional African-American, and Native-American sculptor, whom also explored religious and classical themes. When Lewis was questioned how she became an artist, she replied; "well it was a strange selection for a poor girl to make, wasn’t it? I suppose it was in me ... I became almost crazy to make something like the thing which fascinated me”.(Henderson, H. and Romare, B. 2014). Lewis knew how hard it was for a poor black woman at that time she was blessed with an exciting talent that she wanted to explore. Edmonia Lewis was originally born in East Greenbush, NY, but worked for most of her career in Italy, Rome where she obtained her fame, and recognition in the international fine arts. One of Lewis’s …show more content…

One of Lee’s quotes relating to her early years of sculpting is "I still remember the first time I smelled real modeling clay. I was in first grade and a local artist who had been invited to visit my class handed each of us a bit of the grey stuff to work with. The moment I handled it and breathed its earthy smell, it felt natural and familiar, like something from another life. Then and there at the age of six, my love affair with the medium of sculpture began." (Lee, C. 2006). Lee knew at an early age that she was going to be a famous sculptor, so she practiced hard to perfect her skills as she got

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Maya Lin is a designer and artist that came to fame when she was 21 because she submitted her design in for the Vietnam Memorial Museum and won. She graduated from Yale University and started making sketches for the Museum. She did not expect to win because many of the best architects and artists from around the world were entering their designs in as well. Not only did she design the Vietnam Memorial Museum but she also designed the Civil Rights Museum as well. She received her Master of Architecture degree in1986.

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Joshua Johnson Joshua Johnson was an African-American painter who lived in the Baltimore area. Johnson, often viewed as the first African-American to make a living out of painting in the United States, is well-known for his professional paintings. He was a self-taught painter who worked during the 19th centuries. I thought that focusing on Joshua Johnson, is more interesting because often when the matter of artists in American art history comes up, the focus tends to be on White Americans than on the American artists of color. Joshua Johnson’s paintings were not popular until the year 1939, when they were discovered by art historians, who believed that thirteen portraits were painted by Joshua Johnson.

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The artwork Untitled: Four Etchings by Glenn Ligon contains an immense amount of depth and symbolism using Zora Neale Hurston’s famous depiction of her relationship with racism. In his piece, Ligon utilizes a unique style of texture through his portrayal of the noteworthy phrase “ I do not always feel colored… ... I feel most colored when I am thrown against a sharp white background,” (Hurston). As one looks from the top of the image down, there is an extremely noticeable transition in the texture of the words from clear, smooth letters into letters that are blurry and smeared.

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Her hard work and dedication to the art is something to aspire toward in everyone’s career in whatever they chose to do. History was changed when that woman started making an impact on others with her

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The Wild One “The Wild One” written by art historian Ellen Landau focuses on the psyche of post World War 2 American society and how Jackson’s Pollock’s influence was able to shatter the conventions of an “American hero”, simultaneously bringing about change to what is considered to be an acceptable approach to picture making. Landau’s article begins by asking the question “is he the greatest living painter in the United States?” , she lays this as the platform for her central argument, linking this argument by thoroughly evaluating Pollocks deep rooted personality traits which brought about his own unique style of art making. In this article Landau discusses the relevance of Pollocks approach to painting and how method acting correlated towards the process of abstract expressionism, tying in Pollock to method actors Marlon Brando & James Dean.

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Beginning in the pre-Revolutionary War period, African American writers have engaged in a visionary, yet petulant, dialogue with American letters. The result became African American literature that is prosperous; thereby developing a social insight to their personal experiences and history. Although men are predominantly recognized in history for being well educated and powerful, women have played a great part in shaping America to what it is today. Phillis Wheatley, and Maria W. Stewart, were true Christian African American women that have portrayed historical events though literature. Wheatley and Stewart hold similar ideals for African Americans, however, their personalities are profoundly different.

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In Chapter 1 and 2 of “Creating Black Americans,” author Nell Irvin Painter addresses an imperative issue in which African history and the lives of Africans are often dismissed (2) and continue to be perceived in a negative light (1). This book gives the author the chance to revive the history of Africa, being this a sacred place to provide readers with a “history of their own.” (Painter 4) The issue that Africans were depicted in a negative light impacted various artworks and educational settings in the 19th and early 20th century. For instance, in educational settings, many students were exposed to the Eurocentric Western learning which its depiction of Africa were not only biased, but racist as well.

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Although for Nevelson, wood and black don’t have a particular symbolism to her work, but rather serves as the tools of attaining an essence, one can observe some direct references to the differences shared by the feminine and masculine social expectations and associations within her work. New York City did not just gave Louise Nevelson the opportunity to inspire from the Abstract Expressionist that was a “cross-fertilization had been essential to her development as an artist”, but also the architecture of the city as a source of inspiration. (Lisle, 129). Nevelson always mentioned the impact of New York City as a megapolis on her large scale works made in the late 1950’s and early 1960’s. For instance, Nevelson explains how the city’s artistic and urban transformation aided her style to develop into a

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I will write about Ruth Duckworth and the name of the clay work is called 28: Ruth Duckworth, Early Untitled Sculpture. Ruth Duckworth is was born on April 10, 1919 in Hamburg, Germany and died on October 18, 2009 in Chicago when she was 90 years old. She was a modernist sculptor, whose work towards more in ceramics. Most of her sculptures are untitled. The reason why most of her creations are untitled is because she said she wants people to hair their own fantasy and opinion about the artwork itself and not just hers.

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The artist I 've chosen Jess Riva Cooper, Cooper was born in 1967. Jess is currently living in Toronto as she continues to work on her art and educate. Copper is not only a ceramic artist, she works with color and drawing as well. Cooper has really traveled around the world when it comes to her education and professional work as a ceramist. Cooper earned her MFA in Ceramic Sculpture from the Rhode Island School of Design.

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During the 1920s, there was a period that was called the Harlem Renaissance, during which African Americans got the opportunity to be creative and express themselves through music and art. Langston Hughes and Louis Armstrong were a few of the famous people who came from this period in the 1920s. Another famous person that came out of the Harlem Renaissance was Zora Neale Hurston, a multi-talented African American woman who wrote stories that described the life and struggles of the 1920s through the stories she wrote. Hurston was an American writer, who was able to connect to the hearts of most people from all kinds of different races and religions during the period. Even today, her readers still feel the connection Hurston was trying to make

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General Purpose: To Inform Specific purpose: To explain the life of Dr. Dorothy Height. Central Idea: The amazing Dorothy Height endured a challenging and difficult childhood and adulthood filled full of struggles, but she never allowed any of these adversities to hinder her from accomplishing remarkable achievements throughout her lifetime. INTRODUCTION I. Attention Material A. “When you worry about who to give credit to; you get little done” was quoted by Dorothy Height 1.

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The purpose of this essay is to provide a thorough yet concise explanation on the ways in which The Harlem Renaissance helped shaped the culture and perceptions of the “New Negro” in modern era of the 1920s and early 1930s. I will analyze the socioeconomic forces that led to the Harlem Renaissance and describe the motivation behind the outburst of Black American creativity, and the ideas that continue to have a lasting impact on American culture. In addition, I will discuss the effects as well as the failures of the movement in its relationship to power and resistance, highlighting key figures and events that are linked to the renaissance movement. During the 1920s and early 1930s New York City’s district of Harlem became the center of a cultural

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She also said how her mother brought back her classwork and software necessary and then she learned how to handle those programs by herself teaching her the technical side of graphic design. Those programs were early versions of Photoshop, Pagemaker, QuarkXPress, and Super Paint. She says that the things she produced back then were bad because she inserted every font she could and inserted graphics randomly. In summer camp for high school students she finally got into some design classes by working for school publications. Then when she went to college typography courses it brought a new level of sophistication to her designs.

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